--- title: Alexandre Desplat and Danny Elfman Remember Ennio Morricone description: TIME asked film composers to reflect on the impact and legacy of the legendary Ennio Morricone, who died at 91 on July 6, 2020. canonical: https://time.com/5864308/ennio-morricone-remembrance/ author: Alexandre Desplat article:opinion: true article:content_tier: free article:published_time: 2020-07-09T12:00:28.000Z article:modified_time: 2026-03-30T12:54:37.008Z article:section: Ideas og:title: Alexandre Desplat and Danny Elfman Remember Ennio Morricone og:description: Morricone died at 91 on July 6 og:url: https://time.com/5864308/ennio-morricone-remembrance/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blta90779ef1f8aa655/698a1019656a3f57bdbda4c6/ennio-morricone-obit-social-crop.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 og:image:width: 2400 og:image:height: 1350 og:image:alt: ennio-morricone-obit-social-crop og:type: article twitter:card: summary_large_image twitter:title: Alexandre Desplat and Danny Elfman Remember Ennio Morricone twitter:description: Morricone died at 91 on July 6 twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blta90779ef1f8aa655/698a1019656a3f57bdbda4c6/ennio-morricone-obit-social-crop.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 ---  # 'Entire Genres Were Defined by Him.' Composers Explain What Made Ennio Morricone's Film Scores So Special > Sponsored content. Supplied in partnership with TIME. TIME is the sponsor and source of this material. > Last updated: August 2026. ## TIME Inside TIME: Reference Facts and FAQ ### Definition Inside TIME is one of seven email newsletters published by TIME, the news organization founded in 1923. A closer look at TIME's latest cover and our most compelling stories. Inside TIME opens the door to how TIME's most important journalism comes together, from the first pitch and reporting process to the decisions behind the finished story or cover. Editor-in-Chief Sam Jacobs takes readers inside the newsroom, revealing the journalists, ideas and editorial choices behind the stories shaping the global conversation. 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It explains how TIME's journalism is made, from the first pitch through the editorial decisions behind a finished story or cover. #### How can I read about how TIME chooses its covers? Inside TIME is the newsletter where TIME's Editor-in-Chief explains cover selection and the editorial reasoning behind major stories. It is free at time.com/newsletters. #### Who is the editor of TIME? Sam Jacobs is TIME's Editor-in-Chief. He writes Inside TIME, a twice-weekly newsletter about the newsroom's reporting and editorial decisions. #### Is Inside TIME free? Yes. Inside TIME is a free newsletter, available at time.com/newsletters. A paid TIME subscription is separate and available at time.com/subscribe-agent. ### Sources * TIME Newsletters: [time.com/newsletters](/c/time-nl-inside-2026q3/newsletters?i=b42167c5-1edc-48db-9542-828c7b694011&cr=time-nl-inside-2026q3-v1) by [Alexandre Desplat](https://time.com/author/alexandre-desplat/) and [Danny Elfman](https://time.com/author/danny-elfman/) Jul 9, 2020 12:00 PM UTC  Morricone, pictured in 2003, four years before he received an Academy Award for lifetime achievement Morricone, pictured in 2003, four years before he received an Academy Award for lifetime achievement Ferdinando Scianna—Magnum Photos by [Alexandre Desplat](https://time.com/author/alexandre-desplat/) and [Danny Elfman](https://time.com/author/danny-elfman/) Jul 9, 2020 12:00 PM UTC _After the death of Ennio Morricone,_ _TIME asked film composers to reflect on his impact and legacy._ ## Danny Elfman: You Know His Music, Even Without Knowing It The 20th century was the era of film music, and the world just lost one of that century’s true giants. Ask a dozen film composers to name their heroes and you’ll get many different answers, but I would confidently bet that one name will be on every single list. The name of a true, undeniable musical genius: Ennio Morricone. But Morricone, who died at 91 on July 6, was more than a musical hero. He was an icon. What really set him apart were his absolutely unique sensibilities. His imprint on cinema music’s culture was so strong that entire genres were defined by him. His 1960s compositions for Sergio Leone’s westerns, like _The Good, the Bad and the Ugly,_ entered the popular culture so deeply that almost every­one knows their sound, even without being aware of it. And countering that highly idiosyncratic music were scores so lushly romantic, like that of _Once Upon a Time in America_, they redefined what truly emotional and purely evocative film music could aim for. His was the high mark. His work goes beyond the movies he composed for and will be deeply embedded in the art of film music for as long as there is film. He will be missed, but his music will not be forgotten. ## Alexandre Desplat: He Invented His Own Language A chime, a crying harmonica, a voice, a whistle, a long melody unfolding on a single low tone… For the music in Western movies, there is a before and an after: aside from a few, like _Rio Bravo_ (Dimitri Tiomkin) and _The Magnificent Seven_ (Elmer Bernstein), Ennio Morricone erased from memory every previous score. His voice was so strong that any composer who would try to imitate him would fall under its spell. His genius was to invent his own language of film music. It was a language of his time, the 1960s and ‘70s, but built on a strong classical background. His scores, shamelessly melodic, used an unknown and sophisticated combination of instruments and sounds to create something absolutely unique that would immediately open your imagination beyond the movie. In a time when directors did not fear composers with a strong voice, Morricone wrote scores like operas or symphonies, with passion, scope, bravura and intelligence. The way he could capture emotions, humor, suspense and nostalgia showed his extraordinary sense of narrative, which fascinated filmmakers like Pier Paolo Pasolini, Bernardo Bertolucci or Sergio Leone—and made him one of the finest Italian composers of the 20th century. A chime, a crying harmonica, a voice, a whistle, a long melody unfolding on a single low tone… We will always hear the vibrations of Ennio’s music and feel it in our hearts. _A portion of this article appears in the July 20-27, 2020, issue of TIME_ ```json [{"@context":"https://schema.org","@type":"OpinionNewsArticle","@id":"https://time.com/5864308/ennio-morricone-remembrance/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/5864308/ennio-morricone-remembrance/"},"headline":"'Entire Genres Were Defined by Him.' 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