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title: A Quiet Passion: True Story Behind Emily Dickinson Movie
description: A historian of Emily Dickinson&#x27;s life explains the historical context for the new film A Quiet Passion in which Cynthia Nixon plays the poet
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article:published_time: 2017-04-14T16:00:42.000Z
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og:title: &#x27;A Quiet Passion&#x27; and the Real Emily Dickinson
og:description: A historian of Emily Dickinson&#x27;s life explains the historical context for the new film in which Cynthia Nixon plays the poet
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twitter:description: A historian of Emily Dickinson&#x27;s life explains the historical context for the new film in which Cynthia Nixon plays the poet
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![](https://static.time.com/v3/assets/bltea6093859af6183b/blt1831f100eb03d9e0/6988c2d2196cf4278d03fac8/dickinson.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=16:9)


# _A Quiet Passion_ and the Real Emily Dickinson

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![Olivia B. Waxman](https://static.time.com/v3/assets/bltea6093859af6183b/bltf3c95204947ba81f/6989408e97cdff3ae16b6e48/o_waxman.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

by 

[Olivia B. Waxman](https://time.com/author/olivia-b-waxman/)


![Olivia B. Waxman](https://static.time.com/v3/assets/bltea6093859af6183b/bltf3c95204947ba81f/6989408e97cdff3ae16b6e48/o_waxman.jpg?branch=production&width=96&quality=75&auto=webp)

## Olivia B. Waxman


Staff Writer

Apr 14, 2017 4:00 PM UTC

![Portrait Of Emily Dickinson](https://static.time.com/v3/assets/bltea6093859af6183b/blt1831f100eb03d9e0/6988c2d2196cf4278d03fac8/dickinson.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=3:2)

Portrait of Emily Dickinson

Portrait of Emily Dickinson Mondadori Portfolio / Getty Images

![Olivia B. Waxman](https://static.time.com/v3/assets/bltea6093859af6183b/bltf3c95204947ba81f/6989408e97cdff3ae16b6e48/o_waxman.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

by 

[Olivia B. Waxman](https://time.com/author/olivia-b-waxman/)


![Olivia B. Waxman](https://static.time.com/v3/assets/bltea6093859af6183b/bltf3c95204947ba81f/6989408e97cdff3ae16b6e48/o_waxman.jpg?branch=production&width=96&quality=75&auto=webp)

## Olivia B. Waxman


Staff Writer

Apr 14, 2017 4:00 PM UTC

In the movie _A Quiet Passion,_ out in the U.S. on Friday, [Cynthia Nixon](http://time.com/4189421/cynthia-nixon-abortion-rights/) ([_Sex and the City_](http://time.com/4512848/sjp-almost-didnt-do-sex-and-the-city/)_)_ plays the [poet](http://time.com/4700914/poets-portraits-life-magazine/) Emily Dickinson as a woman facing both limited opportunity — typical for women in 19th century society — and physical ability, as she was plagued with a kidney disease that often left her bedridden.

Jerome Charyn, author of the biography _A Loaded Gun: Emily Dickinson for the 21st Century_, says the film accurately captures just how much such limitations would have constrained a woman like Dickinson, but also how she stood up to them in her own way.

More than a century after her 1886 death, the poet is still known for the quiet, family-centric life she led. She’s usually thought of as “the queen recluse,” as her friend and the publisher of The Springfield _Republican_ [Samuel Bowles](https://www.emilydickinsonmuseum.org/samuel%5Fbowles) once described her — generally “a mousey, sickly, tubercular woman who never left her home.” And that depiction is, in its way, true, Charyn says. She often preferred to be at home doing chores, getting up at 5:00 a.m. to start the oven to bake bread and emerging into the outside world just to walk the dog around Amherst, Mass., rather than living for the outside work.

But, within that home, Dickinson could be outspoken too, and Charyn says that the film’s portrayal of her as having a “flirtatious, comical and serious” side is fairly accurate too. For example, one scene in which she smashes a plate when her father says a dish is dirty shows the way she could sometimes be the only member of her family who has the courage to stand up to her father or who is willing to argue with him. And the idea that Dickinson asked him for permission to write poems at night — which he grants, thanking her for asking — is not just about acknowledging the family hierarchy.


“She didn’t have to ask her father’s permission, but she’s also trying to make him aware she’s writing poetry. She wants some kind of recognition,” Charyn argues.

She also [wrote](http://www.missourireview.com/tmr-blog/2013/11/6-poems-every-woman-needs-to-read-lets-get-real/) about the constraints on women in the 19th century, a topic she knew all too well, as a writer who had to ask her father for money to do anything like buy a pencil, who published anonymously because women didn’t publish under their own names, and who generally had no way of earning a living. When her father died, all of his money went to her brother. “She was a kind of aristocratic pauper,” as Charyn puts it. On top of that, she was seen as an outcast in society for not marrying or having children.

“\[The film\] makes her very articulate, gives her a kind of lyricism, a deep anger,” says Charyn. “Women didn’t get to present their own ideas in the 19th century, so this is a very new and interesting reading of female power in the 19th century.”

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