TIME Icons

How Debbie Reynolds Stumbled Into Stardom

The multi-talented performer, who went from movie-going tomboy to movie star in a few short years, will receive her overdue recognition at the SAG Awards on Sunday

Mary Frances Reynolds wanted to be a gym teacher. She grew up a ball-playing, tree-climbing tomboy from a church-going family in Burbank, California. A chance decision to enter a local beauty contest at age 16 and the surprising victory that ensued led to a contract with Warner Brothers, a name change (to Debbie, although she would have preferred “Patches” or “Saucy”) and a long onscreen career, for which she’ll be honored on Sunday, Jan. 25, with a Lifetime Achievement Award at the Screen Actors Guild Awards.

Reynolds did not grow up singing, dancing or acting—the three talents for which she’ll be recognized this weekend—but she worked tirelessly to develop them. Beginning with her brief stint at Warner Brothers as a teenager, she regularly put in ten-hour days honing all three. She appeared in one musical film with the studio (The Daughter of Rosy O’Grady in 1950), then got picked up by MGM after playing Helen Kane (the “Boop Boop a Doop” girl) across from Fred Astaire in Three Little Words.

But her breakout role would come in 1952, when she played aspiring actress Kathy Selden opposite Gene Kelly and Donald O’Connor in Singin’ in the Rain. That movie catapulted Reynolds, who could barely dance a step when she first met Kelly on set, to stardom. She went on to make movies like Tammy and the Bachelor, in 1957, which gave her a number one hit on the Billboard charts, How the West Was Won in 1962 with Gregory Peck and The Unsinkable Molly Brown in 1964, for which she received an Oscar nod.

As much as her work kept her in the spotlight, Reynolds also received unwanted attention for a scandal in her personal life, though not one of her own making. In a love triangle that provided as much tabloid fodder as the Aniston-Pitt-Jolie drama of the early aughts, Reynolds’ husband Eddie Fisher divorced her and immediately married her close friend Elizabeth Taylor. Reynolds has said that she was to Taylor as Aniston was to Jolie: the all-American girl next door spurned by the hyper-sexualized bombshell.

“I stood no chance against her,” she once said. “What chance did I have against Elizabeth, a woman of great womanly experience, when I had no experience at all?”

LIFE Magazine described her in 1959 as “Eddie’s scorned woman,” but emphasized that she was “not one to retreat behind dark glasses.” Outwardly, she was, despite her painful personal drama, “full of fun and bouncy as a kitten on a living room rug.” And though she was a decade into her career, the magazine described her with as much innocence as though she were still that boyish teenager: “Debbie is a homespun girl and she loves Coke, chewing gum and popcorn.”

The Lifetime Achievement Award offers overdue recognition for a performer with a closet full of nominations—for an Oscar, an Emmy, a Tony and two Golden Globes—but no major wins. Reynolds’ career counts dozens of film projects, including voiceover work (most notably, as Charlotte in Charlotte’s Web), as well as turns on Broadway and television. At 82, she continues to work, and is rumored to be attached to a 2016 film project co-starring Bob Newhart, Mary Tyler Moore and Jerry Lewis.

It’s quite a collection of stripes on the sleeves of a woman whose entire career began by accident. “I’m very proud to say I was Miss Burbank and had a hole in my bathing suit and my rear end was hanging out and I didn’t have shoes, high heel shoes,” she said in an interview in 2013. “I’m very grateful for stumbling into show business.”

Liz Ronk, who edited this gallery, is the Photo Editor for LIFE.com. Follow her on Twitter at @LizabethRonk.

Your browser is out of date. Please update your browser at http://update.microsoft.com


Dear TIME Reader,

As a regular visitor to TIME.com, we are sure you enjoy all the great journalism created by our editors and reporters. Great journalism has great value, and it costs money to make it. One of the main ways we cover our costs is through advertising.

The use of software that blocks ads limits our ability to provide you with the journalism you enjoy. Consider turning your Ad Blocker off so that we can continue to provide the world class journalism you have become accustomed to.

The TIME Team