--- description: Seven of this year's top 10 films star women title: 8 Lessons From a Summer Where Women Ruled the Box Office image: https://static.time.com/v3/assets/bltea6093859af6183b/bltde093bcdab65f2d0/6988d9b9bc6cfc69913e2a3c/time-logo.jpg?branch=production --- * [Entertainment](/section/entertainment/) ## Entertainment Update your preferences in [Account Settings](/account/preferences/) Close * [movies](/tag/movies/) ## movies Update your preferences in [Account Settings](/account/preferences/) Close # 8 Lessons From a Summer Where Women Ruled the Box Office ## Video: Mad Max Fury Road - Official Main Trailer HD [Watch (HLS stream): Mad Max Fury Road - Official Main Trailer HD](https://cdn.jwplayer.com/manifests/TyzaPCaQ.m3u8) (2:24)  _Published 2015-04-01. Watch the official trailer for Mad Max Fury Road._  by [Eliana Dockterman](/author/eliana-dockterman/)  ## Eliana Dockterman Update your preferences in [Account Settings](/account/preferences/) Close Correspondent Aug 27, 2015 7:37 PM CUT  by [Eliana Dockterman](/author/eliana-dockterman/)  ## Eliana Dockterman Update your preferences in [Account Settings](/account/preferences/) Close Correspondent Aug 27, 2015 7:37 PM CUT The success of last summer’s female-centric movies came as a surprise. Box office analysts were confused when Scarlett Johansson’s sci-fi thriller _Lucy_ outsold Dwayne “the Rock” Johnson’s _Hercules_. They were downright dumbfounded when Shailene Woodley’s tearjerker _The Fault in Our Stars_ edged out the Tom Cruise action film _Edge of Tomorrow_ at the box office. Perhaps it was the success of those films that led hopeful critics and audiences to have such great expectations for this summer’s leading ladies. There weren’t many surprises—unless you count the fact that Charlize Theron’s Furiosa, not Tom Hardy’s Max, was the star of _Mad Max: Fury Road_. This was to be the summer of women, what with _Pitch Perfect_ getting a sequel and TV feminist sensation Amy Schumer making her big screen debut. And it was. These films held their own among the macho men of _Avengers_ and _Jurassic Park_. In fact, seven of this year’s top 10 films so far star women. Here’s what we ought to take away from an aca-awesome summer for women at the box office. **MORE:** [In Praise of This Summer’s ‘Complicated Women’](http://time.com/3966753/amy-schumer-trainwreck-mad-max-difficult-complicated-women/ "undefined")  Lily James is Cinderella in Disney's live-action feature Cinderella. Jonathan Olley—Disney ### **Movies don’t need men** Young, white men are the most coveted demographic in the industry — hence the endless parade of pasty male superheroes. But a [FiveThirtyEight study](http://fivethirtyeight.com/features/the-dollar-and-cents-case-against-hollywoods-exclusion-of-women/ "undefined") of the biggest blockbusters since 1970 found that films that passed the [Bechdel Test](http://entertainment.time.com/2014/01/09/2013-was-a-good-year-for-women-in-movies-what-will-2014-hold/ "undefined")—a simple yet somehow elusive bar that measures whether two women in a movie talk to one another about something other than a man—make more money than those that don’t. That theory was borne out at this year’s box office. Of this year’s top 10 grossing domestic films, seven of them — _Furious 7_ (#3), _Inside Out_ (#4), _Minions_ (#5), _Cinderella_ (#6), _Pitch Perfect 2_ (#7)_,_ _Home_ (#8) and _Fifty Shades of Grey_ (#9) — all had women in starring roles.  Universal ### **The most successful studio this year is catering to women and people of color** Diversifying your films on the whole is now a proven strategy for success. Universal Pictures, despite not owning the rights to any superheroes, is handily beating its competitors at the box office this year, thanks to its blatant disregard of the white teenage boy. The studio has five of the 10 highest-grossing movies of the year. Save _Jurassic World_, the rest of those movies “took risks” on non-male, non-white stories. _Straight Outta Compton_ and _Furious 7_ both feature diverse casts. _Pitch Perfect 2_ and _Fifty Shades of Grey_ were each directed by a woman and told women’s stories (empowering or not). And _Minions_ — which has grossed over $1 billion worldwide — had the biggest opening weekend of any of the _Despicable Me_ films with Sandra Bullock — not Steve Carrell — as its featured villain.  Amy Poehler stars as the personification of Joy, left, with Phyllis Smith starring as the voice of Sadness. Pixar/Disney ### **It’s okay to ditch the crown** Following the _Frozen_ fervor, Disney doubled down on its peppy princess strategy, green-lighting a _Frozen_ sequel and a new film called _Moana_. But in June, _Inside Out_ [set a record](http://time.com/3930081/inside-out-female-protagonist/ "undefined") for the highest-grossing weekend of any original film — a movie not based on a book, comic book or previous movie. More importantly, the movie’s main character has nothing to do with royalty. Families, it seems, are willing to shell out big bucks to learn about what’s going on inside the mind of an ordinary, hockey-loving girl who hates broccoli on her pizza. **MORE:** [Why It Matters That _Inside Out’_s Protagonist Is a Girl — Not a Princess](http://time.com/3930081/inside-out-female-protagonist/ "undefined")  (L to R) Claire (Bryce Dallas Howard), Owen (Chris Pratt), Zach (Nick Robinson) and Gray (Ty Simpkins) watch in terror in Jurassic World. Universal ### **You can’t get away with lazy sexism anymore** When the _Jurassic World_ trailer premiered back in April, _Avengers_ director, _Buffy_ creator and self-proclaimed feminist Joss Whedon [tweeted](http://www.vox.com/2015/6/16/8788641/jurassic-world-sexism "undefined"), “I’m too busy wishing this clip wasn’t 70’s era sexist. She’s a stiff, he’s a life-force—really? Still?” Once the movie hit theaters in June, critics largely agreed with Whedon. The New York _Times’_ Manohla Dargis [wrote](http://www.nytimes.com/2015/06/12/movies/review-in-jurassic-world-the-franchise-feeds-the-beast.html?%5Fr=1 "undefined") Bryce Dallas Howard’s character “mostly just schemes and screams, before Owen melts her like an ice cube on a hot griddle.” Plenty of fans piled on on social media, complaining that the female star was forced to run around in heels the whole movie. Ironically, Whedon himself [came under fire](http://www.themarysue.com/joss-whedon-why-he-left-twitter/ "undefined") later that spring for writing in a sexist plot line for Scarlett Johansson’s Black Widow in which being barren is equated with being a “monster.” Of course, take this Twitter outrage with a grain of salt. Despite these atrocious, sexist plot points, _Jurassic Park_ and _Avengers: Age of Ultron_ were the two highest-grossing films of the summer. Still, even if misogyny won’t affect a movie’s bottom line (yet), it won’t help the filmmakers’ standing in the cultural conversation. I doubt, for example, Whedon will be making that same mistake again. And writers who do take women into consideration are rewarded for doing so. The spy played by Rebecca Ferguson in _Mission Impossible: Rogue Nation_ removed her heels every time she had to fight, run or ride a motorcycle. It was a small touch, but one that was greatly appreciated by female moviegoers and lovers of realism alike.  As Margo, style icon Cara Delevingne takes her next-door neighbor Quentin, played by Nat Wolff, on the ride of his life Michael Tackett— 20th Century Fox ### **Movies about women still have to be good to sell** Yes, _Hot Pursuit_ and _Paper Towns_ fell on their faces. It turns out that — just like with all other movies — the script, the director and the casting matters. _Hot Pursuit_ tried to capture the same movie magic Melissa McCarthy and Sandra Bullock had conjured with _The Heat_, but the unconvincing premise and lame jokes fell flat. The disappointing _Paper Towns_ box office proved that not all young adult novels (even ones by John Green) are created equal — nor are leading ladies.  The Barden Bellas perform in a scene from Pitch Perfect 2 Universal Pictures ### **Feminism and blockbusters totally mix** Amy Schumer, who made her name writing [sketches](http://time.com/3840016/amy-schumer-one-direction-girl-you-dont-need-makeup/ "undefined") that smartly [skewer](http://time.com/3935682/inside-amy-schumer-disney-princess/ "undefined") [sexism](http://time.com/3898198/inside-amy-schumer-cosby-sketch-jessi-klein/ "undefined"), is well on her way to becoming a bona fide movie star. Lame boyfriends were shunted to the side in _Pitch Perfect 2_ in favor of girl power. The writer of the famed _Vagina Monologues_ was [asked to consult](http://time.com/3850323/mad-max-fury-road-eve-ensler-feminist/ "undefined") on big budget action film _Mad Max: Fury Road_. Feminism had made its way into mainstream culture, and it’s making for better, more complex female characters.  The Apatowian romance between Schumer and Hader plays out in typical rom-com conventions. Universal Pictures ### **The women blazing the trail in Hollywood are under** **_a lot_** **of pressure** That being said, women characters in blockbusters are far from the Platonic feminist ideal — a fact that critics are pleased to inform the few female writers and directors who bring them to the screen. Amy Schumer came under the microscope this summer: was _Trainwreck_ [empowering enough](http://www.themarysue.com/trainwreck-review/ "undefined")? Does the entire premise of a [rom-com](http://www.buzzfeed.com/annehelenpetersen/postfeminist-bullshit#.vvMKjGxL5 "undefined") undermine [feminist ideals](http://www.slate.com/articles/arts/movies/2015/07/trainwreck%5Freview%5Famy%5Fschumer%5Fand%5Fjudd%5Fapatow%5Fs%5From%5Fcom%5Fis%5Fnot%5Fa%5Ftrainwreck.html "undefined")? Of the top 250 grossing films in 2014, only 11% of writers were women and just 7% of directors were female. The few women who are afforded the opportunity to helm big budget films are under scrutiny for whether they are doing their job well _and_ whether they’re advancing their gender in doing so.  Charlize Theron in Mad Max: Fury Road. Jasin Boland—Warner Bros. ### **Studios need to make more female action movies already** Director George Miller can now be declared the master of “[sneaky feminism](http://www.slate.com/blogs/lexicon%5Fvalley/2015/07/21/sneakily%5Fslyly%5Fand%5Fsubtly%5Ffeminist%5Fwhy%5Fdo%5Fwriters%5Fwant%5Fsisterhood%5Fto%5Fslink.html "undefined").” His film, which was (smartly) sold as a testosterone-filled, post-apocalyptic road rage extravaganza, was actually a feminist manifesto about a group of women escaping sex slavery, tearing down a patriarchal society and finding safety in a community of Amazons. Charlize Theron did more shooting, driving and talking in that movie than Tom Hardy (as evidenced by the [honest trailer](http://www.slate.com/blogs/browbeat/2015/08/25/mad%5Fmax%5Ffury%5Froad%5Fhonest%5Ftrailer%5Fpromises%5Fa%5Ftwo%5Fhour%5Fgame%5Fof%5Fmario%5Fkart.html "undefined") that mocks “Tom Hardly There”)—thanks, in part, to Ensler’s consultations. Melissa McCarthy also did her part to convince audiences that women belong in shoot-outs as much as men do. Her latest movie with director Paul Feig, _Spy_, placed her in the role typically reserved for the James Bonds and Ethan Hunts of the world. To the surprise of anyone who watched the trailer, McCarthy wasn’t a bumbling spy but actually a kick-ass heroine who still managed to get laughs. Neither of these films reached _Mission Impossible_ level box office success, but their sequels just might. And not that studios care more about reviews than the bottom line, but _Mad Max_ was heralded by most critics as the best film of the summer. If Charlize Theron can’t convince studio execs that women can rule the summer, nobody will. **MORE:** [Eve Ensler on How Mad Max: Fury Road Became a ‘Feminist Action Film’](http://time.com/3850323/mad-max-fury-road-eve-ensler-feminist/ "undefined") ```json [{"@context":"https://schema.org","@type":"NewsArticle","@id":"https://time.com/4010560/women-summer-box-office/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/4010560/women-summer-box-office/"},"headline":"8 Lessons From a Summer Where Women Ruled the Box Office","datePublished":"2015-08-27T19:37:24.000Z","dateModified":"2026-05-11T05:01:55.696Z","description":"Seven of this year's top 10 films star women","url":"https://time.com/4010560/women-summer-box-office/","keywords":["movies"],"thumbnailUrl":"","author":[{"@type":"Person","name":"Eliana Dockterman","jobTitle":"Correspondent","url":"https://time.com/author/eliana-dockterman/"}],"articleSection":"Entertainment","image":[],"publisher":{"@type":"Organization","name":"Time","url":"https://time.com/","logo":{"@type":"ImageObject","url":"https://time.com/images/logo.png","width":528,"height":156},"foundingDate":"March 3, 1923","sameAs":["https://www.facebook.com/time","https://www.instagram.com/time/?hl=en","https://twitter.com/time","https://www.pinterest.com/timemagazine"]}},{"@context":"https://schema.org","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"/section/entertainment/","name":"Entertainment"}},{"@type":"ListItem","position":2,"item":{"@id":"/tag/movies/","name":"movies"}},{"@type":"ListItem","position":3,"item":{"@id":"https://time.com/4010560/women-summer-box-office/","name":"8 Lessons From a Summer Where Women Ruled the Box Office"}}]},{"@context":"https://schema.org","@type":"VideoObject","name":"Mad Max Fury Road - Official Main Trailer [HD]","description":"Watch the official trailer for Mad Max Fury Road.","thumbnailUrl":"https://cdn.jwplayer.com/v2/media/TyzaPCaQ/poster.jpg?width=720","uploadDate":"2015-04-01T02:51:23.000Z","contentUrl":"https://cdn.jwplayer.com/manifests/TyzaPCaQ.m3u8","embedUrl":"https://time.com/4010560/women-summer-box-office/","duration":"PT2M24S","potentialAction":{"@type":"SeekToAction","target":"https://time.com/4010560/women-summer-box-office/?jw_start={seek_to_second_number}","startOffset-input":"required name=seek_to_second_number"}}] ```