Loved this year’s wonder woman or The Beguiled? Thank Thelma & Louise. Before its release, in 1991, movies about women were largely written and directed by men and offered a watered-down version of womanhood. This explains why studios were so reluctant to greenlight a script from an unknown female screenwriter, Callie Khouri, about two women who broke the rules and took men to task for their bad behavior, argues Becky Aikman in her new book, Off the Cliff: How the Making of Thelma & Louise Drove Hollywood to the Edge. But the film was a hit, and Khouri won an Oscar for Best Original Screenplay–proving that audiences had an appetite for stories “about grown-up women … where what’s at stake is bigger than who gets to sleep with whom,” as Aikman puts it, and paving the way for female-penned films like Lost in Translation and Bridesmaids. Now, she says, if only Hollywood would learn from those successes and greenlight more female-led projects.
–SARAH BEGLEY
This appears in the July 24, 2017 issue of TIME.
- TIME's 100 Most Influential People of 2022
- Employers Take Note: Young Workers Are Seeking Jobs with a Higher Purpose
- Signs Are Pointing to a Slowdown in the Housing Market—At Last
- Welcome to the Era of Unapologetic Bad Taste
- As the Virus Evolves, COVID-19 Reinfections Are Going to Keep Happening
- A New York Mosque Becomes a Refuge for Afghan Teens Who Fled Without Their Families
- High Gas Prices are Oil Companies' Fault says Ro Khanna, and Democrats Should Go After Them
- Two Million Cases: COVID-19 May Finally Force North Korea to Open Up
