--- title: The Two 1993 Movies That Made Leonardo DiCaprio a Star description: Thirty years ago, DiCaprio broke through in two roles that foreshadowed the kind of career he would come to have. canonical: https://time.com/6549175/leonardo-dicaprio-whats-eating-gilbert-grape-anniversary/ author: Stephanie Zacharek article:opinion: false article:content_tier: free article:published_time: 2023-12-21T13:00:00.000Z article:modified_time: 2026-08-04T07:42:53.092Z article:section: Entertainment og:title: The Two 1993 Movies That Made Leonardo DiCaprio a Star og:description: Thirty years ago, DiCaprio broke through in two roles that foreshadowed the kind of career he would come to have. og:url: https://time.com/6549175/leonardo-dicaprio-whats-eating-gilbert-grape-anniversary/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blta0d9564b2676faa3/698a4363457a527d82d68442/whats-eating-gilbert-grape.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 og:image:width: 2400 og:image:height: 1350 og:image:alt: WHAT'S EATING GILBERT GRAPE, Leonardo Di Caprio, 1993, (c) Paramount/courtesy Everett Collection og:type: article twitter:card: summary_large_image twitter:title: The Two 1993 Movies That Made Leonardo DiCaprio a Star twitter:description: Thirty years ago, DiCaprio broke through in two roles that foreshadowed the kind of career he would come to have. twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blta0d9564b2676faa3/698a4363457a527d82d68442/whats-eating-gilbert-grape.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 ---  # Revisiting the Two 1993 Movies That Made Leonardo DiCaprio a Star > Sponsored content. 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Terms and conditions apply. * Savings buckets are a feature of Ally Bank's Savings Account. * No ATM fees from Ally Bank at Allpoint and Moneypass ATMs plus we reimburse for fees charged by other ATM owners nationwide up to $10 per statement cycle. * Early direct deposit offers eligible direct deposits up to two days sooner. * Spending buckets are a feature of Ally Bank's Spending Account. ## Video: The 10 Best Movies of 2023 [Watch (HLS stream): The 10 Best Movies of 2023](https://cdn.jwplayer.com/manifests/2eVCjO8v.m3u8) (9:22)  _Published 2023-12-18. No year-end best-movie list is definitive, because no year of moviegoing experience can be reduced to bullet points—nor should it be. Particularly now, when we can watch so many new movies without leaving our homes, the experience of watching has changed, and in ways we may never be able to fully reckon with. You can watch a great movie at home and fully acknowledge its greatness: after all, streaming older movies, or watching them on physical media, is how most of us learn about movie history. But a year of new movies, whether you watch them at home or not, should be much more expansive than your living room._  by [Stephanie Zacharek](https://time.com/author/stephanie-zacharek/)  ## Stephanie Zacharek Film Critic Dec 21, 2023 1:00 PM UTC  Leonardo Di Caprio in What's Eating Gilbert Grape, 1993 Leonardo Di Caprio in What's Eating Gilbert Grape, 1993 Paramount/Everett Collection  by [Stephanie Zacharek](https://time.com/author/stephanie-zacharek/)  ## Stephanie Zacharek Film Critic Dec 21, 2023 1:00 PM UTC When you see a [very young actor in a movie](https://time.com/6286446/flamin-hot-brice-gonzalez-enkyboys/) or on television, there’s no way to know if you’ll have the pleasure of watching his gifts flourish in the coming years. Performers who [start out as kids](https://time.com/6203826/jennette-mccurdy-book-interview/) or young teenagers often flame out before adulthood; they may lose the spark that makes them charming, growing out of their cuteness into an awkwardness that doesn’t translate well onscreen. But [Leonardo DiCaprio](https://time.com/collection-post/4298225/leonardo-dicaprio-2016-time-100/), whose career began with small television roles in the early 1990s, has been luckier than many, though luck is only one of the ingredients that has saved him. His skills and his instincts, clear almost from the beginning, have become more intricately shaded over the years, and even today it’s as if he’s still somehow growing into them. His two breakthrough roles hit three decades ago in the same year, 1993: In _This Boy’s Life,_ released that April, he played a teenager stuck under the boot of his abusive stepfather. And in _What’s Eating Gilbert Grape,_ released that December, he gave us a very different teenage character, a mentally disabled youth who's about to turn 18, though he’ll never be able to live independently in the world. Together, these performances changed the shape of DiCaprio’s career. Among his generation, or perhaps any, his longevity—he’s enjoyed a three-decade stretch of steady work with very few breaks and no random dips in popularity—is a Hollywood anomaly. Because time moves backward for no one, least of all actors, for kicks let’s begin in the present, with a role whose roots reach back to 1993\. In [Martin Scorsese’s](http://Martin Scorsese Still Has Stories to Tell time.com https://time.com › time100-leadership-series › martin...) [_Killers of the Flower Moon_](https://time.com/6326449/killers-of-the-flower-moon-ending/)_,_ based on [David Grann’s book](https://time.com/4737945/killers-flower-moon-david-grann-review/) about the heinous murders of wealthy Osage Indians at the hands of white men in early 1920s Oklahoma, DiCaprio plays Ernest Burkhart, the nephew of crooked cattle baron William Hale, played by Robert De Niro. Hale has persuaded Ernest to court Mollie Kyle (Lily Gladstone) with the aim of marrying into her oil-rich family—but Hale also wants his nephew to help kill off that family, including Mollie, one by one.  Lily Gladstone and Leonardo DiCaprio in Killers of the Flower Moon Apple TV+ DiCaprio, born in 1974, is now nearing 50, and his role in _Killers_ is perhaps the first one in which he looks truly middle-aged: as Ernest, he’s arranged his mouth into a permanent half-moon frown—it’s an affect that makes his performance seem a little forced, though he manages to navigate Ernest’s emotional turmoil gracefully enough. Ernest is a not-very-bright man who loves money—he states it both plainly and indirectly, in scene after scene—but he also loves the wife whom his uncle has half-persuaded him to kill; the conflict between his love and the tragic duty with which he’s been entrusted plays out in the moral cloudiness of his eyes. DiCaprio and De Niro have worked together twice before, most recently in Jerry Zak’s 2016 _Marvin’s Room._ But it was _This Boy’s Life_ that led directly to DiCaprio’s status as one of Scorsese’s signature actors: in that movie, De Niro played the bullying stepfather Dwight—nemesis of DiCaprio’s wayward teenager Toby—and was so impressed with his young co-star that he urged his longtime collaborator Scorsese to consider working with him. ### More From TIME The Scorsese–DiCaprio partnership has yielded six films, beginning with 2002’s _Gangs of New York,_ a folk-tale history of old Manhattan, in which DiCaprio played Amsterdam, an orphan out for vengeance against neighborhood kingpin Bill the Butcher, played by Daniel Day-Lewis. DiCaprio has done good work with Scorsese—he was entertaining as the crooked highflying investment god Jordan Belfort in [_The Wolf of Wall Street_](https://entertainment.time.com/2013/12/26/wolf-wall-street-true-story/)—but his turn as the young Howard Hughes, in _The Aviator,_ is my favorite of the Scorsese–DiCaprio collaborations. _The Aviator_ unapologetically romanticizes Hughes, an engineer, movie mogul, pilot, and very weird guy, downplaying his paranoia and cruelty. DiCaprio lends his version of Hughes a touching strangeness. He’s more handsome than Hughes ever was; his eyes sometimes look inhumanly blue, like the designs on a Delft plate. DiCaprio plays Hughes in the era before he entered the realm of true madness, though his eccentricities, anxieties, and compulsions had already begun to rule him. In two scenes, he’s barricaded himself off from the world, in need of rescue; in each case, an old girlfriend (one is Cate Blanchett’s Katharine Hepburn, the other Kate Beckinsale’s Ava Gardner) steps in to help. He presents Hughes’ gratitude toward each as a kind of confused tenderness. The real Howard Hughes was a piece of work, and a mess. But DiCaprio embodies him as a complex human being deserving not just of our curiosity but also our sympathy. As an actor, DiCaprio earned the A-list director seal of approval early on, having been sought out not just by Scorsese but by [Christopher Nolan](https://time.com/4864049/dunkirk-christopher-nolan-interview/) _(Inception),_ [Steven Spielberg](https://time.com/6234045/steven-spielberg-interview-the-fabelmans/) _(Catch Me If You Can),_ Clint Eastwood _(J. Edgar),_ and [Quentin Tarantino](https://time.com/5595352/quentin-tarantino-interview-once-upon-a-time-in-hollywood/) _(Django Unchained_ and _Once Upon a Time in Hollywood)._ Not all of those performances are great: in _J. Edgar,_ in particular, DiCaprio had the unenviable job of painting a sensitive portrait of J. Edgar Hoover, a vile little man. But more often than not, DiCaprio carries the day with his charm, as a flirty grifter in _Catch Me If You Can,_ or as the has-been fictional TV star Rick Dalton in _Once Upon a Time in Hollywood._ And he’s perfect as the the dazzling center of Baz Lurhrmann’s beaded-fringe extravaganza _The Great Gatsby._ Luhrmann’s adaptation is largely disliked by those who see F. Scott Fitzgerald’s novel as a scolding tale about the perils of having too much money. But it’s less an adaptation of Fitzgerald’s novel than a movie version of Jay Gatsby himself, a figure with all the shimmering allure of a diamond-studded gold pocket watch. DiCaprio plays Gatsby as a self-invented czar of charm in an art deco tuxedo, capturing the character's silk-tie artificiality as well as his cursed loneliness. He lends melancholy glamour to this appropriately over-the-top movie.  Leonardo DiCaprio in Once Upon a Time in Hollywood Courtesy of Sony DiCaprio is even better in the earlier movie he made with Luhrmann, as the lovesick swain of the ardently [romantic 1996 _Romeo + Juliet_](https://time.com/6111561/romeo-juliet-baz-luhrmann-anniversary/)_:_ With Claire Danes’ Juliet as the object of his lovesick gaze, he’s the ultimate tragic teenager, so beautiful he glows like a night light. This is one of two films that made DiCaprio a 1990s teen heartthrob; the other is James Cameron’s _Titanic,_ from 1997, a movie of enduring popularity that’s really, if you look at it with even a smidgen of critical discernment, an overworked jumble of sentimentality and technical whiz-bangery. That said, when _Titanic_ was made, DiCaprio and his costar Kate Winslet were two of the most beautiful beings on the face of the planet. Their radiance endures even when the movie drags. Which brings us, in our time machine, nearly back to 1993, and the two roles that kicked off DiCaprio’s ascent. In 1993, he looked younger than his age at the time, 19\. His reedy build suggested preteen lankiness; his complexion seemed to have the texture of silk onscreen, as if it had never seen a day of acne. He was the ideal actor to play Arnie Grape in Lasse Hallström’s _What’s Eating Gilbert Grape,_ the needy but eternally innocent younger brother to Johnny Depp’s beleaguered, protective Gilbert. Hallström’s filmmaking style here has that slightly glossy veneer that makes so many films of the late 1980s and early 1990s feel overworked and vaguely artificial. But that doesn’t mar work that Depp and DiCaprio, both superb, do here. It’s hard to say if anyone would make a movie like _Gilbert Grape_ today; its depiction of a disabled teenager as an eternal dependent could be seen as pitying. But the truthfulness of DiCaprio’s performance, and his insistence on preserving the character's dignity, felt fresh and revolutionary at the time, and it’s still remarkable today. He captures Arnie’s windmilling joy, but also his semi-awareness that the world has somehow left him behind. And as Toby in _This Boy’s Life_—a stand-in for Tobias Wolff, on whose memoir the movie was based—DiCaprio walks the slender line between being a too-much-for-everyone bratty teenager and a fatherless kid who's merely trying to swagger his way out of his own sadness. It’s easy to look at this performance today—to take the measure of those youthful, chiseled cheekbones, and those eyes capable of shifting from calculating to crestfallen in a millisecond—and claim to see DiCaprio’s destiny as a star. But life and fame don’t always follow a predictable trajectory. To watch these wonderful, youthful performances is to see the ghostly outline of a great future career. That DiCaprio actually brought it to life, and continues to keep it whirring 30 years later, is the kind of Hollywood story you wouldn’t dare invent. It's a dream we saw coming, and for once, we were actually right. ## Transcript No, he runs best movie list is definitive because no year of moviegoing experience can be reduced the bullet points nor should it be particularly now when we can watch so many new movies without leaving our homes the experience of watching his changed and in ways, we may never be able to fully reckon with you can watch a great movie at home and fully acknowledge. Its greatness after all streaming older movies or watching them on physical media is how most of us to learn about movie history but a year of new movies whether you watch them at home or not should be much more expensive than your living room following are 10 movies that kept me thinking in the hours days and months after I watched them. I think I'm falling in love with you. It's impossible to get through life without a few things. But how much messing up is too much at the center of Iris tax how funny half Melancholy passages is a self-centered filmmaker played in a dazzling performance by friends were gowski who Windows through life with Reckless disregard for the feelings of those around him including his husband and the young woman who has temporarily entranced him at best. He's exasperatingly at worst. He inflicts deep and Lasting pain and still you feel something for him. His electricity is also his curse. And as this love triangle unfold it may leave you feeling the charge and anguish all at once. There are two types of people in the world those who view rock and roll dreams a small things who eventually grow out of and those who never stop loving them. Even if they can find their dream time to the spiral grooves of sides A and B fill pole as dreaming wild based on real-life events and starring Casey Affleck in Walton Goggins. It's for the second group a story about what happens when two people who sought pop stardom as teenagers get a second chance in middle age music can mean a lot in one lifetime. I can break dreams, but it can also men's them. I'm here to speak to you today about your changing body movies dealing with the specifics of women's experience are still a relative Rarity on the movie landscape. How many Studio execs are going to leap at the chance to finance a film about the onset of Menses and by suggestion, it's lunar twin menopause. Featuring a superb cast including Rachel McAdams Benny safdie and Abby Ryder Fortson Kelly fremon Craig adaptation of Judy blume's 1970 coming-of-age classic is largely about the confusion of adolescence. But also more subtly IT addresses what it means for women to say goodbye to all that as they hit middle age. This is a great movie for young people, but maybe even a better one for those who find themselves looking through the far end of the telescope. To watch Lily Gladstone in Martin scorsese's killers of the flower moon is to be capture of threat of history that has until recently included. Most of us Scorsese has made a notation of David g account of how a group of greedy white men systematically murdered members of the Osage Nation in early 1920s, Oklahoma. Asthma Lee Burkhart a rich Osage woman whose family was gradually killed off around her Gladstone give space to a million stories that have been conveniently forgotten in modern America scorsese's mournful epic also features bigger movie stars like Leonardo Dicaprio and Robert De Niro, but Gladstone's Molly is the soul of the film and he knows it. In writer-director Celine song steering tube, you film a Korean immigrant who has built a life for herself in Toronto and New York reconnects with a childhood friend. She left behind years ago, her husband stands by a witness to the Subterranean crackle of their Connection in any life. There are an infinite number of Roads not taken we can be on only one road at a Time songs movie is all about the mournful beauty of missed opportunities a recognition of the truth that yearning is part of life without it. All we're left with is false certainty, perhaps the greatest dishonesty of all the brother of French writer-director Alice Whittaker survived the 2015 terrorist attack at the bataclan concert hall in Paris unable to communicate with him as he hid. She had to wait to hear if he'd made it out alive and revoir Perry virginie efira gives a shit. During performance as a woman who survives a similar but fictional attack do the meaning of survival here is complex. A fear is me. I can't recall much of the traumatic event. But over time she finds her way back to life and to Feeling by connecting with others whose lives were also broken by the tragedy without precious Mr. Platitudes Whitaker and a fear of Plum the Stark and sometimes painful truth of what it means to commit to the world of the living. Elvis is everywhere even 46 years after his death. But what about Priscilla? Bolillo Presley the woman he met when he was a 24 year old Soldier stationed in Germany, and she was just a girl of fourteen Sophie a couple of film adapted from Priscilla Presley's 1985 Memoir brings this story to the screen with infinite tenderness Jacob elordi plays Elvis a great artist and a messed up man who mistreated the woman he loved most but the movie belongs to cailee spaeny as Priscilla preternaturally self-possessed as a young teenager, but both wiser and more resilient by age 27 when her marriage to royalty ended any walks us through this extraordinary, but also painful span of time and one woman's Life 1 satin slipper step after another. The everyday things many of us want and need plenty of food marital companionship a safe and comfortable home are the same things German SS officer Rudolph Hoss the longtime commandant of Auschwitz and his wife had big wanted for themselves and their family and Johnathan Glazer's ghostly ice-cold film adapted from the 2014 Martin Amis novel Sun ruler plays Hedwig who runs her household with starched linen efficiency vaguely cognizant of the horrors being perpetrated Beyond her garden walls, but viewing them as an annoyance rather than an atrocity. Christian Frey Dells horse is highly inventive when it comes to pleasing. The higher-ups. His ideas are fuel for evil. The zone of Interest isn't just a semi fictionalized view of History. It's also a story for the here-and-now a reminder that happiness built on the suffering of others is no kind of happiness at all. And if nothing sings Angel and you can't make me music. Putting your life to another person is not for the faint of heart Bradley Cooper's Maestro less a biopic than a window into a complex passionate marriage is a modern Rarity an example of a story big-ticket production put to use in telling a truly grown-up story Cooper stars as conductor and composer Leonard Bernstein complicated and charismatic as both an artist and a man Carey Mulligan gets one of the finest performances of the year A Portrait of both stealing us and human fragility as the cost to Rican Chilean actor Felicia Allegra who became Bruce Dern's wife and the mother of his three children. This is Grand scale filmmaking. That's also bracingly intimate. A tentative romance between a woman who is making the best of dreary work add a life and a metal worker whose Perpetual drunkenness keeps him under employee plus one great dog. Those are the main ingredients of finish filmmaker Aki kaurismaki has fallen leaves and he works magic with them who is maki is the master of the deadpan humanist comedy the type of picture that people may think of it as merely odd or charming yet. So much of life is made up of little Revelations that form the core of who we are. This is Cora's Marcus gift to catch those moments seemingly snatching them from the wind and put them on screen so that we too will know them when we see them. ```json [{"@context":"https://schema.org","@type":"NewsArticle","@id":"https://time.com/6549175/leonardo-dicaprio-whats-eating-gilbert-grape-anniversary/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/6549175/leonardo-dicaprio-whats-eating-gilbert-grape-anniversary/"},"headline":"Revisiting the Two 1993 Movies That Made Leonardo DiCaprio a Star","datePublished":"2023-12-21T13:00:00.000Z","dateModified":"2026-08-04T07:42:53.092Z","description":"Thirty years ago, DiCaprio broke through in two roles that foreshadowed the kind of career he would come to have.","url":"https://time.com/6549175/leonardo-dicaprio-whats-eating-gilbert-grape-anniversary/","keywords":["movies","culturepod"],"thumbnailUrl":"https://static.time.com/v3/assets/bltea6093859af6183b/blta0d9564b2676faa3/698a4363457a527d82d68442/whats-eating-gilbert-grape.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","author":[{"@type":"Person","name":"Stephanie Zacharek","jobTitle":"Film Critic","url":"https://time.com/author/stephanie-zacharek/"}],"articleSection":"Entertainment","image":[{"@type":"ImageObject","url":"https://static.time.com/v3/assets/bltea6093859af6183b/blta0d9564b2676faa3/698a4363457a527d82d68442/whats-eating-gilbert-grape.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","width":1200,"height":675,"headline":"WHAT'S EATING GILBERT GRAPE, Leonardo Di Caprio, 1993, (c) Paramount/courtesy Everett Collection","caption":"WHAT'S EATING GILBERT GRAPE, Leonardo Di Caprio, 1993, (c) Paramount/courtesy Everett Collection","creditText":"Paramount/Everett Collection","representativeOfPage":true}],"publisher":{"@type":"Organization","name":"Time","url":"https://time.com/","logo":{"@type":"ImageObject","url":"https://time.com/images/logo.png","width":528,"height":156},"foundingDate":"March 3, 1923","sameAs":["https://www.facebook.com/time","https://www.instagram.com/time/?hl=en","https://twitter.com/time","https://www.pinterest.com/timemagazine"]}},{"@context":"https://schema.org","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"/section/entertainment/","name":"Entertainment"}},{"@type":"ListItem","position":2,"item":{"@id":"/tag/movies/","name":"movies"}},{"@type":"ListItem","position":3,"item":{"@id":"https://time.com/6549175/leonardo-dicaprio-whats-eating-gilbert-grape-anniversary/","name":"Revisiting the Two 1993 Movies That Made Leonardo DiCaprio a Star"}}]},{"@context":"https://schema.org","@type":"VideoObject","name":"The 10 Best Movies of 2023","description":"No year-end best-movie list is definitive, because no year of moviegoing experience can be reduced to bullet points—nor should it be. 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