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---
description: New music from Camila Cabello, Mahalia with Ella Mai, Adam Lambert, IDK, and The Highwomen with Sheryl Crow.
title: The 5 Best Songs of the Week From Camilla Cabello&#x27;s &#x27;Shameless&#x27; to Adam Lambert&#x27;s &#x27;Superpower&#x27;
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---

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# The 5 Best Songs of the Week From Camila Cabello's 'Shameless' to Adam Lambert's 'Superpower'


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Sep 6, 2019 8:30 PM CUT

![Raisa Bruner](https://static.time.com/v3/assets/bltea6093859af6183b/blt7115d86fab01279f/698938c17cdbacff0cd5dc5b/r_bruner-web-resized.jpg?branch=production&width=3840&quality=75&auto=webp&crop=1:1)

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This week, R&B singer Mahalia finds a groove on her new album, while rapper IDK hits the right spot in introspective rap on his major-label debut. [Camila Cabello](https://time.com/money/5117499/camila-cabello-from-high-school-dropout-to-a-20-year-old-chart-topper/ "undefined") teases her sophomore project and takes a new direction on the bold “Shameless.” [The Highwomen](https://time.com/5629961/best-songs-beyonce-lion-king/ "undefined") make the case for supergroups and bring Sheryl Crow into the fold on “Heaven Is a Honky Tonk” off their powerhouse collaborative album. And [Adam Lambert](https://time.com/5535190/2019-oscars-queen-adam-lambert/ "undefined") shows that he’s got an infectious style well beyond his work with Queen on “Superpower.”

## “What You Did,” Mahalia feat. Ella Mai

Mahalia is a voice to know in the emergent generation of R&B singers: a silky-sounding young British artist whose music has smoky corners and elegant edges. “What You Did,” off her new album out today, _Love and Compromise,_ is a prime example. Sampling Cam’ron and Juelz Santana’s 2002 hit “Oh Boy,” Mahalia makes good use of that track’s lush beat while singing evocatively about mistakes. “Yeah, you know I love you but I can’t forgive it,” she sighs. “You could tell me stay, but I have to go.” Crooner Ella Mai comes in for a beautiful assist, and when they duet it’s a warm, comforting embrace. The song may be about the dissolution of a relationship, but endings sound sweet coming from Mahalia.

## **“Shameless,” Camila Cabello**

Camila Cabello’s first solo outing, the self-titled _Camila_, was an album of intimate, stripped-down pop that let her play with the expressiveness of her voice and clever writing. “Shameless,” one of two new songs off her upcoming sophomore album _Romance_ and a follow up to late-breaking summer hit “Señorita” with Shawn Mendes, sees Cabello go in a new direction: power pop-punk with a dark edge. Cabello’s voice has always been best matched with slinky lyricism, but on “Shameless” she explores new potential with a sound that’s more in the tradition of the guitar-driven angst of Avril Lavigne and some eras of Pink. “I need you more than I want to,” she keeps repeating, baring a fresh intensity.


## **“Superpower,” Adam Lambert**

Multi-talented singer-songwriter-actor-_American-Idol_\-star Adam Lambert has spent the bulk of his time since 2012 with Queen + Adam Lambert, in a role as a frontman for the legendary band that Lambert has performed admirably. But don’t forget that Lambert is a solo artist as well, one who excels in funk and soul grooves. “Superpower” is the latest single off _Velvet: Side A_, the first half of his next solo project. It’s got a gritty guitar, juicy bass and lots of funk, with an extra electric guitar riff and gospel choir bridge just to up the ante; it’s born for the dance floor. Turns out, Lambert’s superpower may just be putting on a stylish show across genres.


## “Heaven Is a Honky Tonk,” The Highwomen (Brandi Carlile, Natalie Hemby, Maren Morris and Amanda Shires) feat. Sheryl Crow

The Highwomen — the quartet of country-folk star-power that is Carlile, Hemby, Morris and Shires — are kind of a big deal. Not only are they four distinctive voices in the genre coming together for a collaborative album, but also each of these artists is currently at the peak of her game: Hemby was a critical songwriter for the [_A Star Is Born_](https://time.com/5498917/a-star-is-born-music/ "undefined") soundtrack and Nashville hitmaker, Carlile just won a bunch of well-deserved Grammys, Morris is one of the most in-demand [young country stars](https://time.com/5551305/maren-morris-girl-country-music-review/ "undefined"), and Shires is a talented musician, singer and writer with a history of working with impressive acts. So the fact that they carved out the time for this supergroup is a feat in and of itself. Their new album, as encapsulated in “Heaven Is a Honky Tonk,” is a beautifully crafted joint effort filled with specific songwriting, lovely harmonies and aching acoustic twists that takes past classics and country tropes — in this case, Ray LaMontagne’s song of the same name — and reshapes it into something new and all their own. This one also gets a boost from the addition of Sheryl Crow, a veteran of the genre who sounds right at home in this squad.


## “December,” IDK

Unless you’ve been paying _very_ close attention, Maryland-based rapper IDK’s debut major-label release _Is He Real?_ might have come as a surprise this week. The mysteriously-named artist (it stands for Ignorantly Delivering Knowledge) tapped a top notch list of contributors; you’ll hear [Tyler, The Creator](https://time.com/4876070/tyler-the-creator-flower-boy-review/ "undefined"), Pusha T, J.I.D., DMX, Burna Boy and others throughout the album, which focuses on questions of the metaphysical but keeps things relatable. “December,” featuring Nigerian artist-of-the-moment Burna Boy, is a moody love song of a rap; IDK slips between singing and rapping effortlessly. “When I saw you I remembered / The feeling of, the feeling of December,” he muses in an introspective slow-burn towards love.

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