One of the main reasons Netflix is so popular is because of its simplicity. It’s painfully easy to queue up a movie on your laptop, video game console or mobile device and start watching in mere seconds. But that simplicity means there are a lot of features to Netflix that the average customer may not be using.
Here, we’ve rounded up some useful tips to help you get the most out of Netflix:
See What Movies Are Coming and Going
Netflix’s lineup of movies and TV shows is constantly changing as the company gains and loses licensing rights for different content. It’s difficult to get a full picture of the Netflix library from within the app itself, but a variety of third-party websites can help. Sites like Instant Watcher and What’s New On Netflix offer a daily rundown of new releases on the streaming service. Finding out when movies are going to be removed is a little trickier, because Netflix has purposefully obscured that information. However, the site Now Streaming updates regularly with lists of movies that will soon be going offline.
Get Better Search Options
Search options on Netflix are fairly limited, which can make it hard to ferret out quality movies from the service’s vast amount of content. Sites like Instant Watcher let you filter options by parameters such as year released as well as rating on Netflix and Rotten Tomatoes. And if your favorite movie isn’t on Netflix right now, you can use Can I Stream It or WhereToWatch to find out where else a film might be available to stream legally online.
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Use Your Phone As a Remote
On the PlayStation 3, customers can use their phone or tablet to control Netflix instead of a video game controller. First, make sure your mobile device and your PS3 are connected to the same Wi-Fi network. Then boot up the Netflix app on both devices, and your phone or tablet can be used to control the movie playing on the big screen — this also works if you’re watching Netflix via a Google Chromecast.
Get Smarter Recommendations
Netflix prides itself on its algorithms that are supposed to serve up content you’ll love that you didn’t even know you wanted. But the process only works if you feed the company a lot of info about what you enjoy. Rate movies regularly to get more precise recommendations, and don’t forget to fill out your taste preferences in your account settings. You can access the taste preferences list by selecting the “Your Account” option on the Web-based version of Netflix.
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Change Subtitles
Tired of Netflix’s signature yellow subtitles? You can choose among eight different text colors as well as a background color to place behind the text. The font and text size can also be adjusted. The options are available in the “Your Account” settings on the Web version of Netflix.
Eliminate Buffering
There’s no bigger buzzkill during a riveting movie than being hit with a buffering screen. Netflix has a hidden menu to help you banish buffering. Press Shift + Alt + Left Click (or Shift + Option + Click on a Mac) while streaming a show to bring up a diagnostic screen. Click “Screen Manager,” then select the “Manual” checkbox to alter the stream’s bit rate. A lower number will lower the image quality of the program but will also allow you to watch on a slower connection without constant hiccups. When the buffering screen hits video game consoles and other living room streaming devices, try inputing the code Up, Up, Down, Down, Left, Right, Left, Right, Up, Up, Up, Up on the controller or remote to deactivate Netflix, then reboot it.
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Make Profiles for Multiple Users
When you’re sharing your Netflix account with multiple friends and family members, the service’s recommendation algorithm can get pretty muddled. Separate the Law and Order fans from the documentary junkies by setting up separate profiles. You can have five in total and each will get its own viewing history and tailored recommendations. Create new profiles using the “Manage Profiles” option in the settings menu on Netflix.com.
Erase Your Viewing History
You gave into your base desires and binged on Bridezillas for five hours one rainy Sunday afternoon. It’s OK—no one ever has to know. Netflix will let you see a log of your vieiwng history and wipe specific items from the record books across all devices. Simply go to the “Your Account” option in the settings menu, click “Viewing Activity” and click the X on any shows you want to erase. Then you can go on watching trashy reality TV with impunity.
Mad Max: Fury Road
In a summer full of CGI dinosaurs and robots, Mad Max: Fury Road proves that action blockbusters can still be the sort of high art that gets a standing ovation at the prestigious Cannes Film Festival. Director George Miller not only perfected the form, building the rickety fire-shooting vehicles from scratch, but adds narrative heft, taking on serious issues like sex slavery in a nuanced way.
—Eliana Dockterman
It Follows
As a premise, “pretty teen girl running from certain doom” may not sound like the makings of an inventive horror film. Yet David Robert Mitchell’s indie sensibility makes the movie unlike any thriller you’ve seen before, while still paying homage to the best traditions of the form.
—Sarah Begley
Far From the Madding Crowd
The new adaptation of Thomas Hardy’s novel appeals to the Pride and Prejudice set, but with more subtlety and sadness than most Austen films, plus a hearty heaping of rustic drudgery. Carey Mulligan’s gutsy Bathsheba gets swept off her feet like the best of her 19th century romantic peers, but without their usual histrionics—somewhere between Lean In and Wuthering Heights.
—Sarah Begley
Love & Mercy
Paul Dano fulfills the promise of roles in Little Miss Sunshine and There Will Be Blood as a young Brian Wilson, the Beach Boy who’s going slowly mad while recording the group’s landmark album Pet Sounds. John Cusack shows us the older Wilson, now paralyzed by overmedication at the hands of a villain. It’s a gripping story of mental illness, which is sadly all too common, and true musical genius—which is extremely rare.
—Sarah Begley
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Furious 7
Each Fast & Furious movie has gleefully attempted to outdo the previous one. Brought down a plane in the last movie? How about making cars fly out of one in the next? While Furious 7 doubled down on its self-consciously corny lines and over-the-top stunts—crashing cars through not one, not two, but three high rises—it also took a moment to give a surprisingly moving send off to star Paul Walker, who died in 2013. While he will be missed, this increasingly diverse franchise has a bright future.
—Eliana Dockterman
Ex Machina
Alicia Vikander’s breakout year hinged on her spooky turn as a robot who may or may not have motives of her own. But this sci-fi thriller got its thrust from the creepy bond between the two men obsessed with Ava: tech billionaire Oscar Isaac and humble employee Domhnall Gleeson.
—Dan D’Addario
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Clouds of Sils Maria
Freed from Twilight, Kristen Stewart showed flashes of both savage intelligence and newfound sensitivity as the personal assistant to Juliette Binoche’s pampered, neurotic actress. The film works as both insider moviemaking satire and an enigmatic tribute to intergenerational bonds between women.
—Dan D’Addario
Welcome to Me
Kristen Wiig, at her best, has always had a far more barbed edge than her comedy contemporaries; there’s real bite, and pathos, to her most memorable characters. Add Alice Klieg to that pantheon. Wiig commits utterly to the story of an ill woman who spends her lottery winnings on a five-day-a-week talk show dedicated to praising herself and shaming her enemies. It works as comment on our media age, but soars as a portrait of suffering that only Wiig could make hilarious.
—Dan D’Addario
Dope
Writer-director Rick Famuyiwa’s tale about a nerdy black teen obsessed with ’90s hip hop culture rejects the trappings the typical coming-of-age flick, starting with its setting: Inglewood, Calif., otherwise known as “The Bottoms.” Newcomer Shameik Moore’s portrayal of Malcolm, who’s stuck between his ambition for a spot at Harvard and the whac-a-mole of obstacles that keep popping up to thwart him, thrusts the rising star into the well-deserved spotlight.
—Eliza Berman
Me and Earl and the Dying Girl
Director Alfonso Gomez-Rejon’s adaptation of Jesse Andrews’ young adult novel is a love letter to his late father and a tribute to the cinema greats who professionally reared him—and the movie’s labor-of-love origins are felt throughout. Though its plot, in which a high school senior is forced by his parents to befriend a classmate with leukemia, begs comparisons to The Fault in Our Stars, the movie defies categorization as a typical teen cancer rom-com by keeping its quirky protagonists in the realm of friendship.
—Eliza Berman
The Boy Next Door
No, you didn’t stumble onto the list of worst movies so far, and no, this wasn’t included to make a larger point about how The Boy Next Door is the rare thriller that lets a middle-aged heroine objectify a dude for a change. (In that way, it’s basically the “I Luh Ya Papi” video of thrillers.) The Boy Next Door gets its due here because the cheap twists and unintentionally laugh-out-loud dialogue (first edition of The Iliad, anyone?) made for one of the most deliriously fun theater-going experiences of 2015.
—Nolan Feeney
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