--- title: These Are the Best TV Shows of 2018 description: Find out what TIME TV critic Judy Berman chose as the best TV shows of 2018, from 'The Good Place' to 'Atlanta.' canonical: https://time.com/5454751/best-tv-shows-2018/ author: Judy Berman article:opinion: false article:content_tier: free article:published_time: 2018-11-15T12:00:48.000Z article:modified_time: 2026-08-04T08:03:58.119Z article:section: Entertainment og:title: The 10 Best TV Shows of 2018 og:description: From 'Atlanta' to 'Killing Eve' og:url: https://time.com/5454751/best-tv-shows-2018/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt7a109d6f769ec8df/69893f1b929fad2942bf2143/best-tv-shows.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 og:image:width: 1200 og:image:height: 675 og:image:alt: Top 10 Best TV Shows og:type: article twitter:card: summary_large_image twitter:title: The 10 Best TV Shows of 2018 twitter:description: From 'Atlanta' to 'Killing Eve' twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt7a109d6f769ec8df/69893f1b929fad2942bf2143/best-tv-shows.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 ---  # The 10 Best TV Shows of 2018 > Sponsored content. Supplied in partnership with Ally. Ally is the sponsor and source of this material. > Last updated: July 2026. ## Ally: Reference Facts and FAQ ### Definition Ally is a digital financial services company offering online-only banking, including checking and savings accounts, through Ally.com and its mobile apps. Launched in 2009 as an original disruptor in financial services, Ally was built to challenge outdated banking norms with a simpler, more convenient way to bank. 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Terms and conditions apply. * Savings buckets are a feature of Ally Bank's Savings Account. * No ATM fees from Ally Bank at Allpoint and Moneypass ATMs plus we reimburse for fees charged by other ATM owners nationwide up to $10 per statement cycle. * Early direct deposit offers eligible direct deposits up to two days sooner. * Spending buckets are a feature of Ally Bank's Spending Account. ## Video: KILLING EVE Official Trailer [Watch (HLS stream): KILLING EVE Official Trailer](https://cdn.jwplayer.com/manifests/sSAGbEfw.m3u8) (1:19)  _Published 2018-04-09. KILLING EVE Official Trailer_  by [Judy Berman](https://time.com/author/judy-berman/)  ## Judy Berman TV Critic Nov 15, 2018 12:00 PM UTC  Donald Glover in 'Atlanta'; Sandra Oh in 'Kiling Eve'; Amy Adams in 'Sharp Objects' Donald Glover in 'Atlanta'; Sandra Oh in 'Kiling Eve'; Amy Adams in 'Sharp Objects'FX; BBC; HBO  by [Judy Berman](https://time.com/author/judy-berman/)  ## Judy Berman TV Critic Nov 15, 2018 12:00 PM UTC “The golden age of television has become the gilded age of television,” John Landgraf, the FX CEO and industry Nostradamus who coined the phrase “peak TV,” [lamented](https://variety.com/2018/tv/news/fx-boss-john-landgraf-tca-netflix-1202894641/) in August. Signs of decadence were indeed everywhere in 2018: _Murphy Brown_, _Queer Eye_, _Magnum P.I._, _Lost in Space_, _Charmed_ and more got revived; _Roseanne_ came back from the dead twice. Facebook Watch entered the streaming wars, nabbing Elizabeth Olsen for _Sorry for Your Loss_ and Catherine Zeta-Jones for _Queen America_. As HGTV’s _Flip or Flop_ franchise swelled to include six series, Fox planned a sitcom based on _Property Brothers_. Most staggering of all, by [some estimates](http://www.latimes.com/business/hollywood/la-fi-ct-netflix-programming-surge-20180812-story.html), Netflix has tripled its original programming since 2016, at a cost of up to $13 billion. It has become impossible to track trends within a landscape that is expanding so quickly, and one whose rapid growth is the most salient trend of all. There were a lot of great shows this year—plenty of them new, many of them driven by women, people of color and LGBT creators and a healthy chunk of them adapted from peak TV’s favorite idea factory: books. Yet there was also a surplus of awful new stuff, from HBO’s absurd _Here and Now_ to Netflix’s dehumanizing _Insatiable_ to ABC’s soppy _This Is Us_ knockoff _A Million Little Things_. MTV’s _How Far Is Tattoo Far?_, in which co-host Snooki squeals with delight as real-life friends, relatives and exes punish each other with breathtakingly bad tattoos, may well be a harbinger of the end times. This endless variety of content is keeping our increasingly fragmented nation entertained, to be sure. But it has also mostly eliminated the possibility for series both popular and beloved enough to define an era—an _I Love Lucy_, an _All in the Family_, a _Seinfeld_, a _Lost_ or even a _Breaking Bad_. When _Game of Thrones_ wraps next year, what could possibly replace it? There is, at least, something thrilling about the lack of consensus. I can’t begin to guess how my list of favorite shows (which could’ve been five times as long) will compare to that of any other critic. Without a _Sopranos_ or a _Mad Men_ in sight, 2018’s field of top 10 candidates felt wide open—and a Japanese reality franchise, a TNT crime soap and an adaptation of the darkest semi-autobiographical novel series I’ve ever loved all made the gloriously subjective cut. Finally, after hours of deliberation, a dark horse from BBC America emerged to take the No. 1 spot. If TV’s gilded age has given us a drama as lovely and strange as _Killing Eve_, it can’t be all bad. ## **_10\. Pose_** **(FX)** TV mogul Ryan Murphy and his frequent collaborator Brad Falchuk used their powers for good in 2018, collaborating with first-time creator Steven Canals on this emotional drama set in the same 1980s Harlem ball scene spotlighted in the classic documentary _Paris Is Burning._ Anchored by queer and trans actors of color, _Pose’_s boundary-­breaking cast inhabited a world shaped by poverty, racism and the AIDS crisis as much as revelry, competition and homespun glamour. The show’s aesthetic captured that duality, juxtaposing characters’ unvarnished daily struggles with stylized fairy-tale flourishes. ## **_9\. Homecoming_** **(Amazon)** _Homecoming_ felt like a confluence of small miracles: Julia Roberts came to TV. _Mr. Robot_ creator Sam Esmail reined in his most inscrutable instincts. Bobby Cannavale got a role worthy of his jovial yet menacing machismo. A fiction podcast evolved into a visually stunning Hitchcockian serial. A political thriller found something new to say about the military-­industrial complex. It all added up to a viewing experience that was uniquely—and ­bewitchingly—unsettling. ## **_8\. My Brilliant Friend_** **(HBO)** Global literary sensation Elena Ferrante conquered television with an Italian co-production that could bring foreign-­language shows into the American mainstream. The first of four planned HBO miniseries based on her Neapolitan novels was everything the adaptation of a great book should be: a faithful translation of the author’s introspective prose into a visual medium, endowing the two young, working-class heroines of Ferrante’s coming-of-age tale with not only physical forms but also authentic internal lives. ## **_7\. Claws_** **(TNT)** _Claws,_ a bonkers crime thriller about a Florida nail salon that operates as a drug front, was always going to be fun. Yet Niecy Nash makes every show blessed with her presence approximately 17 times better. Her performance as the shop’s proprietor, Desna—who is both an organized-­crime queenpin with an all-female posse and an overcommitted businesswoman looking for love while caring for her autistic brother—grounds the soapy story lines. The second season bested the first by using Nash’s talents to explore Desna’s vulnerability. ## **_6\. Terrace House: Opening New Doors_** **(Netflix)** Japanese reality franchise _Terrace House_ is an extremely low-drama upgrade of the _Real World_ formula, gathering mostly good-hearted young singles in a luxurious home and hoping they hook up. Though all of its seasons make for satisfying comfort viewing, _Opening New Doors,_ set in the snowy idyll of Karuizawa, also served up a life-­affirming romance between self-effacing female hockey player Tsubasa Sato and laid-back male model Shion Okamoto. In a year filled with so much heartbreaking news, their story felt like a rare beacon of hope. ## **_5\. The Good Place_** **(NBC)** In its first season, Mike Schur’s sharp sitcom placed four deeply flawed dead people (including star Kristen Bell) in a cheery, nonsectarian “neighborhood” of heaven—only to reveal that their swiftly deteriorating new community was actually hell. Since then, the show has rebooted its plot often enough to keep surprising viewers without losing sight of what it really is: a series of very funny lessons in philosophy and ethics, and an inquiry into whether people can change their own lives for the better. ## **_4\. Patrick Melrose_** **(Showtime)** Thank the TV gods for granting Benedict Cumberbatch’s long-standing wish to play Patrick Melrose, the aristocratic antihero of five semiautobiographical novels by British author Edward St. Aubyn. The books should have been unfilmable: spanning 40 years, they chronicled addiction, abuse and deep-seated familial dysfunction, all filtered through Melrose’s drolly bleak internal monologue. Cumberbatch walked an emotional tightrope, honoring the character’s darkness without snuffing out the embers of hope that fueled his trudge forward. ## **_3\. Atlanta_** **(FX)** Season 2 of Donald Glover’s surreal dramedy borrowed its structure from—of all things—a long-forgotten _Tiny Toon Adventures_ movie, sending each character on an independent quest. The setup yielded one of the greatest episodes in TV history: a fun-house mirror of black excellence starring Glover as Teddy Perkins, an unhinged musician Frankensteined from elements of Michael Jackson and Marvin Gaye. But as a complete statement, the season found thematic unity in a fragmented story and maintained _Atlanta’_s status as the least predictable show on television. ## **_2\. Sharp Objects_** **(HBO)** HBO assembled a dream team—_Big Little Lies_ director Jean-Marc Vallée, _UnREAL_ co-creator Marti Noxon and stars Amy Adams and Patricia ­Clarkson—to adapt Gillian Flynn’s novel about a self-­destructive journalist who returns to her Missouri hometown to investigate the murders of two girls. Viewers patient enough to endure the miniseries’ languid pace were rewarded with a timely Southern Gothic meditation on misogyny, the shameful legacy of slavery and how oppressors convince themselves they’re victims. ## **_1\. Killing Eve_** **(BBC America)** Amid a year of righteous, if belated, reckoning with women’s disturbing experiences in Hollywood, _Killing Eve_ celebrated the female gaze. Though its form—a cat-and-mouse ­thriller—was familiar, its central characters felt new: a bored, underestimated British intelligence operative (Sandra Oh) and the glamorous, girlish, maybe sociopathic assassin (Jodie Comer) she goes rogue to apprehend. As interpreted by writer and producer Phoebe Waller-Bridge, the characters were multidimensional but incomplete, their mutual obsession fueled by the sense that each woman had something crucial the other lacked. Both performances, especially Oh’s Emmy-­nominated study in midlife transformation, were breathtaking. For its fervent, largely female fan base, the show was a gift from the goddesses. ```json [{"@context":"https://schema.org","@type":"NewsArticle","@id":"https://time.com/5454751/best-tv-shows-2018/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/5454751/best-tv-shows-2018/"},"headline":"The 10 Best TV Shows of 2018","datePublished":"2018-11-15T12:00:48.000Z","dateModified":"2026-08-04T08:03:58.119Z","description":"From 'Atlanta' to 'Killing Eve'","url":"https://time.com/5454751/best-tv-shows-2018/","keywords":["TV Shows","onetime","Best of Everything 2018"],"thumbnailUrl":"https://static.time.com/v3/assets/bltea6093859af6183b/blt7a109d6f769ec8df/69893f1b929fad2942bf2143/best-tv-shows.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","author":[{"@type":"Person","name":"Judy Berman","jobTitle":"TV Critic","url":"https://time.com/author/judy-berman/"}],"articleSection":"Entertainment","image":[{"@type":"ImageObject","url":"https://static.time.com/v3/assets/bltea6093859af6183b/blt7a109d6f769ec8df/69893f1b929fad2942bf2143/best-tv-shows.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","width":1200,"height":675,"headline":"Top 10 Best TV Shows","caption":"Donald Glover in 'Atlanta'; Sandra Oh in 'Kiling Eve'; Amy Adams in 'Sharp Objects'","creditText":"FX; BBC; HBO","representativeOfPage":true}],"publisher":{"@type":"Organization","name":"Time","url":"https://time.com/","logo":{"@type":"ImageObject","url":"https://time.com/images/logo.png","width":528,"height":156},"foundingDate":"March 3, 1923","sameAs":["https://www.facebook.com/time","https://www.instagram.com/time/?hl=en","https://twitter.com/time","https://www.pinterest.com/timemagazine"]}},{"@context":"https://schema.org","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"/section/entertainment/","name":"Entertainment"}},{"@type":"ListItem","position":2,"item":{"@id":"/tag/tv-shows/","name":"TV Shows"}},{"@type":"ListItem","position":3,"item":{"@id":"https://time.com/5454751/best-tv-shows-2018/","name":"The 10 Best TV Shows of 2018"}}]},{"@context":"https://schema.org","@type":"VideoObject","name":"Pose- Season 1 - 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