For those of us who read for a living, paperback releases provide an opportunity to catch up on some of the best books that came out last year, too. Our favorite paperback releases of 2017 (so far) include a Pulitzer Prize winner (Matthew Desmond, Evicted: Poverty and Profit in the American City) and a Pulitzer finalist (C.E. Morgan, The Sport of Kings), as well as an original book of poetry.
The journalist’s oral history of 1969 and 1970 includes interviews with movers and shakers of the day (Bill Ayers, Daniel Ellsberg, Robin Morgan) as well as lesser known figures who played a role in key events, like an FBI agent tasked with keeping tabs on the leaders of the Students for a Democratic Society. The book is a rich tapestry of a volatile period in American history.
This Pulitzer Prize-winning book examines the plague of eviction, following eight Milwaukee families who struggle to stay in their homes in the face of a rigged system. With compassion and an expert understanding of the many obstacles to a solution, Desmond illustrates the ways that eviction serves to exacerbate the traumatic cycle of poverty.
In the Mexican author’s first novel to be translated into English, Enrigue playfully weaves together an imagined tennis match in Rome between two giants of the Baroque period, Caravaggio and Francisco de Quevedo, and the very real destruction of the Aztec world happening across the Atlantic Ocean.
In an expansive debut novel that covers the upheaval of the 1960s, the Iraq War, the Occupy Wall Street movement and many other political moments and locales of the past six decades, Hill proves his chops as both a wry social commentator and an affecting portrait artist.
Morgan uses horse breeding as a lens through which to explore questions of race, heritage, family and the legacy of slavery in this lyrical, provocative novel about a contemporary black groom and the white family that employs him.
In this paperback original, Parker’s poems brings heat to the art of Mickalene Thomas, the racial politics of Barack Obama’s presidency, the body politics of Beyoncé and the danger of moving through America in a black body: “I walk into a bar. / I drink a lot of wine and kiss a Black man on his beard. / I do whatever I want because I could die any minute. / I don’t mean YOLO I mean they are hunting me.”
A young maid in 1920s England marks Mothering Sunday — an annual day off for domestic workers to visit their moms — with a final rendezvous with her lover, a gentleman engaged to a woman of his own class. Decades later, she looks back on the day as the moment she became a writer. The book’s emotional heft far outweighs its slim size.
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