--- title: The 10 Best Miniseries of the 2010s Decade description: From 'Top of the Lake' to 'Sharp Objects,' these are TIME's picks for the best miniseries of the decade. canonical: https://time.com/5727531/best-miniseries-2010s-decade/ author: Judy Berman article:opinion: false article:content_tier: free article:published_time: 2019-11-16T12:00:25.000Z article:modified_time: 2026-02-24T07:45:08.086Z article:section: Entertainment og:title: The 10 Best Miniseries of the 2010s og:description: From 'Top of the Lake' to 'Sharp Objects,' these are TIME's picks for the best miniseries of the decade og:url: https://time.com/5727531/best-miniseries-2010s-decade/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blta2bef611a3bef6e3/698a0616e76ad2b368636d12/best-of-decades-miniseries-1.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 og:image:width: 1200 og:image:height: 675 og:image:alt: best-of-decades-miniseries-1 og:type: article twitter:card: summary_large_image twitter:title: The 10 Best Miniseries of the 2010s twitter:description: From 'Top of the Lake' to 'Sharp Objects,' these are TIME's picks for the best miniseries of the decade twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blta2bef611a3bef6e3/698a0616e76ad2b368636d12/best-of-decades-miniseries-1.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 ---  # The 10 Best Miniseries of the 2010s ## Video: When They See Us Official Trailer [Watch (HLS stream): When They See Us Official Trailer](https://cdn.jwplayer.com/manifests/esIVtb7C.m3u8) (2:49)  _Published 2019-05-22. When They See Us Official Trailer_  by [Judy Berman](https://time.com/author/judy-berman/)  ## Judy Berman TV Critic Nov 16, 2019 12:00 PM UTC  Jude Law in 'The Young Pope'; Kate Winslet in 'Mildred Pierce'; Cuba Gooding, Jr. in 'The People vs. O.J. Simpson: American Crime Story.' Jude Law in 'The Young Pope'; Kate Winslet in 'Mildred Pierce'; Cuba Gooding, Jr. in 'The People vs. O.J. Simpson: American Crime Story.'  by [Judy Berman](https://time.com/author/judy-berman/)  ## Judy Berman TV Critic Nov 16, 2019 12:00 PM UTC Along with the sheer volume of ideas, voices and [viewing options](https://time.com/5703656/best-streaming-services/) that we now enjoy, one of the most exciting TV trends of the past decade has been a streaming-driven liberation from standard hourlong drama and half-hour sitcom formats—a development that has [brought the miniseries back](https://time.com/4465726/emmys-miniseries-revival/) in a big way. These one-season wonders are an art form all their own. They require more efficient storytelling and character development than a show designed to run for years. And since they don’t stick around long enough to wear out their welcome, they’re often more satisfying in the end. In celebration of what has become one of my favorite varieties of television—and as a supplement to my list of the [decade’s 10 best shows](https://time.com/5722419/best-tv-shows-2010s-decade/)—here’s a chronological list of the miniseries I loved most in the 2010s. A note on criteria: Now that networks seem to be using the “limited series” designation to test out longer-term concepts—and popular miniseries like _Downton Abbey_ and _Big Little Lies_ have been renewed for two or more seasons—it’s harder than ever define what does and doesn’t fit into this category. To qualify for this list, however, a miniseries has to be defined as such in advance of its release. It can have sequels, like _Top of the Lake_ and _The Young Pope_, but it can’t be a single, continuous story that spans multiple seasons or a series that was canceled after just one.) Also read TIME’s list of the best [TV shows](https://time.com/5722419/best-tv-shows-2010s-decade/), [movies](https://time.com/5725149/best-movies-2010s-decade/), [movie performances](https://time.com/5720170/best-movie-performances-2010s-decade), [nonfiction books](https://time.com/5720016/best-nonfiction-books-2010s-decade/) and [fiction books](https://time.com/5719966/best-fiction-books-2010s-decade/) of the decade. ## _Mildred Pierce_ (HBO, 2011) It takes audacity to attempt a new adaptation of James M. Cain’s novel _Mildred Pierce_. Michael Curtiz’s 1945 film is a noir classic, driven by an iconic—and gloriously campy—lead performance from [Joan Crawford](https://time.com/4230871/joan-crawford-advice/). But director [Todd Haynes](https://time.com/4136724/carol-todd-haynes-cate-blanchett-rooney-mara/) (_Carol_, _Far From Heaven_) rose to the challenge with this miniseries, which is more character study than thriller. Kate Winslet won an Emmy for her turn as a more sympathetic incarnation of Mildred, a smart, steely, resourceful 1930s housewife who kicks out her lousy husband and goes on to become a successful restaurateur, using her estimable culinary talents to support her kids. ([Evan Rachel Wood](https://time.com/4869992/evan-rachel-wood-westworld-comic-con/) is a hoot as Mildred’s daughter Veda, a spoiled brat for the ages.) Haynes’ approach played to his strengths as a filmmaker, delving deep into the psychology of his distinctive female characters and drawing out the vintage glamor in even the dingiest domestic scenes. His humane take on _Mildred_ made the case that no story is too sacred to retell, as long as you come to it with a fresh point of view. ## _Top of the Lake_ (Sundance Channel, 2013) Cinema’s loss was television’s gain in the 2010s, as studios’ intellectual-property arms race and an explosion in original programming brought such big-name filmmakers as David Lynch, Cary Joji Fukunaga, Gina Prince-Bythewood, the Wachowskis, Spike Lee and Lisa Cholodenko (whose HBO miniseries _Olive Kitteridge_ narrowly missed my top 10) to the small screen. Among the first to make the jump to auteur-driven TV was _The Piano_ writer-director [Jane Campion](https://time.com/4936536/jane-campion-top-of-the-lake/), with this haunting detective story set in her native New Zealand. Elisabeth Moss—in a role that presaged her versatile post-_Mad Men_ run in star vehicles like _Queen of Earth_, _The Handmaid’s Tale_ and _Her Smell_—starred as Robin Griffin, the archetypal big-city detective who ends up investigating a crime in her rural hometown. But that’s where the procedural conventions end. As in her mesmerizing films, Campion refuses to spoon-feed her audience plot points. The story, which concerns the disappearance of a pregnant 12-year-old, unfolds slowly and hazily, making Robin’s past as much of a mystery as the case itself. In its visual beauty as well as in the elegance with which it confronted a culture of misogyny, _Top of the Lake_ (its reputation only slightly tarnished by an overwrought 2017 sequel, _Top of the Lake: China Girl_) raised the bar for TV as art. ## _Wolf Hall_ (PBS, 2015) _Masterpiece_ was the original prestige TV, bringing highbrow costume dramas into American living rooms decades before books—and miniseries—took over the small screen. The franchise still has much to offer, from the exploits of _Poldark_’s hunky 18th-century crusader to the endless reign of _Downton Abbey_. But its greatest British import of the 2010s was BBC Two’s [_Wolf Hall_](https://time.com/3768716/review-wolf-hall-pbs/), a six-part adaptation of Hilary Mantel’s brilliant Thomas Cromwell novels. A fascinating figure in the court of Henry VIII, Cromwell rose from humble origins to become the fickle king’s most trusted advisor—until he wasn’t anymore, at which time he was executed. Mantel’s books are dense, detailed accounts of political machinations that feel distinctly modern in their depictions of power; screenwriter Peter Straughan (_Tinker Tailor Soldier Spy_) captured that intricacy without getting tangled up in it. Even more impressive was the cast, with Damian Lewis puffing out his chest as a spoiled Henry, Claire Foy as a snotty Anne Boleyn and Mark Rylance delivering one of TV’s most controlled, multilayered performances in the role of Cromwell. ## _American Crime Story: The People vs. O.J. Simpson_ (FX, 2016) In accordance with the 20-year cycle of revisionism and nostalgia, pop culture spent a lot of time in the 2010s re-litigating the 1990s. No story was more ripe for this treatment than that of O.J. Simpson. Released in the same year as the excellent ESPN documentary _O.J. Simpson: Made in America_, the first season of [_American Crime Story_](https://time.com/4193893/review-the-people-v-o-j-simpson-american-crime/), a true-crime anthology from the extended [Ryan Murphy universe](https://time.com/5667752/ryan-murphy-netflix/) that was developed by Scott Alexander and Larry Karaszewski (_The People v. Larry Flynt_), dissected the football hero’s [extremely public trial](https://time.com/4202124/oj-simpson-fx-people-v-oj-simpon/) on charges that he murdered his ex-wife Nicole Brown Simpson and her friend Ron Goldman in 1994\. Drawing on Jeffrey Toobin’s book _The Run of His Life_, the team of writers highlighted salient issues like media bias, celebrity privilege and the long history of police racism that likely influenced Simpson’s acquittal. But they also made time to devote full episodes to empathetic profiles of misunderstood characters like Marcia Clark (Sarah Paulson) and Christopher Darden (Sterling K. Brown). Inspired stunt casting—Courtney B. Vance as Johnnie Cochran! David Schwimmer as Robert Kardashian! John Travolta as a bonkers Robert Shapiro!—made the show as fun to watch as it was important to think about and set the tone for a similarly ’90s-set second season, _The Assassination of Gianni Versace_. ## _The Night Of_ (HBO, 2016) One night in New York City, Muslim-American college student Nasir Khan ([Riz Ahmed](https://time.com/collection/2017-time-100/4742708/riz-ahmed/), in a breakout role) sneaks out and steals his dad’s cab. On his way to the party he’d been planning to attend, he meets Andrea (Sofia Black-D’Elia), a wild rich girl who invites him back to her place for an evening of drug-fueled sex. None of these misadventures are exactly beyond the pale for youthful indiscretion—until he wakes up the next morning and finds Andrea stabbed to death. His arrest is inevitable, and considering how intoxicated he was the last time he saw the victim alive, Naz can’t be completely sure he’s innocent. So when a low-rent lawyer (John Turturro, in an empathetic performance as a man suffering from loneliness and severe eczema) acts on an instinct to take the case, his first task is to discern what really happened that night. Beneath the beats of a perfectly paced mystery with two distinctive leads, scripted by veteran crime writer Richard Price and Oscar winner Steven Zaillian, [_The Night Of_](https://time.com/4470877/the-night-of-making-a-murderer/) grappled with Islamophobia, economic inequality and the consequences of incarceration for an impressionable young man. In the 2010s, TV gave us plenty of snapshots of a broken justice system; this one zoomed in close enough to capture every exasperating detail. ## _The Young Pope_ (HBO, 2017) Before [_The Young Pope_](https://time.com/4623402/hbo-jude-law-the-young-pope/) even premiered, its title launched [a thousand memes](https://slate.com/culture/2017/01/a-taxonomy-of-young-pope-memes-on-twitter.html): So imagine there’s this pope, but he’s young. He’s American. And, by virtue of being played by Jude Law, he’s hot. That’s it; that’s the pitch. Little did the social media peanut gallery know that this miniseries from Italian filmmaker Paolo Sorrentino would end up being far weirder than any joke they could crack about it. Initially an absurdist comedy about an upstart’s [attempts to mold the Catholic Church](https://time.com/4633580/young-pope-history/) in the image of his own vain, performatively reactionary, Daft-Punk-loving, diet-soda-swilling ego, the show developed—by design and in tandem with its evolving protagonist—into a deeper, more sincere and searching examination of an old religious institution’s role in the contemporary world. It didn’t hurt that these ambitious themes coexisted with the spectacles of Diane Keaton as a cigarette-smoking nun, Law trying on jewels to the strains of LMFAO’s “Sexy and I Know It” and sporadic appearances by a pet kangaroo. Here’s hoping that Sorrentino’s follow-up _The New Pope_, coming to HBO in 2020, is just as wonderfully bizarre. ## _Alias Grace_ (Netflix, 2017) Despite all the fanfare that surrounded Hulu’s flagship drama [_The Handmaid’s Tale_](https://time.com/5614125/the-handmaids-tale-season-3/), the best [Margaret Atwood](https://time.com/5667821/margaret-atwood-the-testaments/) adaptation of the decade turned out to be this miniseries from writer Sarah Polley (_Stories We Tell_) and director Mary Harron (_American Psycho_). Based on the true story of Grace Marks, a 19th-century Irish maid in Canada who became a _cause célèbre_ after her conviction in the murders of her employer and his housekeeper, _Alias Grace_ is framed as a series of sessions between Grace (a sphinx-like Sarah Gadon)—now 15 years into her life sentence—and a psychiatrist (Edward Holcroft) sent to evaluate her mental state. She has always claimed to have no memory of the day the slaughter took place, and her supporters hope that his observations will vindicate her. Their doctor-patient relationship abounds with fascinating tensions, as flashbacks provide insight into the brutal realities of a life as constrained as that of a single, impoverished immigrant woman in the Victorian era. Best of all, no one had the temerity to continue the show beyond the profoundly satisfying conclusion of Atwood’s book. ## _Patrick Melrose_ (Showtime, 2018) Patrick Melrose is one of the most distinctive characters in contemporary fiction—an English aristocrat who uses drugs, sex and nihilism to cope with the residual trauma of the sexual abuse he suffered as a boy, at the hands of his psychopathic father. In five short, semi-autobiographical novels that span 40 years, following Patrick from his lonely, privileged youth through his middle-aged attempts to create a loving family for his own sons, author Edward St. Aubyn immerses readers in the often-addled mind of this intelligent, sardonic, wounded man and the people who move in and out of his life. [Benedict Cumberbatch](https://time.com/70781/benedict-cumberbatch-2014-time-100/)—a longtime St. Aubyn fan—was the perfect actor for such a difficult lead role, capturing Patrick’s wit, his depression and his long, slow evolution into a less broken person. Each book has a distinctive tone and set of narrators, and in five episodes that each cover a single novel, writer David Nicholls (2015’s _Far from the Madding Crowd_) and director Edward Berger (_The Terror_) make subtle stylistic choices that recreate those differences. “Bad News” is a harrowing lost weekend in New York; “Some Hope” moves fluidly through the social minefield of a society party. The antidote to vague, predictable antihero TV, _Patrick Melrose_ dispelled the aura of romance that so often surrounds such narratives and replaced it with hard-won maturity. ## _Sharp Objects_ (HBO, 2018) HBO set up [_Sharp Objects_](https://time.com/5324721/hbo-sharp-objects/) as the next [_Big Little Lies_](https://time.com/5601973/how-tv-and-film-are-converging/), a murder mystery adapted from a novel of the same name, with an A-list, female-led cast and _Wild_ vet Jean-Marc Vallée in the director’s chair. But _Gone Girl_ author [Gillian Flynn’s](https://time.com/5050757/gillian-flynn-on-women-speaking-out-sexual-harassment/) debut tells a much darker story than its predecessor, one steeped in Southern Gothic grotesquerie rather than soap-opera cattiness. In a performance that ranks among her best, Amy Adams stars as Camille Preaker, an alcoholic, self-harming journalist who reluctantly returns to her small Missouri hometown to report on the murders of two young girls. The visit reunites Camille with her rich, manipulative mother (Patricia Clarkson, terrifying) and a young teen half-sister (Eliza Scanlen, mesmerizing) who’s living a dangerous double life. And the investigation dredges up generations-old trauma within the town over its class stratification, legacy of slavery and chronic mistreatment of women. Beyond acting, writing (from Flynn and creator Marti Noxon, among others) and direction to rival any Oscar winner, _Sharp Objects_ capitalized on vivid sensory elements—the music of Led Zeppelin, the disorienting visual blur of intoxication, the texture of the words Camille scratched onto her skin—to create an uncommonly immersive viewing experience. The result was a psychological thriller with real, visceral resonance. ## _When They See Us_ (Netflix, 2019) On April 9, 1989, the 28-year-old white jogger Trisha Meili was beaten, raped and left for dead in Central Park. By the end of the following year, five black and Latino teenagers from Harlem—Korey Wise, Raymond Santana, Kevin Richardson, Yusef Salaam and Antron McCray—had been coerced into confessing and convicted of carrying out the brutal attack, despite zero physical evidence. All were eventually cleared and released, but not before they’d wasted the final years of their childhoods behind bars. With this wrenching four-part miniseries about their ordeal, writer-director Ava DuVernay recast one of the most infuriating instances of institutional racism in post-Jim Crow history, demonstrating how the false convictions irreparably altered the families and futures of children who’d done nothing wrong. Along with laying bare the mechanisms of injustice, [_When They See Us_](https://time.com/5592163/when-they-see-us-netflix-ava-duvernay/) ensured that viewers got to know its characters as individual people. These portrayals made an immediate real-world impact. After the show appeared on Netflix, prosecutors involved in the case [lost jobs, board seats and publishers](https://time.com/5605572/netflix-central-park-five-prosecutors/)—and the men formerly known as the Central Park Five are now recognized around the world as the Exonerated Five. ```json [{"@context":"https://schema.org","@type":"NewsArticle","@id":"https://time.com/5727531/best-miniseries-2010s-decade/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/5727531/best-miniseries-2010s-decade/"},"headline":"The 10 Best Miniseries of the 2010s","datePublished":"2019-11-16T12:00:25.000Z","dateModified":"2026-02-24T07:45:08.086Z","description":"From 'Top of the Lake' to 'Sharp Objects,' these are TIME's picks for the best miniseries of the decade","url":"https://time.com/5727531/best-miniseries-2010s-decade/","keywords":["Television","Evergreen"],"thumbnailUrl":"https://static.time.com/v3/assets/bltea6093859af6183b/blta2bef611a3bef6e3/698a0616e76ad2b368636d12/best-of-decades-miniseries-1.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","author":[{"@type":"Person","name":"Judy Berman","jobTitle":"TV Critic","url":"https://time.com/author/judy-berman/"}],"articleSection":"Entertainment","image":[{"@type":"ImageObject","url":"https://static.time.com/v3/assets/bltea6093859af6183b/blta2bef611a3bef6e3/698a0616e76ad2b368636d12/best-of-decades-miniseries-1.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","width":1200,"height":675,"headline":"best-of-decades-miniseries-1","caption":"Jude Law in 'The Young Pope'; Kate Winslet in 'Mildred Pierce'; Cuba Gooding, Jr. in 'The People vs. O.J. 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