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title: Inside Rings of Power, Amazon&#x27;s Lord of the Rings Prequel
description: The most expensive series ever is being launched with extraordinary secrecy. We talked to the cast, creators, and more about how they did it.
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article:published_time: 2022-08-15T11:00:47.000Z
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og:title: The Secretive, Extravagant, Bighearted World of &#x27;The Rings of Power&#x27;
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twitter:title: The Secretive, Extravagant, Bighearted World of &#x27;The Rings of Power&#x27;
twitter:description: Inside the world&#x27;s most expensive show
twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt06b8dc7d6a560114/698a349a011682606d982292/time-amazon-rings-of-power-cast-inside.jpg?branch=production&amp;width=3840&amp;quality=75&amp;auto=webp&amp;crop=16:9
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# The Secretive, Extravagant, Bighearted World of _The Rings of Power_, the Most Expensive Show Ever Made

<!-- video src="https://cdn.jwplayer.com/manifests/r5YrRUWX.m3u8" -->
## Video: Meet the Cast of The Most Expensive TV Show In History: 'The Rings of Power'

[Watch (HLS stream): Meet the Cast of The Most Expensive TV Show In History: 'The Rings of Power'](https://cdn.jwplayer.com/manifests/r5YrRUWX.m3u8) (5:14)

![Meet the Cast of The Most Expensive TV Show In History: 'The Rings of Power'](https://cdn.jwplayer.com/v2/media/r5YrRUWX/poster.jpg?width=720)

_Published 2022-08-15. TIME sat down with five cast members of Amazon Studio’s new Lord of the Rings prequel series “The Rings of Power.” The show will cost over $1 billion to develop. Cast members Morfydd Clark, Ismael Cruz Córdova, Cynthia Addai-Robinson, Markella Kavenagh, and Charlie Vickers talked to TIME about their characters, filming in New Zealand during the COVID-19 pandemic, and what it means to join an iconic franchise. The series premieres September 2._


Aug 15, 2022 11:00 AM CUT

![Eliana Dockterman](https://static.time.com/v3/assets/bltea6093859af6183b/blt562ce4d8c2d99f2f/69893e0822fb85100ce270af/e_docterman-resize.jpg?branch=production&width=3840&quality=75&auto=webp&crop=1:1)

by 

[Eliana Dockterman](/author/eliana-dockterman/)


![Eliana Dockterman](https://static.time.com/v3/assets/bltea6093859af6183b/blt562ce4d8c2d99f2f/69893e0822fb85100ce270af/e_docterman-resize.jpg?branch=production&width=96&quality=75&auto=webp)

## Eliana Dockterman


Correspondent

Aug 15, 2022 11:00 AM CUT

Tears are streaming down Ismael Cruz Córdova’s chiseled cheekbones. Somehow, hardly anyone notices. I’m at San Diego Comic-Con, halfway through 96 hours spent shadowing the cast and creators of [_The Rings of Power_](https://time.com/6197384/rings-of-power-trailer-breakdown-lord-of-the-rings/ "undefined")_,_ Amazon’s highly anticipated [_Lord of the Rings_](https://entertainment.time.com/2005/02/12/all-time-100-movies/slide/the-lord-of-the-rings-2001-03/ "undefined") prequel series. Tomorrow, [franchise superfan Stephen Colbert](https://time.com/4440615/stephen-colbert-late-show-lord-of-the-rings/ "undefined") will debut a trailer for the series to 6,500 screaming attendees, many wearing pointy wizard hats. But tonight, at a private dinner, journalists are getting an early preview of the video in a golden faux forest constructed by Amazon for the occasion.

After a day spent among the convention crowd in 80-degree heat, sweaty, sneaker-clad members of the press mingle with actors dressed in cocktail attire: Córdova has chosen a sharp suit with a black leather harness pulled tight across his chest. A 16-person choir and 25-piece orchestra—fronted by a violinist decked out in Middle-earth regalia—perform music from the series.

![Lord of the Rings Prequel Time Magazine cover](https://static.time.com/v3/assets/bltea6093859af6183b/blteef4a824cb19acc9/698a3497d075335d5de6d1dc/TIM220912_LOTR-Cover-Final.jpg?branch=production&width=3840&quality=75&auto=webp)

Photograph by Bryan Huynh for TIME

[**_Buy a print of TIME’s The Rings of Power cover here_**](https://timecoverstore.com/featured/rings-of-power-lord-of-the-rings-prequel-photograph-by-bryan-huynh-for-time.html "undefined")

With ethereal features and perfect posture, Córdova is an ideal choice for a warrior elf named Arondir. The 35-year-old actor had warned me the day before that he teared up several times on the show’s New Zealand set and would likely do so again at Comic-Con. And though he’s heard the score before, the swelling strings add particular drama to the occasion, a lifetime in the making for Córdova, the first person of color to portray one of J.R.R. Tolkien’s elves onscreen. Though the stakes feel particularly high for the actor, he’s far from alone in his elation and anxiety. Nearly every person I encounter, from the cast to the showrunners to the executive producer, seems to teeter on the verge of some cathartic break.


After five years of development, _The Rings of Power_ will finally premiere Sept. 2 on Amazon Prime Video. With a record-setting price tag of $1 billion, it will be the most expensive show ever made. No other series in the history of television has been this sprawling, this cinematic, this massive—or launched with such secrecy under such external pressure. “The jewels of the crown are the big tentpole shows that invite in the whole family,” says Jennifer Salke, head of Amazon Studios. “And this is the crown jewel.”

**Read More**: [_The Rings of Power Exclusive: Producer Says Fan Theories About Sauron Are Wrong_ ](https://time.com/6205023/sauron-the-rings-of-power-identity/ "undefined")

A billion dollars may sound like a rounding error for a massive company like Amazon, whose net sales hit $469.8 billion in 2021\. But the success of _The Rings of Power_ will also indicate whether the [streaming bubble](https://time.com/6121212/tv-streaming-peak-redundancy/ "undefined") is about to burst. Streamers, particularly those that don’t run ads, must grow their subscriptions to thrive, so they’ve stocked their libraries with new spin-offs, sequels, and prequels to familiar franchises. (See: [Disney+’s _Star Wars_ and Marvel shows](https://time.com/businessperson-of-the-year-2019-bob-iger/ "undefined"), HBO’s [_Game of Thrones_](https://time.com/game-of-thrones-2017/ "undefined") and DC series, and Paramount+’s [_Star Trek_ universe](https://time.com/4952491/star-trek-timeline/ "undefined").) _Lord of the Rings_ is arguably the last piece of highly valuable intellectual property that had not yet been snatched up: Publishers often tout it as the fourth best-selling book in history, behind only the Bible, Mao’sLittle Red Book, and the Koran. Jeff Bezos, a Tolkien aficionado, led the charge at Amazon to acquire the rights to _The Hobbit_ and _The Lord of the Rings_ for $250 million in 2017.


![Morfydd Clark](https://static.time.com/v3/assets/bltea6093859af6183b/bltf195d9aa6f5e8cbb/698a3497b3fce37c1a0c98c9/time-rings-of-power-morfydd-clark.jpg?branch=production&width=3840&quality=75&auto=webp)

Morfydd ClarkBryan Huynh for TIME

But past interest doesn’t guarantee a hit. _The Rings of Power_ arrives just as industry leader Netflix reports its [first slowdown in subscriber growth](https://time.com/6198354/netflix-subscribers-loss-second-quarter-future/ "undefined") in the past decade, sending a wave of panic through Hollywood. What’s more, in an era when hyperactive superhero stories that [undercut emotional beats with jokes](https://time.com/6193966/thor-love-and-thunder-marvel-cinematic-universe-future/ "undefined") have become the entertainment industry’s most profitable bet, Amazon is gambling with billion-dollar IP by making a big, old-fashioned show that wears its heart on its sleeve—and trusting an unknown screenwriting duo to run it. Based on the two episodes I’ve seen, _Rings_ delivers a sweeping saga. But it faces stiff competition: HBO scheduled the premiere of its _Game of Thrones_ prequel, [_House of the Dragon_](https://time.com/6198348/house-of-dragon-game-of-thrones-comic-con/ "undefined")_,_ for Aug. 21, just 12 days before _The Rings of Power_.


Hollywood is all about the bottom line, but everyone involved insists this is, at least in part, a labor of love. Whether the audience is moved to tears, as Córdova was, might just determine if _The Rings of Power_ can make history with more than just its big budget.

---

Every fellowship needs an unlikely leader—or, in this case, two. Sitting in a hotel suite so vast, it includes a ping-pong table, showrunners J.D. Payne and Patrick McKay barely notice the noisy throng of Princess Leias and Spider-Men clamoring to get their hands on bright green _She-Hulk-_themed cocktails on the streets of San Diego below. They’re too engrossed in a dialogue about poetic meter in Tolkien: for the show, they wrote different rhythmic structures for each of the different peoples of Middle-earth.

Both men, 41, are tall, blond-ish, and a bit gangly. They first met on the debate team and drama club at a Northern Virginia high school. “We rode the same bus and got beat up by the same bullies,” says Payne. After three years in Hollywood, they started working for Bad Robot, J.J. Abrams’ production company. The duo punched up scripts and labored over several projects, including a script about a silent robot they describe as a cross between _Citizen Kane_ and _Iron Giant,_ and a fourth _Star Trek_ film; none of those movies saw the light of day.


**Read More**: [_Exclusive: This Fan-Favorite Character Is Joining the Second Season of Rings of Power_](https://time.com/6205027/cirdan-the-rings-of-power-season-2/ "undefined")

_The Lord of the Rings_ has long been their ur-text. The bespectacled, affable Payne sent out his son’s birth announcement in both English and Elvish. More than once he pauses midconversation to pull out his phone and read a relevant Tolkien quote out loud. McKay, his frenetic, slightly sarcastic counterpart, often jumps in to riff on Tolkien’s wisdom. Spend a few minutes listening to them trip over each another as they geek out over Tolkien, and it becomes clear how they won this particular job despite their scant résumés.

![Ismael Cruz Córdova](https://static.time.com/v3/assets/bltea6093859af6183b/blte653026f913bcddf/698a3496457a52df5ed66b57/time-rings-of-power-ismael-cruz-cordova.jpg?branch=production&width=3840&quality=75&auto=webp)

Ismael Cruz CórdovaBryan Huynh for TIME

![Markella Kavenagh](https://static.time.com/v3/assets/bltea6093859af6183b/blt92d37e2fd067983d/698a34970116826aa998228e/time-rings-of-power-markella-kavenagh.jpg?branch=production&width=3840&quality=75&auto=webp)

Markella KavenaghBryan Huynh for TIME


Published in three volumes from 1954 to 1955 by British scholar and World War I veteran J.R.R. Tolkien, [_The Lord of the Rings_ revolutionized the high-fantasy genre](https://entertainment.time.com/2005/10/16/all-time-100-novels/slide/the-lord-of-the-rings-1954-by-j-r-r-tolkien/ "undefined"). A hobbit named Frodo, an unassuming creature with hairy feet, is aided by a fellowship of a wizard, two men, an elf, a dwarf, and three other hobbits as he attempts to carry a magical and corrupting ring created by the villainous Sauron to a volcano so it can be destroyed.

_The Fellowship of the Ring,_ _The Two Towers,_ and _The Return of the King_ established enduring themes—environmentalism, the power of friendship in the face of evil, and how even the smallest person can change the world—that have found their way into megahits like [_Game of Thrones_](https://time.com/5591754/game-of-thrones-series-finale-review/ "undefined")_,_ [_Harry Potter_](https://time.com/6106634/all-the-harry-potter-movies-ranked/ "undefined")_,_ and [_Stranger Things_](https://time.com/6193891/stranger-things-season-4-series-end/ "undefined")_._ In the early 2000s, [Peter Jackson adapted the books](http://content.time.com/time/covers/europe/0,16641,20021209,00.html "undefined") into a near perfect film trilogy, the last installment of which still shares the record for most Oscars won in a single night. Jackson later split Tolkien’s _The Hobbit_ into yet another three-part film series. Together, the six movies grossed nearly $6 billion worldwide.


Anyone attempting to take on Tolkien would inevitably live in Jackson’s shadow. But that didn’t deter Hollywood: Dozens of writers pitched Amazon on series ideas in 2018\. Many conceived origin stories for Tolkien’s best-known characters—like ranger turned king Aragorn and the wizard Gandalf—a popular device employed recently by shows like Netflix’s [_Ratched_](https://time.com/5890226/nurse-ratched-netflix-origins/ "undefined") and Disney+’s [_Obi-Wan Kenobi_](https://time.com/6174970/obi-wan-kenobi-fits-star-wars-timeline/ "undefined")_._

**Read More:** [_An Extremely Detailed Breakdown of the_ Rings of Power _Trailer_](https://time.com/6197384/rings-of-power-trailer-breakdown-lord-of-the-rings/ "undefined")

Payne and McKay had a different take: they told the company it was sitting on a gold mine and didn’t even know it. The extensive appendices that appear at the end of _The Return of the King_ serve as a prequel of sorts, outlining the rise of Sauron and creation of the titular rings. As the showrunners put it, Tolkien had left the stars. They just needed to make constellations. “We beat out people they would have felt more comfortable giving it to because this was the show,” says McKay.


The duo sketched out a new series that turns the five-minute prologue of Jackson’s _Fellowship of the Ring_ film into five seasons of television set in the Second Age, over 3,000 years before the events of _The Lord of the Rings._ The evil lord Morgoth has been defeated. Middle-earth is flourishing, but the flaxen-haired elf Galadriel is convinced that Morgoth’s missing servant Sauron is amassing power. Audiences will explore the dwarf mines of Khazad-dûm and the seaside kingdom of Númenor; they’ll encounter harfoots, the nomadic ancestors of hobbits, as well as Isildur, the man who will eventually take the one ring from Sauron but fail to destroy it; and they’ll meet a mysterious stranger—maybe a certain familiar wizard?—who falls from the sky in the first episode.

When McKay and Payne scored the _Rings of Power_ job, their old boss J.J. Abrams offered advice: “Trust your instincts,” he wrote in an email. “But say, ‘I don’t know’ a lot.” So they filled their fellowship with people who did know how to tell an epic story, beginning with fellow Bad Robot alum Lindsey Weber, 42, who has handled _Star Trek_ and _Cloverfield_ productions, as their executive producer. They used the practical and digital visual-effects companies co-founded by Jackson, Weta Workshop and Weta FX, and consulted with the Tolkien estate, particularly his grandson Simon Tolkien. J.A. Bayona, who helmed _Jurassic World: Fallen Kingdom,_ directed the first two episodes, and Bryan Cogman, who worked on _Game of Thrones,_ came on as a consulting producer to offer his experience with episodic television.


![Cynthia Addai-Robinson](https://static.time.com/v3/assets/bltea6093859af6183b/blt34dc444a21e571d2/698a3496db2987e8e8268166/time-rings-of-power-cynthia-addai-robinson.jpg?branch=production&width=3840&quality=75&auto=webp)

Cynthia Addai-RobinsonBryan Huynh for TIME

![Charlie Vickers](https://static.time.com/v3/assets/bltea6093859af6183b/blt25f898401b8fd93c/698a349609208f6a5e419733/time-rings-of-power-charlie-vickers.jpg?branch=production&width=3840&quality=75&auto=webp)

Charlie VickersBryan Huynh for TIME

In the writers’ room, Payne and McKay began every day with a Tolkien quote and—in a rare move by Hollywood’s standards—ended by telling each writer what a good job they’d done, according to their staff. They are a mix of Tolkien obsessives and newbies, whom the creators challenged to find real emotional stakes in a narrative that could easily fall back on glib references to fan-favorite characters. So expect twists on what you think you know about _Lord of the Rings:_ the identity of Sauron, for instance, may not be who you expect. “Amazon is taking a humongous swing betting on us, who might not, from the outside, look like the safest bet,” says McKay. “That’s good, I think. Storytelling is too safe these days.”


---

When McKay and Payne started developing the show in 2018, they declared the contemporary TV landscape “peak bleak.” [_Succession_](https://time.com/6127997/succession-season-3-finale-what-happens-next/ "undefined") had just debuted, and its characters were reveling in finding new ways to torture one another. _Game of Thrones_ drew in viewers with its weekly twists, usually in the form of [mass murder, beheading, or rape](https://time.com/3917236/game-of-thrones-woman-problem-feminism/ "undefined"). “It’s like, How do you top the most debased thing you can do?” says McKay. “Sometimes that’s really good in certain shows, but it’s also relentless.”

_Thrones_ aired pre-pandemic and pre-insurrection. Bighearted comedies [_Ted Lasso_](https://time.com/6081493/ted-lasso-season-2/ "undefined") and [_Only Murders in the Building_](https://time.com/6190642/only-murders-in-the-building-season-2-review/ "undefined") have become surprise hits in the intervening years for a reason. In the face of _House of the Dragon_’s glossy cynicism and Marvel’s winking nihilism, there’s a radical sincerity and moral clarity to _The Lord of the Rings_ that may resonate with today’s beleaguered viewers—if Amazon can manage to draw audiences’ attention in a crowded landscape.


**Read More:** [Game of Thrones: _How They Make the World’s Most Popular Show_](https://time.com/game-of-thrones-2017/ "undefined")

In the years since Amazon won the bidding war for the rights to Tolkien’s key works, Disney, Apple, NBC, Paramount, and HBO have all launched streaming services. And even though around 168 million Americans have a Prime membership, according to analysts, the streamer is rarely mentioned in the same breath as Netflix or Disney+. New seasons of Amazon’s Emmy-laden ’50s-set comedy [_The Marvelous Mrs. Maisel_ ](https://time.com/5042687/marvelous-maisel-retro-heroine-modern-times/ "undefined")and the bloody superhero parody _The Boys_ consistently rank in the Top 10 of Nielsen’s most-streamed shows, but neither boasts the generation-spanning audience the streamer wants with _Rings._

To compete for eyeballs and Emmys, Amazon spent about $468 million filming the first eight-episode season. (While Amazon wouldn’t release the number, the New Zealand government shared documents with TIME that confirmed the studio’s expenditures.) By comparison, HBO’s [_Game of Thrones_ cost a reported $90 million](https://variety.com/2017/tv/news/tv-series-budgets-costs-rising-peak-tv-1202570158/ "undefined") in its final season, and the latest season of Netflix’s [_Stranger Things_ $270 million](https://www.wsj.com/articles/netflix-facing-reality-check-subscriber-loss-stock-plummet-cut-costs-vows-to-curb-its-profligate-ways-11650547424 "undefined"). Amazon has since invested hefty marketing costs, including a Super Bowl slot that cost an estimated $13 million, according to marketing experts. (It [set a record](https://www.yahoo.com/entertainment/amazons-rings-power-teaser-sets-192822590.html "undefined") for the most-watched Super Bowl trailer online within 24 hours.) With production of the second season beginning in October, Amazon will race past the $1 billion mark.


![](https://static.time.com/v3/assets/bltea6093859af6183b/bltcd1b3e9f87081ba8/698a349acabb1d7f1ae50911/amazon-rings-of-power-production.jpg?branch=production&width=3840&quality=75&auto=webp)

Galadriel (Morfydd Clark) and Halbrand (Charlie Vickers) grapple with a fake storm while filming in a massive water tankBen Rothstein—Prime Video

For the second quarter of 2022, Amazon [reported a $2 billion loss](https://sports.yahoo.com/amazon-takes-2-billion-loss-201850111.html "undefined"), but its stock nonetheless shot up: the company had cited revenue gains specifically in advertising and brand partnerships for _The Rings of Power_ and Thursday Night Football, which Amazon Prime will stream exclusively this fall. (_The Rings of Power,_ Salke hastens to say, will not air ads.) It’s unclear if those side deals will offset the show’s massive cost. The current level of streaming spending across the industry is not sustainable: [Netflix](https://variety.com/2022/tv/news/netflix-layoffs-fired-jobs-lost-1235301553/ "undefined") and [Warner Bros. Discovery](https://www.hollywoodreporter.com/movies/movie-news/batgirl-shelved-at-warner-bros-hbo-max-1235191371/ "undefined") both recently announced cuts.

Luckily for Amazon, streaming is just a small part of its business. Over the years, Amazon has gobbled up the likes of Audible for $300 million, Zappos for $1.2 billion, and, recently, Roomba vacuum company [iRobot for $1.7 billion](https://techcrunch.com/2022/08/05/amazon-is-buying-irobot-for-1-7b/ "undefined"). Amazon’s real objective is to drive more customers to pay for an annual Prime membership. Streaming analyst Dan Rayburn argues that people looking to cut down on streaming bills are more likely to dump Netflix than Prime because they need their Prime account to order toilet paper. “Customers are constantly subscribing when there is a show they want to watch and then unsubscribing when they finish,” he says. In 2021, Bezos announced that [more than 175 million of Prime’s roughly 200 million members](https://variety.com/2021/digital/news/amazon-q1-2021-prime-video-viewers-1234963065/ "undefined") had streamed shows and movies on the platform that year, compared with, in 2022, Netflix’s 220.7 million, Disney+’s 152.1 million, and HBO Max and Discovery+’s combined 92.1 million subscribers. And unlike any of those companies, Amazon could, according to Rayburn, sell merchandise for its hit series through its platforms. (Click to order elf ears!)


![Stephen Colbert with showrunners JD Payne, Patrick McKay and executive producer Lindsey Weber onstage at the "The Lord of the Rings: The Rings of Power" panel during 2022 Comic-Con International: San Diego on July 22, 2022.](https://static.time.com/v3/assets/bltea6093859af6183b/blt1d30f12c7adfbf69/698a3494cabb1de26ee50907/amazon-rings-of-power-showrunners-lindsey-weber.jpg?branch=production&width=3840&quality=75&auto=webp)

Stephen Colbert with showrunners JD Payne, Patrick McKay and executive producer Lindsey Weber onstage at the "The Lord of the Rings: The Rings of Power" panel during 2022 Comic-Con International: San Diego on July 22, 2022Kevin Winter—Getty Images

But Amazon has run into some trouble convincing die-hard Tolkien fans that _The Rings of Power_ will live up to their lofty expectations. The morning before I was serenaded by Amazon’s choir, I eavesdropped on anxious _Lord of the Rings_ fans at Comic-Con. Amazon had released little footage, and these Tolkien podcasters and bloggers worried the company might ruin their favorite story for the sake of a cash grab. A fan-led panel featured a slide depicting greedy villain Gollum sitting atop the Amazon logo counting money.

Bezos wants to dissuade fans from thinking the studio’s motives are purely economic. “Middle-earth is such a beloved world, and telling the story of the forging of the _Rings of Power_ is a privilege and a responsibility. I hope we do Tolkien’s work justice,” he told TIME exclusively in an email. “It goes beyond making a commercially successful show. Everyone working on the show read these stories as kids and our hearts are in it.”


In part, Amazon doesn’t want to spoil the story. _The Rings of Power_ was shrouded in unprecedented levels of secrecy. When cast members signed on, they hadn’t seen a script. Many of them weren’t even told which character they were auditioning for. Production told Córdova he was auditioning to portray an “Aragorn-type man.” “They flew me out to New Zealand, and the night before my final read, they told me, ‘Actually, you’re playing an elf,’” he says. “It started to make sense because I was like, ‘Why does this man love trees so much?’”

**Read More**: [_11 Rings of Power Secrets We Learned From the Cast and Creators_](https://time.com/6205593/the-rings-of-power-secrets-cast-creators "undefined")

But an information vacuum breeds nervousness. Some fan concerns are reasonable, like the fact that the show must compress thousands of years of Middle-earth history so that mortal human characters can have full story arcs alongside the immortal ones, like Galadriel. (“You can’t have half your cast die every two episodes,” McKay says.) Others, who came to the story by way of the movies, treat any deviation—like featuring elves with short hair when Jackson’s sported flowing locks—as sacrilege. A few weeks after Comic-Con, [Jackson would tell the _Hollywood Reporter_ ](https://www.hollywoodreporter.com/tv/tv-news/peter-jackson-amazon-lord-of-the-rings-tv-series-1235193692/ "undefined")that Amazon Studios promised to send him scripts and never did. Amazon responded that it had to keep the show thematically (and legally) distinct from the films.


![Morfydd Clark as “Galadriel”, Charlie Vickers as “Halbrand”](https://static.time.com/v3/assets/bltea6093859af6183b/bltf503757ef2a7819a/698a3494b3fce3d6dc0c98c1/time-amazon-rings-of-power-exclusie-galadriel-halbrand.jpg?branch=production&width=3840&quality=75&auto=webp)

Morfydd Clark as “Galadriel”, Charlie Vickers as “Halbrand”Matt Grace—Prime Video

Then there are the real-life trolls who take issue with the fact that Córdova, a Black Puerto Rican man, is playing an elf, and that young Galadriel doesn’t appear “feminine” because she wears armor. Payne has a Tolkien quote at the ready about trolls, “creatures of dull and lumpish nature that had no more language than beasts.” Weber is more direct. “We’re all up for criticism,” she says. “We’re not up for racism.”

Galadriel actor Morfydd Clark, who broke out in 2019 with _His Dark Materials_ and the indie film _Saint Maud,_ casts a skeptical eye on complaints about her character. The Galadriel we meet in Jackson’s films, played by Cate Blanchett, is a serene elder stateswoman nearing retirement, but Clark’s version is more youthful and stubborn. Clark, 32, who speaks with a Welsh lilt and bears a striking resemblance to Blanchett, wants to explore how Galadriel evolves as she ages—and center that journey in what’s been a male-dominated story. “I didn’t read the books and think, ‘I wish there were more female characters,’ because I just took it as given that that was the way things were,” she says. “I’m standing on the shoulders of women who spilt metaphorical blood to get to this point. I hope young people, should they watch this, will think, ‘This is just the way things are.’”


Córdova always knew something was missing from the Jackson films he adored. He grew up in a small mountain town in Puerto Rico and harbored a childhood dream of playing an elf. “I didn’t see myself represented. And when I said, ‘I want to be an elf,’ people said, ‘Elves don’t look like you,’” he says. “When I heard about the character on the show, it felt like a mission.”

---

Córdova was initially rejected for the role. Several times. But the actor, who has appeared on shows like _Ray Donovan_ and _The Undoing,_ auditioned again and again over seven months. When he finally got the call that he’d landed the part—news dispatched to him in secret code, of course—he screamed for joy in the streets of New York City.

![Nazanin Boniadi as “Bronwyn”, Ismael Cruz Córdova as “Arondir”](https://static.time.com/v3/assets/bltea6093859af6183b/blt2560888397b0b30a/698a349509208f314741972f/time-amazon-rings-of-power-exclusive-arondir-bronwyn.jpg?branch=production&width=3840&quality=75&auto=webp)

Nazanin Boniadi as “Bronwyn”, Ismael Cruz Córdova as “Arondir”Ben Rothstein—Prime Video


Many of the actors suffered through a long audition process. Charlie Vickers, 29, plays a new human character named Halbrand and estimates he auditioned eight times in six months. Cynthia Addai-Robinson, 37, was eventually cast as Queen Regent Míriel of Númenor after trying out for two separate roles. Once they signed their contracts, the actors swore to the studio they wouldn’t tell anyone what they were filming. “Lots of people guessed,” Clark says. “Because when you’re moving to New Zealand, and your phone dial is suddenly different …”

Just 25 days into shooting, the pandemic forced production to shut down. [New Zealand closed its borders](https://time.com/5852567/new-zealand-coronavirus-jacinda-ardern-election/ "undefined"), and the cast and crew found themselves marooned. “It had a big human cost,” says Weber. “They could not go home or have family members come in. They were in the position of having to choose between work and loved ones, which was hard on a human level as the whole world was going through this great trauma.” Family members gave birth, died, and celebrated birthdays far away.


**Read More:** [_The_ Lord of the Rings Movies Are Now Holiday Movies. Here’s Why](https://time.com/5919982/lord-of-the-rings-christmas-movies/ "undefined")

Markella Kavenagh, who plays the harfoot character Nori, turned 21 with her new friends. “We had to become each other’s friends, family, and colleagues,” says the now-22-year-old. “We didn’t know when we were going to be able to see people from home.” A year later, that bond manifests in little, tender moments. During a photo shoot in Los Angeles, I watched Vickers help Córdova put his earring in. “I feel like we’re a traveling theater troupe,” observed Clark. Now, a year after returning from New Zealand, they’re headed off to England to film the second season, which will be helmed by an all-female directing lineup.

While shooting that first season, McKay, several actors including Córdova, and a small crew boarded a helicopter and ascended to the very top of Mount Kidd, on the southern end of New Zealand. As they rose above the cloud line, the world below disappeared from view. It was only sky and snow-covered caps as far as the eye could see.


For Córdova, it was the culmination of a lifetime of fandom and years’ worth of work—to win the part, to fulfill a childhood fantasy of playing an elf, to embody for a new generation so much of what had shaped him growing up in his own faraway mountain town. As he prepared for the emotional scene, everything fell away: the billion-dollar investment; the massive companies vying for dominance in the streaming wars; the trolls who would inevitably try to undercut the show. All that was left behind was his face, stained with—you guessed it—fresh tears: “Middle-earth is real.”

_With reporting by_ _Leslie Dickstein, Mariah Espada, and Simmone Shah_ 

_Styled by Marc Eram; Clark: Hair by Clay Hawkins, makeup by Rob Rumsey; Addai-Robinson: Hair by Sami Knight, makeup by Kai Pritchard; Kavenagh: Hair by Derek Yuen, makeup by Adam Brechaud; Córdova: Grooming by Mira Chai Hyde; Vickers: Grooming by Barbara Guillaume; On-set production by Circadian Pictures_

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