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![](https://static.time.com/v3/assets/bltea6093859af6183b/blt75c59fa494ebbc69/698a57b509208f7e8341d3fb/Presumed_Innocent_Photo_010201.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9)


# _Presumed Innocent_ Is the Last Straw: David E. Kelley Must Be Stopped


![Judy Berman](https://static.time.com/v3/assets/bltea6093859af6183b/bltc8170b2c5c3c92c7/698a3ea0457a52b982d67c3b/Judy-1.jpg?branch=production&width=3840&quality=75&auto=webp&crop=1:1)

by 

[Judy Berman](https://time.com/author/judy-berman/)


![Judy Berman](https://static.time.com/v3/assets/bltea6093859af6183b/bltc8170b2c5c3c92c7/698a3ea0457a52b982d67c3b/Judy-1.jpg?branch=production&width=96&quality=75&auto=webp)

## Judy Berman


TV Critic

Jun 12, 2024 11:00 AM UTC

![Jake Gyllenhaal, center, and Bill Camp, right, in <i>Presumed Innocent</i>](https://static.time.com/v3/assets/bltea6093859af6183b/blt75c59fa494ebbc69/698a57b509208f7e8341d3fb/Presumed_Innocent_Photo_010201.jpg?branch=production&width=3840&quality=75&auto=webp&crop=3:2)

Jake Gyllenhaal, center, and Bill Camp, right, in Presumed Innocent

Jake Gyllenhaal, center, and Bill Camp, right, in Presumed InnocentApple TV+

![Judy Berman](https://static.time.com/v3/assets/bltea6093859af6183b/bltc8170b2c5c3c92c7/698a3ea0457a52b982d67c3b/Judy-1.jpg?branch=production&width=3840&quality=75&auto=webp&crop=1:1)

by 

[Judy Berman](https://time.com/author/judy-berman/)


![Judy Berman](https://static.time.com/v3/assets/bltea6093859af6183b/bltc8170b2c5c3c92c7/698a3ea0457a52b982d67c3b/Judy-1.jpg?branch=production&width=96&quality=75&auto=webp)

## Judy Berman


TV Critic

Jun 12, 2024 11:00 AM UTC

An attractive female prosecutor is murdered in lurid fashion. The DA assigns his trusted deputy, a charismatic and respected family man, to the case. What he doesn’t know is that said attorney had been carrying on an affair with the deceased. Then the dalliance comes to light and the golden boy finds himself on trial for the homicide. Did he do it? We won’t know until the end.

This is the now-familiar plot of _Presumed Innocent_, the best-selling 1987 debut novel by [Scott Turow](https://time.com/4559137/scott-turow/), who would go on to become one of the biggest names in the legal thriller genre. An [all-star film adaptation](https://time.com/archive/6715065/books-all-rise-action/) followed in 1990, directed by _All the President’s Men_ and [_The Parallax View_](https://time.com/archive/6877023/cinema-paranoid-thriller/)auteur Alan J. Pakula and starring [Harrison Ford](https://time.com/5900521/harrison-ford-climate-change/) as the defendant, Rusty Sabich. The movie was a hit with critics and audiences alike. While its gender politics have aged poorly, it remains a wonderfully twisty, sharply made courtroom drama, with hints of erotic thriller pathos. 

![Ruth Negga and Jake Gyllenhaal in <i> Presumed Innocent</i>](https://static.time.com/v3/assets/bltea6093859af6183b/bltcad6b75a841e310d/698a57b5457a52726fd6a67f/Presumed_Innocent_Photo_010110.jpg?branch=production&width=3840&quality=75&auto=webp)

Ruth Negga and Jake Gyllenhaal in Presumed Innocent Apple TV+

The emergence, decades later, of a sluggish, eight-episode _Presumed Innocent_ series would be baffling if Hollywood weren’t so thirsty for adaptations and remakes, and particularly if the show weren’t helmed by David E. Kelley, television’s increasingly prolific—and increasingly mediocre—go-to creator for such projects. Twenty-seven years after he captured the late-’90s zeitgeist with [_Ally McBeal_](https://time.com/6555751/emmys-tv-show-reunions/), seven years after he made his prestige TV bones with [_Big Little Lies_](https://time.com/4722273/big-little-lies-finale-review/), and about six weeks after he unveiled a disastrous [Netflix adaptation of Tom Wolfe’s _A Man in Full_](https://time.com/6973213/a-man-in-full-review-netflix/), it’s clear he no longer deserves his maverick reputation. Whereas a new Kelley show would once have been a cause for anticipation, in 2024, the more appropriate response is dread.

Kelley has a formula these days, and _Presumed Innocent_, premiering June 12 on Apple TV+, adheres closely to it. Like the majority of Kelley’s projects, from his early career as a writer for _L.A. Law_ through _Boston Legal_ in the aughts and his recent adaptation of book turned movie _The Lincoln Lawyer_, it takes place largely in a courtroom. Like _Lies_, _A Man_, [_Nine Perfect Strangers_](https://time.com/6089080/nine-perfect-strangers-review-hulu/), [_The Undoing_](https://time.com/5902435/undoing-review-hbo/), and [_Anatomy of a Scandal_](https://time.com/6165832/anatomy-of-a-scandal-review/), it was adapted from a novel and features an A-list cast. [Jake Gyllenhaal](https://time.com/5647321/jake-gyllenhaal-sea-wall-a-life-interview/) dishonors Ford with a perplexingly flat performance as Rusty; [Ruth Negga](https://time.com/collection/american-voices-2017/4573644/american-voices-ruth-negga/) makes the best of the underwritten role of his mysteriously loyal wife, Barbara; and Peter Sarsgaard has fun playing Rusty’s scheming nemesis, Tommy Molto. (Stalwart character actor Bill Camp, as the embattled DA, is the highlight of the cast.) As in Kelley’s favorite subgenre, the [rich-oblivious-wife show](https://time.com/6165832/anatomy-of-a-scandal-review/) (see, especially: _The Undoing_, _Anatomy_) the main male character is a charming enigma to everyone, including not just his spouse, but also the viewer.


![Peter Sarsgaard in <i>Presumed Innocent</i>](https://static.time.com/v3/assets/bltea6093859af6183b/bltebad56f1fb17469a/698a57b6929fad133abfc9d7/Presumed_Innocent_Photo_010106.jpg?branch=production&width=3840&quality=75&auto=webp)

Peter Sarsgaard in Presumed Innocent Apple TV+

These habits wouldn’t be quite so frustrating if the execution of the typical post-_Lies_ Kelley show didn’t feel so indifferent. Pacing is a perennial problem. While _A Man_ squished a 742-page novel into six glib episodes, _Presumed Innocent_ stretches a story that worked perfectly as two-hour movie to three times that length, rendering it all but inert. Apart from some shaky handheld camera work and a dull, blue-and-beige palette, the series has no real visual style. When it’s not riddled with clichés (“She woke something up inside of me. Something I thought was dead”), the dialogue can sound comically robotic, like preliminary notes Kelley (who wrote or co-wrote nearly every episode) never bothered to refine into a script. Confessing a flirtation to a girlfriend, Barbara is incredulous to hear the woman encourage her to have an affair: “Are you seriously suggesting I engage in a little extramarital revenge sex with a bartender I just met?”


The project might not be entirely cynical on the part of Kelley and his chief collaborator on _Presumed Innocent_, mega-producer [J.J. Abrams](https://time.com/4134371/how-j-j-abrams-brought-back-star-wars/). If there’s one good reason to reimagine this story, it’s to address the misogyny implicit in the book and film, which, like so many erotic thrillers of the 1980s and ’90s, portray female characters as unhinged leeches, willing to do anything in the name of love or ambition. But this version features women in crucial roles behind the scenes; among its executive producers are writer Miki Johnson and director Anne Sewitsky. Both Barbara and the murder victim, Carolyn ([_The Worst Person in the World_](https://time.com/6144988/the-worst-person-in-the-world-review/)breakout Renate Reinsve), come off as more sympathetic but also a smidge boring. Kelley has added roles for women outside the love triangle as well. And although I wasn’t able to screen the finale, it seems likely that the series is headed to a somewhat different destination than its predecessors.


![Renate Reinsve in <i>Presumed Innocent</i>](https://static.time.com/v3/assets/bltea6093859af6183b/blt5ce8f64fcf4ba2d3/698a57b69d83e81944b9a2f9/Presumed_Innocent_Photo_010105.jpg?branch=production&width=3840&quality=75&auto=webp)

Renate Reinsve in Presumed Innocent Apple TV+

Unfortunately, as the second season of _Lies_, _The Undoing_, _Anatomy_, and the rapid deterioration Kelley’s initially promising ABC crime drama [_Big Sky_](https://time.com/5912447/big-sky-abc-review/)have proven, it takes more than vague feminist intentions to make a great show. Nor are big stars or best-selling source material or courtroom intrigue sufficient to overcome hacky writing. Good TV requires purpose, style, attention to detail—all things that David E. Kelley now seems too thinly spread to offer. 

'Presumed Innocent' Review: David E. Kelley Must Be Stopped

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