--- title: My Family's Hometown Was Destroyed But It Was Lost Already description: A writer who grew up in Mayfield, Kentucky, talks about what had happened to his hometown even before the tornado destroyed it canonical: https://time.com/6128404/mayfield-kentucky-tornado/ author: Lee Cole article:opinion: true article:content_tier: free article:published_time: 2021-12-14T19:03:01.000Z article:modified_time: 2026-10-14T09:17:36.258Z article:section: Ideas og:title: My Family's Hometown Was Destroyed by a Tornado But For Many It Had Already Been Lost og:description: A writer who grew up in Mayfield, Kentucky, talks about what had happened to his hometown even before the tornado destroyed it og:url: https://time.com/6128404/mayfield-kentucky-tornado/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/bltad52ee237de7b840/698a209d4ee262713f319b41/Mayfield-Essay-02.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 og:image:width: 2400 og:image:height: 1350 og:image:alt: Swath Of Tornadoes Tear Through Midwest og:type: article twitter:card: summary_large_image twitter:title: My Family's Hometown Was Destroyed by a Tornado But For Many It Had Already Been Lost twitter:description: A writer who grew up in Mayfield, Kentucky, talks about what had happened to his hometown even before the tornado destroyed it twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/bltad52ee237de7b840/698a209d4ee262713f319b41/Mayfield-Essay-02.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 video:duration: 03:27 video:published: 2021-12-13 section: entertainment topics: live theatre, collaboration in performance, radio broadcasting, taking risks, daring living, comedy segments genre: tribute, personal reflection tones: reflective, encouraging, earnest emotions: inspiration (medium), determination (medium), nostalgia (low) sentiment: positive audience: general viewers, theatre enthusiasts, aspiring performers, people interested in personal growth people: Norm MacDonald organizations: The New York Times transcript_source: automatic transcription transcript_reviewed: not applicable ---  # My Family's Hometown Was Destroyed by a Tornado But For Many It Had Already Been Lost > Sponsored content. 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It explains how TIME's journalism is made, from the first pitch through the editorial decisions behind a finished story or cover. #### How can I read about how TIME chooses its covers? Inside TIME is the newsletter where TIME's Editor-in-Chief explains cover selection and the editorial reasoning behind major stories. It is free at time.com/newsletters. #### Who is the editor of TIME? Sam Jacobs is TIME's Editor-in-Chief. He writes Inside TIME, a twice-weekly newsletter about the newsroom's reporting and editorial decisions. #### Is Inside TIME free? Yes. Inside TIME is a free newsletter, available at time.com/newsletters. A paid TIME subscription is separate and available at time.com/subscribe-agent. ### Sources * TIME Newsletters: [time.com/newsletters](/c/time-nl-inside-2026q3/newsletters?i=8615c3c0-5761-43aa-b712-bb8952ac0f68&cr=time-nl-inside-2026q3-v1) ## Video: 2021 In Memoriam: A Tribute to Those We've Lost [Watch (HLS stream): 2021 In Memoriam: A Tribute to Those We've Lost](https://cdn.jwplayer.com/manifests/gEewfkfy.m3u8) (3:27)  _Published 2021-12-13. A moving tribute from cellist Yo-Yo Ma to those we lost in 2021._ Description, summary, key points, chapters, key quotes, questions and transcript, where present, were produced automatically from the video or its captions and were not reviewed. ## Summary The transcript is short and partly garbled, with repeated network branding lines at the start. It includes a few spoken lines about working with groups on a show, the value of live theatre, and a message about taking risks in life. Other lines are fragmentary references to a radio broadcast and a film title that are hard to interpret. The description attributes the video to cellist Yo-Yo Ma, but his voice is not identifiable in the transcript text itself. ## Key points - A speaker says that when working with a group putting on a show, everyone is trying to make something larger than themselves individually. (00:12) - A speaker says that if you can do live theatre, you can do anything. (00:19) - A fragmentary line refers to listening to the radio and dreaming of being on the air. (01:38) - A line mentions Norm MacDonald and a segment called Fake News, though the wording is partly garbled. (01:38) - The speaker's stated big message is to have a wonderful, daring and risky life. (02:38) - The speaker urges taking risks at all costs. (02:38) - Repeated network branding lines appear at the start of the transcript. (00:00) - A line referencing a film title, rendered as The Lone of the Rings, appears in the transcript. (02:08) ## Chapters - [00:00 to 00:12] Opening network branding. Repeated network branding lines appear before the spoken content begins. - [00:12 to 01:38] Working together and live theatre. A speaker reflects on collaborating on a show and the potential of live theatre. - [01:38 to 02:08] Radio dreams and garbled references. A fragmentary line recalls dreaming of radio and mentions a comedian and a segment, with unclear wording. - [02:08 to 02:38] Film title reference. A brief, partly garbled line references a film title with no further context. - [02:38 to 03:27] Message about taking risks. A speaker states a message encouraging a wonderful, daring and risky life. ## Key quotes - [00:12] unidentified speaker: "When I work with a group of people putting on a show, we're all trying to make something larger than we are individually." - [00:19] unidentified speaker: "I think that if you can do live theatre, you can do anything." - [02:38] unidentified speaker: "My big message is to have a wonderful and daring and risky life, you know, take risks at all costs." ## Questions this video answers - What does the speaker say about working with a group on a show? [00:12] - What does the speaker believe about live theatre? [00:19] - What does the speaker recall wanting to do when listening to the radio? [01:38] - What is the speaker's big message? [02:38] by [Lee Cole](https://time.com/author/lee-cole/) ## Lee Cole Dec 14, 2021 7:03 PM UTC Residents of Kentucky counties where tornadoes killed dozens of people could be without heat, water or electricity in frigid temperatures for weeks or longer, state officials warned Monday, as the toll of damage and deaths came into clearer focus in five states slammed by the swarm of twisters. by [Lee Cole](https://time.com/author/lee-cole/) ## Lee Cole Dec 14, 2021 7:03 PM UTC I’m reminded of [Mayfield, Kentucky](https://time.com/6128250/kentucky-tornadoes/) every day by a poster that hangs in my living room. I found it in my grandfather’s garage after he died and I had it framed. It depicts a young boy in overalls, his feet bare and dirty, a shaggy dog at his side, both of them looking up in wonder as an airplane passes over a patchwork of farms below. It’s an advertisement for the Kentucky Clay Mining Company in Mayfield, now defunct, but the painting is called “Heir of All the Ages” after a Tennyson poem. _I the heir of all the ages, in the foremost files of time…_ When I saw, on December 11th, that a tornado had all but [destroyed the town of Mayfield](https://time.com/6127700/rescue-teams-kentucky/), I thought first of my aunt and my cousins who live there, all of whom were okay, thankfully. I grew up a half-hour drive from the town center. My mother was born there, and my grandparents lived and farmed in Graves County. My aunt was a third-grade teacher there for thirty years, and my uncle worked for four decades at Mayfield’s General Tire plant. As I answered the many texts from family members that morning, and scrolled through photos and clips of the aftermath, I began to see that the town was not merely damaged. Like Joplin, Missouri in 2011 and Paradise, California in 2018, it had simply been erased. It was there one night— with its antique stores and barbecue joints, its flaking brick walls with faded advertisements from the 1800s—and in the morning, it was gone. --- ### More from TIME --- The story of Mayfield is the story of many small towns in this country, told again and again in campaign stump speeches and Bruce Springsteen songs, to the point that it sounds now more like myth. Its roots are agrarian, the rich bottomlands of Graves County providing ideal conditions for the burley leaf tobacco my grandfather grew there. But the arrival of General Tire in 1960—like the arrival of the uranium plant in Paducah, a few miles away—brought new jobs and prospects. Suddenly, men and women who’d toiled in humid fields, pulling the suckers from tobacco—who’d grown up reading by the light of kerosene lamps – could trade in their tobacco pegs for hard hats. They could live an easier life, a life with air conditioning and city water and store-bought food. These were good jobs—union jobs with protections and benefits, and I have to imagine that those people, like the boy in my poster, agog at the miracle of flight, must have felt that they were entering a new era—an era of growth and shared abundance, an era of wild sights, the likes of which no one could imagine. General Tire shut down in 2007\. My uncle, who worked there most of his life, died of cancer a few years later, most likely caused by exposure to asbestos at the plant. The 58-acre site where it once stood later came to serve as the city’s landfill. As a writer, I try to avoid obvious symbols. But it’s hard not to see Mayfield as a microcosm. In the aftermath of the tornado, a piece of drone footage went viral. The clip began with a mural—_Mayfield, Kentucky: More Than a Memory—_then panned over the rubble of the town, which looked less like the site of a tornado than that of a bomb’s detonation. Like the “revitalized” downtown areas of Paducah and Murray and countless other communities in Kentucky, Mayfield had become a purveyor of nostalgia. The stores that had once sold clothing and hardware now sold antiques—milkglass dishes and farming implements, posters like the one on my wall. It had become, in other words, a living symbol for a past that was fast fading. This transition—from farming, to industry, to a retrospective era of nostalgia—has been captured movingly by Kentucky writers like Wendell Berry and [Bobbie Ann Mason](https://en.wikipedia.org/wiki/Bobbie%5FAnn%5FMason). Mason, whose stories from the 80s are as good as any by Raymond Carver, was born and grew up near Mayfield, and her work was a touchstone for me. It’s nothing new to notice, in other words, that these towns are disappearing, and that whole ways of life are disappearing with them. But I guess I thought the structures— the courthouses and pharmacies and antebellum churches—would remain for a while as palimpsests. We would have a long time, I figured, to watch their slow vanishing act.  An American flag hangs from a damaged tree Sunday, Dec. 12, 2021, in Mayfield, Ky. Tornadoes and severe weather caused catastrophic damage across several states Friday, killing multiple people. AP Photo-Mark Humphrey Like a lot of kids my age, growing up in Kentucky in the 90s, I saw no good reason to stay. And I didn’t. Vestiges of the mid-century manufacturing boom remained, but the pay for those jobs had not kept pace with the cost of living. This was true for the workers at the candle factory in Mayfield whose roof collapsed. It was called Mayfield Consumer Products. Positions started at [$8 an hour](https://www.kentucky.com/news/politics-government/article256531471.html), in a county where per capita income is about $25,000, and almost 18% percent of the population are below the poverty line. I’m wary of narratives that might be too neat or reductive, or that use the tragedy to advance an argument, however valid that argument might be. It’s true, of course, to say that a once-in-a-century tornado traveling 200 miles in December is yet another harbinger of climate change, that it will foreshadow the destruction of a thousand other Mayfields in the next fifty years. And it would be right to point out the travesty of a third-shift worker, in a plant called “Consumer Products,” working a job that pays $8 an hour, dying two weeks before Christmas in the middle of a pandemic. But what I can’t stop thinking about is that mural and that for so many people in small towns, the world that they once knew has already slipped away. Maybe they think that populist politicians will save it for them, or maybe they know better than to put their faith in hucksters. But they know that that world was real. 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