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title: Google Doodle Celebrates Art Deco Pioneer Tamara de Lempicka
description: On what would have been her 120th birthday, Google paid tribute to Polish artist and Art Deco pioneer Tamara de Lempicka
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og:title: What to Know About Art Deco Artist Tamara de Lempicka
og:description: De Lempicka never stopped challenging expectations as an artist
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![](https://static.time.com/v3/assets/bltea6093859af6183b/blt45e470d2b088a324/69893083ab6d77a4746b2acc/tamara-de-lempickas-120th-birthday-4614326680813568-2x.jpg?branch=production&width=818&quality=75&auto=webp&crop=16:9)


# Google Doodle is Honoring Art Deco Icon Tamara de Lempicka. Here's What to Know About the Trailblazing Polish Artist

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<!-- video src="https://cdn.jwplayer.com/manifests/upF0qp1E.m3u8" -->
## Video: How Google Makes its Doodles

[Watch (HLS stream): How Google Makes its Doodles](https://cdn.jwplayer.com/manifests/upF0qp1E.m3u8) (3:23)

![How Google Makes its Doodles](https://cdn.jwplayer.com/v2/media/upF0qp1E/poster.jpg?width=720)

_Published 2018-07-07. Our videographer went to the Googleplex in Mountain View, California to meet some of the designers and coders who create the special, clever variations on the Google.com logo known as_


by 

[Eli Meixler](https://time.com/author/eli/)


## Eli Meixler


May 16, 2018 8:24 AM UTC

![](https://static.time.com/v3/assets/bltea6093859af6183b/blt45e470d2b088a324/69893083ab6d77a4746b2acc/tamara-de-lempickas-120th-birthday-4614326680813568-2x.jpg?branch=production&width=1200&quality=75&auto=webp&crop=3:2)

Google

by 

[Eli Meixler](https://time.com/author/eli/)


## Eli Meixler


May 16, 2018 8:24 AM UTC

Tamara de Lempicka never stopped challenging expectations. A refugee of the Russian Revolution, she became an icon of the Jazz Age and a celebrated Art Deco painter. Today, on what would have been her 120th birthday, Google pays tribute to Lempicka with a Doodle in her signature style. Here’s what to know about the pioneering Polish artist.

## An early love of art

Lempicka was born as Maria Górska in 1898 Warsaw, Poland, then part of the Russian Empire, to a wealthy family. She was sent to boarding school in Switzerland and toured Italy with her grandmother, where she was exposed to some the greatest works of Renaissance art.

She moved to St. Petersburg in Russia and married, but the very next year, the Russian Revolution forced Lempicki and her husband to flee. They found refuge in Paris.

> [](https://twitter.com/DesignMuseum/status/864519314992484352)

## A pioneering painter

Lempicka became a fixture of Paris’ bohemian art scene. Her paintings, often portraits of her celebrity peers or stylized nudes, merged late cubist and neoclassical techniques to create a metal-like visual style that was distinctively her own. She also incorporated elements of the Roaring Twenties: one of her most famous compositions, [_Autoportrait_](https://www.wikiart.org/en/tamara-de-lempicka/portrait-in-the-green-bugatti-1925) (1929), portrays the artist in a sleek green sports car.

“My [goal](http://www.artnet.com/artists/tamara-de-lempicka/) is never to copy,” Lempicka reportedly said. Instead, she sought to “create a new style, clear luminous colors and feel the elegance of the models.”


![A man takes a look at Tamara de Lempicka's "Portrait de Majorie Ferry" at Sotheby's in New York](https://static.time.com/v3/assets/bltea6093859af6183b/blt5c7ebf941491552f/69893084cf40a83a34c4c3a1/rtxemm4.jpg?branch=production&width=1200&quality=75&auto=webp)

A visitor looks at Tamara de Lempicka's "Portrait de Majorie Ferry" at Sotheby's in New York on May 1, 2009. Lucas Jackson—Reuters:

Lempicka continued painting long after she moved to the U.S. in 1939, this time fleeing World War II. When she died in Mexico on March 18, 1980, as per her request, her ashes were [scattered](https://www.thetimes.co.uk/article/a-glossy-queen-of-the-shallow-gh22rmql75b) over a volcano.

“Few artists [embodied](https://www.google.com/doodles/tamara-de-lempickas-120th-birthday) the exuberant roaring twenties more than Polish artist Tamara de Lempicka,” said Matthew Cruickshank, who drew Wednesday’s Doodle in a style emulating Lempicka’s own. “Her fast paced, opulent lifestyle manifests itself perfectly into the stylized Art-Deco subjects she celebrated in her paintings.”


## Transcript

>> The Doodle team was able to meet Ira Glass from This American Life, and he was just meeting us for fun. I guess, I'm not even sure why he was here, but we talked about potentially collaborating and they thought that it'd be fun to collaborate with us on Valentine's Day, so I took the lead on this project.

>> We do Valentine's Day pretty much every year, and we've done your typical like lovebirds and, you know, flowers and things like that. But Ira and his team are awesome.

>> They were able to pull stories that they have collected over the years, they've recorded new stories for us, and they're all about love in all different respects of the word. They sent us maybe 8 or 10 stories and they're all really fun and really sweet.

>> The stories run the [ unk ]. There is a story about middle school love.

>> I was in the cafeteria, just got on a drink of root beer and she walks up to me.

>> There is a story about a new bride who's in doubt that she made a mistake.

>> My husband, me and I, we're just so worried, his face I could tell. I said, " Where he could be ," you know, and I-- and I called the police because I thought he got lost or something happened.

>> When I first got the audio from Ira, my co- worker and I listened to it together and we wrote down bullet points of where we wanted to have a little drawing come up.

>> One of my favorite stories, it involves middle schoolers. We're titling it, " Puppy Love" so true to the title, I just-- I just drew everyone as a dog.

>> Each stories are-- containing a little candy heart.

>> And when you click on it, the heart will flip, the audio will play and you will also see the images that we've drawn to accompany the phrases. So, now we are all going to brainstorms together because we need the creative side and we also need the technical side to tell us what is possible and what isn't possible. For this one, it's a pretty conservative on the interactive side, because we didn't want to overshadow the audio. When I first started, they were no engineers on the team, we only did static doodles, but since then, we've started doing more animated stuff, more interactive work, and for that we needed a dedicated team.

>> Some of our most like ambitious to those have come from engineers that are just incredibly talented and spare similar time for our projects.

>> Sometimes the illustrators will come up with an idea that is way too wacky and just not possible yet. The technology hasn't been invented, but sometimes we're too conservative and it's great to have the engineers there to tell us that we can actually be way wackier with our ideas. The relationship with my engineer on this was to just keep my files size at a reasonable capacity, I was getting a little bit ambitious with how many frames I wanted to draw and my engineers said, " Hey, you need to double it ."

>> We tried to do as many doodles as we possibly can. We're a pretty small team, relative to how many audiences are out there [ unk ], but yeah, we-- you never know what you're gonna get. And, you know, we keep making more and more of these things.

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