When navigating the many unknowns of low-budget, improvisational guerrilla filmmaking with a director, one hopes for a steady hand holding the compass. And that’s what you get with Chloé Zhao. A steady hand and a well-marked road map. With our film, Nomadland, and her first two, Songs My Brothers Taught Me and The Rider, she gained the trust of people offering their intimate life stories. She has an uncanny skill for walking the knife’s edge between sentiment and sentimentality—and that enriches her storytelling in very authentic and original ways. It is for all of these reasons that Chloé has the high regard and respect of her peers. At the end of the day, what more could one ask for than that? She is also one of the only people I know who can wear a fleece jacket with puppy faces on it that she bought at an RV swap meet, and make it work like it was a Valentino.
McDormand is an Oscar-winning actor and a producer
- Inside Mississippi's Last Abortion Clinic—and the Biggest Fight for Abortion Rights in a Generation
- Do Current COVID-19 Tests Still Detect Omicron?
- The First U.S. Offshore Wind Farm Could Be a Lifeline for Struggling New England Cities
- Welcome to TV's Era of Peak Redundancy
- The Key Role a Local Newspaper Played in the Trial Over Ahmaud Arbery's Murder
- TIME's Top 100 Photos of 2021
- 2021: The Year the Grift Kept Giving
