A small sampling of the critic’s work+ READ ARTICLE
In the 35 years he spent as TIME’s resident expert on all things Hollywood, Richard Corliss, who died Thursday at 71, reviewed more than 1,000 movies. He offered insight into a generation’s great works of cinematic art, he applauded real emotion on screen and he wasn’t afraid to speak up when he disagreed with the crowd. (His Titanic pan remains legendary, but he stood by his opinion.) He helped us decide how to spend our Friday nights. He encouraged us to look deeper or to look again. Above all, he reminded us why we love the movies.
Here are 25 of Richard Corliss’s most memorable reviews:
Raging Bull: Animal House
“[Jake] La Motta was an animal, a bull in the ring and a pig outside, and [Martin] Scorsese is true to both Jakes. The boxing sequences (which amount to barely a dozen minutes of the movie’s two hours plus) are as violent, controlled, repulsive and exhilarating as anything in the genre. Scorsese layers the sound track with grunts and screams, animal noises that seem to emanate from hell’s zoo. The camera muscles into the action, peering from above, from below, from the combatant’s point of view, panning 360° as a doomed fighter spins toward the canvas. Smoke, sweat, flesh and blood become Jackson Pollock abstractions as they pound home the essential blood lust of those sweet sciences, prizefighting and moviemaking.”
E.T.: Steve’s Summer Magic
“Not since the glory days of the Walt Disney Productions—40 years and more ago, when Fantasia and Pinocchio and Dumbo first worked their seductive magic on moviegoers of every age—has a film so acutely evoked the twin senses of everyday wonder and otherworldly awe. With astonishing technical finesse and an emotional directness that lifts the heart, E.T. spins its tale of a shy, lonely boy in desperate need of a friend—when suddenly one falls out of the sky. The movie is a perfectly poised mixture of sweet comedy and ten-speed melodrama, of death and resurrection, of a friendship so pure and powerful it seems like an idealized love. None of this can be the result of computerized calculation; instead it stems from a seamless blend of writing, direction, casting and celestial good luck. Even its creator [Steven Spielberg] seems pleased: ‘I put myself on the line with this film, and it wasn’t easy. But I’m proud of it. It’s been a long time since any movie gave me an “up” cry.’”
Blade Runner: The Pleasures of Texture
“Blade Runner, like its setting, is a beautiful, deadly organism that devours life; and [Harrison] Ford, the cockily engaging Star Warrior of Raiders of the Lost Ark, allows his heroic stature to shrivel inside it. In comparison, [Rutger] Hauer’s silver-haired superman is more human than human, and finally more complex than Ford’s victimized flatfoot. Because of this imbalance of star roles, and because this drastically recut movie has a plot that proceeds by fits and stops, Blade Runner is likely to disappoint moviegoers hoping for sleek thrills and derring-do.”
Scarface: Say Good Night to the Bad Guy
“Through this underworld [Al] Pacino stalks like a panther. He carries memories of earlier performances (the bantam bombast of Dog Day Afternoon, the nervous belt tugging from American Buffalo, the crook’d arm from his Broadway Richard III), but creates his freshest character in years. There is a poetry to his psychosis that makes Tony a figure of rank awe, and the rhythm of that poetry is Pacino’s. Most of the large cast is fine; Michelle Pfeiffer is better. The cool, druggy Wasp woman who does not fit into Tony’s world, Pfeiffer’s Elvira is funny and pathetic, a street angel ready at any whim to float away on another cocaine cloud.”
The Breakfast Club: Is There Life After Teenpix?
“[John] Hughes must refer to this as his ‘Bergman film': lots of deep talk and ripping off of psychic scabs. But this filmmaker is, spookily, inside kids. He knows how the ordinary teenagers, the ones who don’t get movies made about them, think and feel: why the nerd would carry a fake ID (‘So I can vote’), and why the deb would finally be nice to the strange girl (‘ ‘Cause you’re letting me’). He has learned their dialect and decoded it for sympathetic adults. With a minimum of genre pandering–only one Footloose dance imitation–and with the help of his gifted young ensemble, Hughes shows there is a life form after teenpix. It is called goodpix.”
The Princess Bride: Errol Flynn Meets Gunga Din
“As for the Princess Bride, she is flat-out lovely. [Robin] Wright’s grave blond beauty makes her the wedding-cake figure around which all the movie’s clowns cavort. As you watch this enchanting fantasy, feel free to be thrilled or to giggle, as you wish. This time, Happily Ever After lasts 98 minutes.”
Bull Durham: I Sing the Body Athletic
“Ron Shelton, who spent some years in the minors, has made a movie with the loping narrative rhythm of a baseball season. This is, after all, a game of anticipation: waiting to gauge an opposing pitcher’s heat, waiting for a seeing-eye grounder or a play at the plate. Shelton locates the tension and the humor between pitches, between ball games, between the sheets. It helps too that he has written the wittiest, busiest screenplay since Moonstruck, and that his three stars do their very best screen work.”
Do the Right Thing: Hot Time in Bed-Stuy Tonight
“[Spike] Lee’s movie bravely tries both approaches. It gives you sweet, then rancid, but without explaining why it turned. He holds the film like a can of beer in a paper bag—the cool sip of salvation on a blistering day—until it is revealed as a Molotov cocktail. The morning after igniting the riot, Mookie slinks back to demand that Sal pay him his week’s wages. Behind the camera, Lee wants the same thing: to create a riot of opinion, then blame viewers for not getting the message he hasn’t bothered to articulate. Though the strategy may lure moviegoers this long hot summer, it is ultimately false and pernicious. Faced with it, even Mister Senor Love Daddy might say, ‘Take a hike, Spike!’”
Goodfellas: Married to the Mob
“Most Scorsese movies are all exposition. The characters don’t grow or learn, they just get found out. Same, in spades, here. So it is Scorsese’s triumph that GoodFellas offers the fastest, sharpest 2 1/2-hr. ride in recent film history. He has said he wanted his picture to have the speed and info overload of a movie trailer. Two great labyrinthine tracking shots—at a neighborhood bar and the Copacabana—introduce, with lightning grace, about a million wise guys. Who are they? What are they doing, and who are they doing in? Just to catch all the ambient wit and bustle, you have to see GoodFellas twice—not a bad idea.”
Edward Scissorhands: Shear Heaven
“The film exists out of time—out of the present cramped time, certainly—in the any-year of a child’s imagination. That child could be the little girl to whom the grandmotherly [Winona] Ryder tells Edward’s story nearly a lifetime after it took place. Or it could be [Tim] Burton, a wise child and a wily inventor, who has created one of the brightest, bittersweetest fables of this or any-year.”
Groundhog Day: Bill Murray’s Deja Voodoo
“But this Chinese-puzzle-box movie has a deeper message inside. It says that most folks’ lives are like Phil’s on Groundhog Day: a repetition, with the tiniest variations, of ritual pleasures and annoyances. Routine is the metronome marking most of our time on earth. Phil’s gift is to see the routine and seize the day. Murray’s gift is to make the appalling appealing.”
Forrest Gump: The World According to Gump
“You see them—folks of all ages and both sexes—floating out of the movie theater on waves of honorable sentiment. The kids look thoughtful, the grownups wistful. Couples are holding hands. This is not a Speed crowd; these people haven’t just exited a roller-coaster movie—they’ve completed an upbeat encounter session with America’s recent past. No question: one more audience has been Gumped.”
Pulp Fiction: A Blast to the Heart
“Pulp Fiction is [Quentin] Tarantino’s show-and-tell extravaganza. It towers over the year’s other movies as majestically and menacingly as a gang lord at a preschool. It dares Hollywood films to be this smart about going this far. If good directors accept Tarantino’s implicit challenge, the movie theater could again be a great place to live in.”
Toy Story: They’re Alive!
“Like a Bosch painting or a Mad comic book, Toy Story creates a world bustling with strange creatures (check out the three-eyed alien-children toys in the Pizza Planet) and furtive, furry humor. When a genius like [John] Lasseter sits at his computer, the machine becomes just a more supple paintbrush. Like the creatures in this wonderful zoo of a movie, it’s alive!”
The English Patient: Rapture in the Dunes
“The film is, in an old phrase, beyond gorgeous: a feast whose splendor serves Almasy complex passions. The cast is superb: [Juliette] Binoche, with her thin, seraphic smile; [Kristin] Scott Thomas, aware of the spell she casts but not flaunting it; [Ralph] Fiennes, especially, radiating sexy mystery, threat shrouded in hauteur. Doom and drive rarely have so much stately star quality.
All year we’ve seen mirages of good films. Here is the real thing. To transport picturegoers to a unique place in the glare of the earth, in the darkness of the heart—this, you realize with a gasp of joy, is what movies can do.”
Titanic: Down, Down to a Watery Grave
“Tales of this film’s agonizing gestation and tardy birth, though already the stuff of legend, will mean little to moviegoers, who will pay the same $7 or $8 to see Titanic that they spend on films made for a thousandth its cost. Ultimately, Titanic will sail or sink not on its budget but on its merits as drama and spectacle. The regretful verdict here: Dead in the water.”
There’s Something About Mary: Diaz-zling!
“Any review is irrelevant to this movie; it is either above criticism or beneath contempt. But for those who park their sense and sensibility at the ‘plex door, there’s plenty to enjoy in the performances, the rowdy innocence of the whole thing, the closing sing-along of ‘Build Me Up Buttercup’—and the vision of Cameron Diaz in giggly, gangly bloom.”
Shakespeare in Love: If Movies Be the Food of Love…
“But the true, rare glamour of the piece is its revival of two precious movie tropes: the flourishing of words for their majesty and fun, and—in the love play between [Joseph] Fiennes and his enchantress—the kindling of a playfully adult eroticism. Let the kids toy with their Rugrats and hold their Sandler high. Shakespeare in Love is a movie to please the rest of us, parched for a game of dueling, reeling romance.”
Erin Brockovich: Erin Go Bra
“Look, we think it’s neat that this story, about folks poisoned by water laced with hexavalent chromium, caught the eye of studio execs who haven’t drunk tap water in years. And it’s fine if today’s only female box-office magnet wants to do Norma Rae Takes a Civil Action. (Her teary phone call alone will guarantee an Oscar nomination.) But does the film, written by Susannah Grant, have to be both heckling and truckling?”
Eternal Sunshine of the Spotless Mind: Do I Love You? (I Forget)
“Each love affair is its own life. And whether its span is that of a mayfly or a Galapagos tortoise, it has a life cycle of birth, growth, maturity, decay, death. And possibly rebirth? Or just instant replay?
That’s the question, the double theory, posed in Eternal Sunshine of the Spotless Mind, the latest and loveliest alternative universe created by Charlie Kaufman, America’s most—we should probably say only—intellectually provocative screenwriter.”
“Viewers will feel as though they’ve just finished a great meal but aren’t sure what they’ve been served. Behind them, the chef smiles wickedly.”
The Dark Knight: Batman Is Back
“For a good part of the film, when the two embrace in a free fall of souls—one doomed, the other imperiled—you may think you’re in the grip of a mordant masterpiece. That feeling will pass, as the film spends too many of its final moments setting up the series’ third installment. The chill will linger, though. The Dark Knight is bound to haunt you long after you’ve told yourself, Aah, it’s only a comic-book movie.”
The Hurt Locker: Iraq, With Thrills
“The Hurt Locker has a few longueurs, and once or twice it spells out in dialogue what the images have eloquently shown. But short of being there, you’ll never get closer to the on-the-ground immediacy of the Iraq occupation, its sick tension, its toxic tang. This is one of the great war films, and our own Medal of Honor winner for 2009.”
Fast Five: The First Great Post-Human Movie
“In a film that is sure to blast open the box-office vault this weekend, these two amazing chase scenes provide a little epiphany about modern movies. It’s this: in the kind of picture Hollywood makes best, the old cinema verities—sharp dialogue, rounded characters, subtle acting, a certain camera eloquence—are irrelevant.”
Boyhood: A Thrilling Epic of Ordinary Life
“Parents forget; kids remember. Or is it the other way around? We all recall what is or was important to us, and are astonished when it slips other people’s minds. Perhaps we dismiss as irrelevant matters of crucial concern to those we love. That’s life as most of us experience it, and which few movies document with such understated acuity as Boyhood does. Embrace each moment, Linklater tells us, because it won’t come again—unless he is there to record it, shape it and turn it into an indelible movie.”
Flick through 12 of the day's biggest headlines and tap for a faster look at the news+ READ ARTICLE
TIME is on the Apple Watch. TIME’s new mobile app brings the latest headlines right to your wrist. An intuitive user interface allows readers to swipe through The Brief, TIME’s up-to-the-minute collection of the most important stories of the moment.
Tap a headline to open the full article on your phone within the TIME Mobile App or play the audio version of The Brief to have the news read aloud while you’re on the go. Users of the app—developed by Time Inc.’s Seattle-based mobile engineering team—can adjust the volume using audio controls on the watch, the phone or a car via the dashboard.
The Brief has more than 850,000 subscribers. Now they can get it with just a glance at the wrist. Download it here.
Don’t have the Apple Watch yet? Sign up for The Brief below.
MONEY's Donna Rosato tells you the best way to talk to your boss about a new role without burning bridges.
Residents fear contaminated water, respiratory illnesses and flight disruptions+ READ ARTICLE
(ENSENADA, Chile) — Twin blasts from the Calbuco volcano in southern Chile sent vast clouds of ash into the sky, covering this small town with thick soot and raising concerns Thursday that the dust could contaminate water, cause respiratory illnesses and ground more flights.
Ensenada, in the foothills of the volcano, looked like a ghost town but for an occasional horse or dog roaming its only street. Most of the 1,500 residents had evacuated after the initial eruption Wednesday, with only about 30 people refusing to leave out of worry for their homes and animals.
Daniel Patricio Gonzalez left with his wife, 7-year-old son and 4-year-old twins, but he returned to town Thursday night to assess the damage. The roof at the restaurant he manages had caved in from the weight of the mounting ash.
“This hurts a bit, but there’s nothing to do against nature. The important thing is that my family is fine,” Gonzalez said.
The volcano erupted Wednesday afternoon for the first time in more than four decades, spewing out a plume of ash more than 6 miles (10 kilometers) high. Emergency officials were taken by surprise and had only a few minutes to issue an alert.
Calbuco had another spectacular outburst early Thursday with lightning crackling through a dark sky turned reddish orange by the explosion.
As the ash cloud spread Wednesday, “people went into a state of panic,” said Miguel Silva Diaz, an engineer who lives in Puerto Montt, a city about 14 miles (22 kilometers) from the volcano. “Then, at around 1 a.m., I heard a loud noise, as if somebody had detonated an atomic bomb.”
Winds blew ash in a widening arc across to Argentina. No injuries were reported and the only person reported missing since the eruption was located Thursday.
Authorities evacuated 4,000 people as gas and ash continued to spew, and they closed access to the area around the volcano, which lies near the cities of Puerto Varas and Puerto Montt, some 620 miles (1,000 kilometers) south of Santiago.
“I was shocked. I had just arrived home when I looked through the window and saw the column of smoke rising up. We called our families, posted photos,” said Daniel Palma, a psychologist who lives in Puerto Varas.
“We woke up today with a blanket of fog and it hasn’t cleared. We have a layer of smoke above us,” Palma said, adding that many were concerned about the possible effects of the ash on their health.
The Chilean national geology and mining service warned that people should prepare for a third and “even more aggressive eruption.”
President Michelle Bachelet, who visited the area Thursday, declared a state of emergency.
“We don’t have any problems with supplies, water or sewage up to now. That’s not the problem,” she said. “Our problem is a respiratory one, from inhaling all of this ash, and the fact that this ash could generate some sort of environmental contamination.”
The short-term dangers related to the ash include eye and skin infections as well as water contamination, said Bernardo Martorell, a physician and the head of the sanitary planning division at Chile’s health ministry.
“That’s why the people in the area need to evacuate,” Martorell said.
The ash continued to fall Thursday in Puerto Montt and other nearby cities. Patricio Vera, director of a local radio station, said that after the initial eruption, hundreds of people rushed to buy gasoline, forcing stations to ration sales, while supermarkets closed early to avoid the risk of looting.
LATAM and other airline companies cancelled flights to and from Puerto Montt because airborne ash can severely damage jet engines.
The 6,500 foot (2,000-meter) Calbuco last erupted in 1972 and is considered one of the top three most potentially dangerous among Chile’s 90 active volcanos.
By Thursday afternoon, ash had made its way to Villa La Angostura, Argentina, a small town about 56 miles (90 kilometers) northeast of Calbuco. Cars and streets were coated with a thin layer of ash, but people were otherwise going about their business.
“We are praying that the volcanic activity will be as short as possible,” said mayor Roberto Cacault.
After more than a year the Nigerian army could be closing in on the forest where the schoolgirls are believed to be held+ READ ARTICLE
Nigerian activist and “Bring Back Our Girls” co-founder Obiageli Ezekwesili left a room full of the most influential people in the world speechless this week, in an emotional speech saying they could not possibly move on while 219 schoolgirls were still crying to be rescued. It has been just over a year since Boko Haram abducted 276 schoolgirls in Chibok, in northern Nigeria, and while 57 have escaped, not one of them has done so because of military efforts.
Speaking at Tuesday’s TIME 100 Gala in New York City, Ezekwesili, a former Federal Minister of Education of Nigeria and Vice President of the the African division of the World Bank, took the opportunity to continue her work canvassing for the rescue of the Chibok girls. She called upon President Barack Obama to push for action, saying: “If he could get Osama bin Laden, he could get our girls.”
In the last year there has been much talk about the girls but little success. Below is the story of the search so far. The girls are being held, it is believed, in dense forest in the northeast of Nigeria. Nigerian forces entered the forest in the last week supported by intelligence and surveillance provided by U.S. and other Western states.
April 14-15, 2014 : Boko Haram fighters break into the Government Secondary School in the predominantly Christian town of Chibok in Borno State. They kidnap 276 schoolgirls: several of them jump off trucks carrying them away from the school.
April 23: Nigerian lawyer Ibrahim M. Abdullahi is the first to use the #BringBackOurGirls hashtag in a tweet during a UNESCO address given by Ezekwesili, who goes on to lead the Bring Back Our Girls campaign.
April 30: The #BringBackOurGirls hashtag gains traction, trending in Nigeria with over 100,000 mentions in a single day. It spreads internationally, attracting support from celebrities and prominent public figures, including Pakistani education activist Malala Yousafzai, American actress and comedian Amy Poehler, former Secretary of State Hillary Clinton, and singer Mary J Blige.
May 2: By now, more than 50 of the schoolgirls have escaped in separate groups.
May 4: Nearly three weeks after the kidnapping and after much criticism over his silence, President Goodluck Jonathan makes his first public statement on national television acknowledging what happened and vows to find the girls.
May 5: Abubakar Shekau, Boko Haram’s leader, releases a video claiming responsibility for the abduction and promises to sell the girls as slaves.
May 7: Just after #BringBackOurGirls reaches 1 million tweets, U.S. First Lady Michelle Obama tweets a photo of herself with a sign reading #BringBackOurGirls. Four days later, she delivers the presidential address rather than her husband, saying they are both “outraged and heartbroken” about the abduction.
Early May onwards: Teams of military advisors, negotiators and counsellors from the U.S., U.K. and France start providing help with the search efforts. China, Israel, Canada, Iran, and the E.U. all pledge assistance too.
The U.S. has at least 26 officials specifically tasked to the Boko Haram abduction, including three FBI officials and at least 16 military personnel. The U.K. deployed Sentinel and Tornado GR4 aircraft with surveillance capabilities to help in the search, and it continues to provide commercial satellite imagery to the Intelligence Fusion Cell in Abuja, where UK personnel are working alongside Nigerian, US and French colleagues. Ned Price, the Assistant Press Secretary of the National Security Council, says on Thursday: “The U.S. Government has maintained an interdisciplinary team in Abuja consisting of specialists on temporary assignment and personnel assigned to our Embassy in Abuja. Given the regional component to Boko Haram, there are also individuals in other locations including U.S. Embassies in neighboring countries that are part of this effort.”
Nigeria turns off cell phone coverage in the North East area where Boko Haram are operating making it more difficult for militants to coordinate attacks, according to sources. However, it also makes intelligence gathering from phone calls impossible. The Nigerian military strategy also focuses on forcing Boko Haram out of urban areas into forests, further hindering intelligence gathering.
Later that summer, Nigeria requests to purchase American Cobra helicopters for the search but the U.S. declines as Nigeria does not have the infrastructure in place to fly and maintain a fleet of Cobras, which would take several years to develop.
May 12: Boko Haram releases a new video appearing to show about 100 of the missing girls. They boast the girls have converted to Islam and refuse to release them unless the government releases Boko Haram militants from prison.
May 22: The U.S. deploys 80 troops and an unmanned aerial vehicle to Chad to help regional efforts to rescue the schoolgirls.
May 26: Chief of Defense Staff Alex Badeh, Nigeria’s highest ranking military officer, says the army has located the girls but refuses to give any details of their whereabouts, causing doubts about the veracity of the reports. He says the army would not make an attempt to rescue them by force: “We can’t kill our girls in the name of trying to get them back.”
May 27: Reports emerge that Nigeria’s former president Olusegun Obasanjo has met with people close to Boko Haram to broker a deal to release the girls.
July 15: Nigerian police say they arrested Zakaria Mohammed, a high-level Boko Haram member, who was fleeing military operations around the Balmo Forest. It is not clear if he provided any information on the whereabouts of the schoolgirls.
October 17: The Nigerian army announces a ceasefire deal between government forces and Boko Haram, following negotiations mediated in Saudi Arabia by Chadian President Idriss Déby and Cameroonian officials. The announcement raises hopes that the remaining girls might be released, but Mike Omeri, Nigeria’s chief security spokesman, says no deal is in place.
February: After being awarded scholarships, 21 of the Chibok girls who managed to escape are now studying at the American University of Nigeria, in Yola, the capital of neighboring Adamawa state.
March 6: Work begins to rebuild the girls’ school in Chibok, which has been closed since they were abducted.
March 19: Nigeria’s army chief Lieutenant General Kenneth Minimah admits there is “no news for now” about the girls’ fate, despite military successes in recapturing towns held by Boko Haram.
March 25: A 56-year-old woman abducted by Boko Haram in July 2014 is released after 8 months. She tells the International Centre for Investigative Reporting in Nigeria that she was being held in the same house as the Chibok girls in the town of Gwoza in Borno State, under 24-hour-security by armed guards – although she never actually saw the girls herself.
March 27: The town of Gwoza is recaptured by the Nigerian army but, despite earlier reports suggesting otherwise, the kidnapped girls are not found.
April 18: President-elect Muhammadu Buhari, who will take office on May 29, writes in the Times that his government will do everything in its power to bring the girls home, but says his administration will begin with a honest assessment as to whether the Chibok girls can be rescued: “Currently their whereabouts remain unknown. We do not know the state of their health or welfare, or whether they are even still together or alive. As much as I wish to, I cannot promise that we can find them.”
April 19: Nigerian ground troops move into the Sambisa forest hoping to find and rescue the Chibok girls after sustained air strikes carried out by the Nigerian Air Force over the past eight weeks.
April 21: Obiageli Ezekwesili tells the Time 100 Gala “If he (President Obama) could get Osama bin Laden, he could get our girls.”
Additional reporting by Aryn Baker and Maya Rhodan
Musk has paid himself California’s minimum wage for the past two years, but he only kept $1 and returned the rest to the company. It appears he did the same this year.
The "Adult Beginners" star on sibling dynamics, the importance of strong female voices and his dream to be on "The Real Housewives of Atlanta"+ READ ARTICLE
Nick Kroll has played a radio host called The Douche (Parks and Recreation), a spin instructor named Tristafé (Unbreakable Kimmy Schmidt) and a German foosball enthusiast named Juergen (Community). But in the new movie Adult Beginners, which hits theaters (and iTunes and video on demand) Friday, Kroll plays a character that’s a little less hyperbolic and a little more relatable.
In the film, viewers meet Jake, a failed entrepreneur who moves in with his pregnant sister (Rose Byrne) and her husband (Bobby Cannavale, Byrne’s real-life boyfriend), and becomes a nanny to their young child. The story was inspired by Kroll’s own experience as the youngest of four siblings and uncle to a dozen nieces and nephews. After developing the idea with Mark Duplass, his co-star from The League, he enlisted husband-and-wife team Liz Flahive and Jeff Cox to write the screenplay.
“I wanted to have a female voice in helping to put the script together, because it’s really as much about me as it is about my sister in the movie,” he says. “A lot of movies are written by 30-year-old white guys, and you don’t want your characters all to sound like 30-year-old white guys.”
Fans who know Kroll from his recently retired Comedy Central sketch show Kroll Show, on which he played characters like the tuna-loving Gil Faizon and craft services extraordinaire Fabrice Fabrice, may be surprised by how normal a character Jake is. But Kroll insists that the gulf between Faizon and Jake is not so gaping, after all.
“The goal is to create something that just feels really believable, whether it’s a grounded character in a dramedy or a toilet baby who has been forced into becoming a father himself. How does that guy talk, how does he walk, how does he feel about his mom, how does he feel about his sister,” Kroll explains. “I’m trying to do the same homework regardless.”