--- title: The Pursuit of Love Modernizes Nancy Mitford's Classic description: Without sacrificing the novel's humor or social commentary, writer-director Emily Mortimer ratchets up the romance in unexpected ways. canonical: https://time.com/6085143/pursuit-of-love-review-amazon/ author: Judy Berman article:opinion: false article:content_tier: free article:published_time: 2021-07-30T11:00:07.000Z article:modified_time: 2026-05-11T04:54:58.784Z article:section: Entertainment og:title: Amazon’s Divine Period Romance The Pursuit of Love Gives Classic Social Satire a Modern Twist og:description: Without sacrificing the novel's humor or social commentary, writer-director Emily Mortimer ratchets up the romance og:url: https://time.com/6085143/pursuit-of-love-review-amazon/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt6b326efbd3c2bb6c/698a1b66096a9462ef6ab7df/The_Pursuit_of_Love_Ep3_5314_thumb1.jpeg?branch=production&width=1440&quality=75&auto=webp&crop=16:9 og:image:width: 1200 og:image:height: 675 og:image:alt: The Pursuit of Love og:type: article twitter:card: summary_large_image twitter:title: Amazon’s Divine Period Romance The Pursuit of Love Gives Classic Social Satire a Modern Twist twitter:description: Without sacrificing the novel's humor or social commentary, writer-director Emily Mortimer ratchets up the romance twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt6b326efbd3c2bb6c/698a1b66096a9462ef6ab7df/The_Pursuit_of_Love_Ep3_5314_thumb1.jpeg?branch=production&width=1440&quality=75&auto=webp&crop=16:9 ---  # Amazon’s Divine Period Romance _The Pursuit of Love_ Gives Classic Social Satire a Modern Twist > Sponsored content. 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Terms and conditions apply. * Savings buckets are a feature of Ally Bank's Savings Account. * No ATM fees from Ally Bank at Allpoint and Moneypass ATMs plus we reimburse for fees charged by other ATM owners nationwide up to $10 per statement cycle. * Early direct deposit offers eligible direct deposits up to two days sooner. * Spending buckets are a feature of Ally Bank's Spending Account.  by [Judy Berman](https://time.com/author/judy-berman/)  ## Judy Berman TV Critic Jul 30, 2021 11:00 AM UTC  Lily James in 'The Pursuit of Love' Lily James in 'The Pursuit of Love'Robert Viglasky/Theodora Films Limited/Moonage Pictures Limited/BBC STUDIOS  by [Judy Berman](https://time.com/author/judy-berman/)  ## Judy Berman TV Critic Jul 30, 2021 11:00 AM UTC Pity the British aristocracy. Oh, sure, they had a good run through the Victorian era. But by the time the Great War wrapped up, the country’s professional class was ascendant, progressive social movements were gaining steam and the aura of God-given superiority that surrounded people who could trace their lineage back to the Norman conquest was starting to dissipate. The monarchy faced threats from communism on the left and fascism on the right. Rich Europeans had infiltrated high society. Such newfangled ideas as careers for aristocratic men and formal education for their future wives scandalized the older generations. This is the tumultuous, if still enviable, backdrop for the three-part miniseries _The Pursuit of Love_, an adaptation of Nancy Mitford’s classic novel from writer-director-actor [Emily Mortimer](https://time.com/5865352/relic-movie-review/) that comes to Amazon on July 30\. An instant best-seller in the UK, the book, which [TIME’s reviewer praised](http://content.time.com/time/subscriber/article/0,33009,793124,00.html) in 1946 for how it “plays on the surface of life so wittily and deftly,” cast a gimlet eye on an aristocracy—one that included [the author’s family](https://time.com/4477650/mitford-sisters-history/), who notoriously [spanned the political spectrum](https://time.com/4452358/mitford-sisters-feminism/) of the time—struggling to acclimate to a new social order. Yet the story’s emotional urgency derives less from Mitford’s sharp satire than from the fiercely romantic temperament of its central character, Linda Radlett. Without sacrificing humor or social commentary, Mortimer thrillingly modernizes _The Pursuit of Love_ by ratcheting up the romance in unexpected ways. We meet Linda—played as a beautiful mess of innocence, impulsivity and sensuality by [Lily James](https://time.com/3738928/cinderella-lily-james/)—in a flash-forward that successfully distances the miniseries from any connotation of stiffness we might associate with British period dramas. World War II has reached London. One minute she’s sunbathing nude on her rooftop, hugely pregnant, with an adorable French bulldog by her side and The Who’s “Blue, Red and Grey” on the soundtrack; the next, she’s staggering away from the bombed-out rubble of her Chelsea townhouse. How’s that for a cold open?  Lily James, left, and Emily Beecham in 'The Pursuit of Love' Amazon Studios The story proper begins more than a decade earlier, when Linda is a starry-eyed teen mooning around her family’s shabby country estate at Alconleigh, desperate to embark on the epic romance she’s sure awaits her. Isolated from peers due to their father Matthew’s ([Dominic West](https://entertainment.time.com/2011/12/06/from-baltimore-cop-to-english-serial-killer/), in a hilarious red-faced performance) antisocial attitude and retrograde views on educating girls, the seven Radlett kids each find their own mode of escape. Dutiful eldest daughter Louisa (Beattie Edmondson) makes a bland marriage. Little Jassy (May Nivola) hoards cash in a vague plot to run away. And Linda spends idle hours in the linen-closet headquarters of her siblings’ makeshift secret society, the Hons, with her only conduit to the outside world: her cousin, best friend and the story’s narrator, Fanny Logan (an understated, sensitive Emily Beecham). _The Pursuit of Love_ traces Linda’s amorous misadventures in the interval between Alconleigh and Chelsea, as she chases what she believes is love with a crass banker, a crusading communist and a mysterious French duke. Mortimer hits all the sweaty, swooning highs and melancholic lows of this roller-coaster plot, with a particular eye for comedy. In one very funny scene, Linda weeps helplessly at a Paris train station as a suitor-to-be roars with laughter at her melodrama. He has her pegged as a posh, silly Englishwoman before they’ve even spoken. Mortimer also seems to understand that some of the book’s greatest pleasures lie in the quirky, richly detailed secondary characters, many of which were clearly drawn from life. (Uncle Matthew, or “Fa” to his offspring, is based largely on the Mitford clan’s own curmudgeonly patriarch.) She gives herself a small but juicy role as Fanny’s absent mother, who hops from man to man so often she’s nicknamed the Bolter; think [_AbFab_’s Edina Monsoon](https://time.com/4416669/big-screen-ab-fab-ods-on-vitriol/) as an aging 1920s ingenue. British-TV stalwart John Heffernan (_Collateral_, [_Jonathan Strange & Mr Norrell_](https://time.com/3915949/review-jonathan-strange-and-mr-norrell/)) is always good for a chuckle as Davey, the cheerfully hypocritical health-nut husband of Fanny’s guardian (Dolly Wells). Most delightful of all is [_Fleabag_’s Hot Priest](https://time.com/5745386/best-tv-characters-2019/), Andrew Scott, perfectly cast as Linda’s haute-bohemian mentor Lord Merlin. Like everyone else in the story, Merlin thinks he knows what’s best for our heroine. Unlike them, he rolls with a crew of avant-garde revelers who seize her adolescent imagination. The apex of an electrifying, anachronistic pop soundtrack comes when he enters to T. Rex’s “Dandy in the Underworld.”  Andrew Scott (center) in 'The Pursuit of Love' Robert Viglasky via Amazon Studios Where this _Pursuit of Love_ departs most boldly—and effectively—from Mitford’s version is in drawing out Fanny. A fond but somewhat distant narrator, in the book she’s the calm in the center of the storm that is her “favorite human being,” Linda. Mortimer smartly repurposes Mitford’s droll prose as a voiceover without framing Fanny’s narration as the full picture. Taking advantage of the visual medium, the show probes areas of her psyche that Mitford left murky. The narrator, like Nick Carraway in [_The Great Gatsby_](https://time.com/5923279/great-gatsby-copyright-expires/), might be more infatuated with her subject than anyone. Well into adulthood, the cousins’ physical closeness can be uncomfortably intense; their full-body embraces tread the line between sisterly and homoerotic. Yet, as Mortimer shows rather than tell us, that affection means something devastatingly different to each woman. As she builds a suitable existence, marrying a fastidious Oxford don and having babies, Fanny’s yearning for her cousin’s outsize presence gnaws at what is supposed to be domestic bliss. Linda is the love of her life. But love is the love of Linda’s life. There’s more going on here, though, than the excavation of lesbian subtext from a 76-year-old novel. (The show does, unfortunately, put a bit too fine a point on _The Pursuit of Love_’s feminist implications in a coda to the last episode that overstates what will be obvious to most viewers.) Thorny relationships between women are something of a specialty for Mortimer, who fictionalized the uneasy power dynamics that governed her friendship with Wells in HBO comedy _Doll & Em_. We come to understand that the alternating flashes of love, rage, longing and frustration Fanny experiences in the course of her obsession with Linda are echoes of what she feels for the mother who so remorselessly abandoned her. This new lens hardly detracts from Linda’s magnificent saga. 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