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review
Venice Review: Angelina Jolie in 'Maria'
By Stephanie Zacharek
Netflix’s KAOS Updates Greek Mythology
By Judy Berman
Review: Beetlejuice Beetlejuice
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Lily Collias gives a dazzling performance in this gorgeous debut about a teenager on a camping trip with her dad and his friend.
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The talky finale served up some of the best plot twists, character beats, and new faces the series has given us to date
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M. Night Shyamalan's latest, starring Josh Hartnett and the filmmaker's daughter Saleka, is devoid of his signature twists but not of pleasures altogether.
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'Industry' Takes On Benevolent Capitalism
The HBO finance drama remains as smart, steamy, and propulsive as ever in its most thematically coherent outing to date.
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A Weird, Great Olympics Opening Ceremony
Weird, ambitious, ultimately wonderful, and extremely French, the kickoff to Paris 2024 was the first great Opening Ceremony in years.
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A hilarious cast of characters populate this audacious riff on Boccaccio's classic. But what is 'The Decameron' without its stories?
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Now we know whodunit, and the answer makes very little sense.
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'Lady in the Lake': TV Review
Natalie Portman comes to TV in a haunting, flawed but fascinating, adaptation of Laura Lippman's '60s-set murder mystery
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Peacock's chariot-racing drama is ghoulishly violent, cartoonishly soapy, and too formulaic to transcend the macho fantasies of its makers
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As Season 2, Episode 5 illustrated, the show wants to call out sexism but does so without depth, insight, or texture.
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Review: Touch
Baltasar Kormákur gives us the thing we didn’t know we wanted: a cross-cultural romance built around one man’s search for a long-lost love
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Review: Colman Domingo in Sing Sing
Colman Domingo stars in a drama about the redemptive, reawakening power of art in a prison theater program.
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Rashida Jones' 'Sunny': TV Review
The Apple TV+ series is a timely, thoughtful, and attractively made but frustratingly paced and plotted combination of tech thriller and buddy dramedy.
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Romance Lives on 'Interview With the Vampire'
Pop culture's romances are rarely capital-R Romantic anymore. AMC's Anne Rice adaptation is the best kind of throwback.
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