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---
description: The &#x27;Black-ish&#x27; creator wanted his first Netflix comedy to be &quot;bold, honest, and unfiltered.” In some ways, it is.
title: Review: &#x27;#blackaf&#x27; Is Kenya Barris&#x27; &#x27;Curb Your Enthusiasm&#x27;
image: https://static.time.com/v3/assets/bltea6093859af6183b/blta451af95b54f74cf/698a0ce3b3fce3a3310c69ca/BLACKAF_102_SG_00047RC.jpg?branch=production&amp;width=3840&amp;quality=75&amp;auto=webp&amp;crop=16:9
---

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# Netflix's _#blackAF_ Is Kenya Barris' Uneven But Inspired _Curb Your Enthusiasm_


![Judy Berman](https://static.time.com/v3/assets/bltea6093859af6183b/bltc8170b2c5c3c92c7/698a3ea0457a52b982d67c3b/Judy-1.jpg?branch=production&width=3840&quality=75&auto=webp&crop=1:1)

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[Judy Berman](/author/judy-berman/)


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## Judy Berman


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TV Critic

Apr 15, 2020 4:45 PM CUT

![#BLACKAF](https://static.time.com/v3/assets/bltea6093859af6183b/blta451af95b54f74cf/698a0ce3b3fce3a3310c69ca/BLACKAF_102_SG_00047RC.jpg?branch=production&width=3840&quality=75&auto=webp&crop=3:2)

Kenya Barris and Rashida Jones in '#blackaf'

Kenya Barris and Rashida Jones in '#blackaf'Courtesy of Netflix

![Judy Berman](https://static.time.com/v3/assets/bltea6093859af6183b/bltc8170b2c5c3c92c7/698a3ea0457a52b982d67c3b/Judy-1.jpg?branch=production&width=3840&quality=75&auto=webp&crop=1:1)

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[Judy Berman](/author/judy-berman/)


![Judy Berman](https://static.time.com/v3/assets/bltea6093859af6183b/bltc8170b2c5c3c92c7/698a3ea0457a52b982d67c3b/Judy-1.jpg?branch=production&width=96&quality=75&auto=webp)

## Judy Berman


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Apr 15, 2020 4:45 PM CUT

Kenya Barris had been working in TV for more than two decades by the time [_Black-ish_](https://time.com/3419268/review-blackish/ "undefined") made him a brand name. Debuting in 2014, alongside [_Fresh Off_ _the Boat_](https://time.com/3694113/review-fresh-off-the-boat/ "undefined"), [_Empire_](https://time.com/3655690/review-empire-fox/ "undefined") and [_Jane the Virgin_](https://time.com/3545682/jane-the-virgin-is-the-keeper-of-this-fall-season/ "undefined"), the ABC sitcom about an upper-middle-class black family helped ignite a boom in shows that centered on people of color. It’s since become a franchise, spinning off the ’80s-set prequel [_Mixed-ish_](https://time.com/5680427/fall-2019-network-tv/ "undefined") and Freeform’s [_Grown-ish_](https://time.com/5067256/yara-shahidi-grownish/ "undefined"), which follows the family’s eldest daughter to college. In his free time, Barris scripted the blockbuster [_Girls Trip_ ](https://time.com/4864477/girls-trip-review/ "undefined")and produced movies like the Issa Rae-Regina Hall vehicle [_Little_](https://time.com/5568323/little-marsai-martin-movie-review/ "undefined"). His signature is the skillful use of familiar comedic forms to explore contemporary black life.

But when he signed with Netflix in 2018, it wasn’t just about the $10 million payday. Months before Barris left ABC, it shelved an ambitious, ostensibly provocative episode of _Black-ish_ that reflected on recent events like [Charlottesville](https://time.com/longform/white-supremacist-charlottesville-photos/ "undefined"). The incident was proof he’d outgrown the constraints of network comedy, creatively and politically. And the result is _#blackAF_, his first scripted series for Netflix. In a note to critics, Barris explained, “I wanted this to be something bold, honest, and unfiltered.”

In some ways, it is. No longer content to filter his ideas and experiences through _Black-ish_’s Johnson clan, Barris stars as a version of himself: a successful producer drifting around his large glass-and-concrete home, alternately oblivious to and bickering with his wife ([Rashida Jones](https://time.com/4764003/rashida-jones-hot-girls-wanted/ "undefined")) and their six kids. Framed as a documentary directed by their teen daughter (Iman Benson), the show has a looser structure than his earlier work. It’s the [_Curb Your Enthusiasm_](https://time.com/5765717/curb-your-enthusiasm-best-cameos/ "undefined") to _Black-ish_’s [_Seinfeld_](https://time.com/2954097/seinfeld-25th-anniversary/ "undefined"), with monologues interspersed throughout that tackle fraught issues within the black community, like materialism and fatherhood.

These interludes can be illuminating, but they—along with the framing device and too many tired family-sitcom plots (e.g., Mom and Dad do drugs)—slow the already languid pace. More engaging are scenes that depict Barris’ professional life, as a creator whose career has taken him from Inglewood to Hollywood; in the strongest episode, he (with guest stars including Rae, [Ava DuVernay](https://time.com/author/ava-duvernay/ "undefined") and [Tyler Perry](https://time.com/4264438/tyler-perry-the-passion/ "undefined")) agonizes over how to judge black art. And though he’s no actor, Barris’ Larry-David-like self-awareness lends authenticity to his performance. Even if it takes another season to perfect, _#blackAF_ feels substantial enough to justify the investment.

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