--- title: Jackie Movie: See Exclusive Photos of Natalie Portman on Set description: In "Jackie," Natalie Portman plays a grieving First Lady in the days after President John F. Kennedy was assassinated in 1963. canonical: https://time.com/4586615/jackie-natalie-portman-set-photos/ author: Eliza Berman article:opinion: false article:content_tier: free article:published_time: 2016-12-02T17:00:45.000Z article:modified_time: 2026-08-04T07:41:59.376Z article:section: Entertainment og:title: See Photos of Natalie Portman Behind the Scenes of 'Jackie' og:description: The actress plays the grieving first lady in Pablo Larraín's new drama og:url: https://time.com/4586615/jackie-natalie-portman-set-photos/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/bltcbacb0a7f94d7ad8/6988b02d8e060137c046870c/jackie-lead.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 og:image:width: 1291 og:image:height: 726 og:image:alt: jackie-lead og:type: article twitter:card: summary_large_image twitter:title: See Photos of Natalie Portman Behind the Scenes of 'Jackie' twitter:description: The actress plays the grieving first lady in Pablo Larraín's new drama twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/bltcbacb0a7f94d7ad8/6988b02d8e060137c046870c/jackie-lead.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 ---  # See Exclusive Photos of Natalie Portman Behind the Scenes of _Jackie_ > Sponsored content. 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Terms and conditions apply. * Savings buckets are a feature of Ally Bank's Savings Account. * No ATM fees from Ally Bank at Allpoint and Moneypass ATMs plus we reimburse for fees charged by other ATM owners nationwide up to $10 per statement cycle. * Early direct deposit offers eligible direct deposits up to two days sooner. * Spending buckets are a feature of Ally Bank's Spending Account. ## Video: 100 Photographs: Windblown Jackie [Watch (HLS stream): 100 Photographs: Windblown Jackie](https://cdn.jwplayer.com/manifests/5cl7Mr7y.m3u8) (8:22)  _Published 2016-09-08. This candid shot of Jacqueline Kennedy Onassis by a paparazzi pioneer with a disregard for restraining orders embodies all that is controversial and artful about celebrity portraiture_  by [Eliza Berman](https://time.com/author/eliza-berman/)  ## Eliza Berman Berman is a senior editor at TIME. Dec 2, 2016 5:00 PM UTC  Stephanie Branchu—20th Century Fox  by [Eliza Berman](https://time.com/author/eliza-berman/)  ## Eliza Berman Berman is a senior editor at TIME. Dec 2, 2016 5:00 PM UTC In the new movie [_Jackie_](http://time.com/4520022/natalie-portman-jackie-trailer/), in limited theaters Dec. 2, [Natalie Portman](http://time.com/4574503/natalie-portman/) plays one of the most famous women of the 20th century. But her depiction of [Jacqueline Kennedy](http://100photos.time.com/photos/ron-galella-windblown-jackie), in the days following her husband’s 1963 assassination and in flashbacks to the earlier days of his brief administration, is an attempt to reveal the private person obscured by fame. Portman’s [Jackie](http://time.com/3878253/jackie-kennedy-in-the-sixties-classic-photos-of-an-american-icon/) is at once grief-stricken and obsessed with legacy, deeply concerned with history as it unfolds but aware of her tendency toward vanity. It’s a nuanced and complicated performance for which the actress has already generated awards-season buzz. Portman’s Jackie is also a physical facsimile, to the extent she can be, of the woman she’s playing. Her just-so bouffant, her blood-soaked pink suit and even the curvature of her [eyebrows](http://people.com/movies/how-natalie-portman-transformed-into-jackie-kennedy-jackie-movie/) are an exacting approximation of the First Lady’s. These exclusive behind-the-scenes photos from the set of the Pablo Larraín drama offer an intimate look at the recreation of the early ’60s White House and its inhabitants and guests—Jackie, her children and her brother-in-law Robert F. Kennedy (Peter Sarsgaard)—from recreations of the interior of 1600 Pennsylvania Ave. to the day of the slain president’s funeral.  Natalie Portman as Jackie Kennedy in Jackie. Stephanie Branchu—20th Century Fox  Natalie Portman as Jackie Kennedy. Stephanie Branchu—20th Century Fox  Natalie Portman as Jackie Kennedy and Richard E. Grant as Bill Walton. Stephanie Branchu—20th Century Fox  Peter Sarsgaard as Bobby Kennedy and Natalie Portman as Jackie Kennedy. Bruno Calvo—20th Century Fox  Natalie Portman as Jackie Kennedy. Stephanie Branchu—20th Century Fox  Natalie Portman as Jackie Kennedy. William Gray—20th Century Fox  Natalie Portman as Jackie Kennedy. Stephanie Branchu—20th Century Fox  Director Pablo Larrain and Natalie Portman on the set of Jackie. Stephanie Branchu—20th Century Fox  Natalie Portman on the set of Jackie. Bruno Calvo—20th Century Fox  Director Pablo Larrain on the set of Jackie. William Gray—20th Century Fox ## Transcript [ MUSIC ] Jackie claimed I invaded her privacy, I don't believe I did. Once you're a celebrity, always a celebrity. You have to face it. You're a celebrity, you're fair game in public areas. Jackie was fair game. [ MUSIC ] The role of the paparazzi when I shot in the 60s, 70s, even the 80s, was great freedom. It was a golden era, one to one, you could move about. Gotta get good angles for expression, that's my forte. To get the genuine expressions on their face, the face is the main thing. So I would, [ LAUGH ] I shouldn't say it, I shouldn't say, attack. I would approach celebrities, and if they protested I would stop and honor their wishes. Number one, you have to have a car. You cannot rely on taxis cuz they're not gonna pass lights. You have to hide of course. Without looking thorough the viewfinder you want to get eye contact. You have to see people. Windows of limousine. Put the camera and the strobe close to the window to penetrate the light so you don't get a reflection. That's why I got the great pictures of **** Jagger with his eyes, lips open, his mouth open. [ MUSIC ] When you look at celebrities and you see the circle of cameramen around them, I always think of piranhas snapping. When you think about it. The first piranha was Ron Galella, only he was a shark because he swam a lone. That stuff didn't exist before Galella. You have to create your own standards and live by them. Galella was the first There is a direct line of dissent. [ MUSIC ] The center of Manhattan was my golden city to shoot pictures. And Jackie was my golden girl of course. [ LAUGH ] I first saw Jackie at the Wildonstone Gallery on Madison Avenue. In May, 1967. She had big, wide eyes and she whispered softly. And she hardly gave interviews. And it was her mystique that created her glamour, her mystique. And we want to know more about her And that's the great thing about glamour, mystery. I knew her address. That was a good thing. 1040 5th Avenue. I got better pictures at her apartment. Nobody in the way. And she was my favorite ideal subject because she would be full of life. She would move and I was good at capturing movement. And I liked people in action, being themselves. I don't know how many pictures of Jackie I got. There's so many, it might be a million. I just don't count my pictures. [ MUSIC ] Jackie went to Central Park on a bike with John Junior on a bike. I got the information from the doorman next door. And I got them coming down the path and she's like it's you again. She ordered the Secret Service agents to smash his camera. But he didn't smash my camera. But she sent two other agents after to me to get the film. I sued her for interfering with my livelihood, or the agents were or pushing me around, interfering. And the outcome of that was bad. I had restriction of 50 yards from Jackie and I couldn't go near her apartment for a hundred yards. But I appealed and this was brought down to 25 feet. I made a tape measure and I extended it with Jackie, as a joke, that's why I broke the injunction, 25 feet and I said that in the trial. I said it's impractical, cuz there's people in the way, objects in the way. I can't operate 25 feet away. [ NOISE ] There was a model, Joy Smith, who needed portfolio pictures. And I'm a fool for beauty, I did it For her free. So I said, I'll pick you up and we'll go to Central Park. Maybe I'll discover Jackie. And as we left the park, Jackie comes out the back entrance and walks toward Madison Avenue on 85th Street. Then she turns north. On the corner I did a brilliant thing. I took a taxi because you have to hide to get the off guard picture. And between 89th and 90th I took two shots from the back window but she didn't see me or hear me because of the noise and then the driver did something I didn't ask. He blew his horn, he was interested in Jackie. And Jackie turns at the corner of 90th and I get my wind blown Jackie. Beautiful. The exclusive picture, spontaneous, off guard, unrehearsed. But Jackie doesn't see who I am, cuz I have the camera in front of my face. But the moment I get out of the taxi, she knew me and put the glasses on. And I got her another block, from 90th to 91st, and then she turned west. And then I gave one of my cameras to Joy Smith. I said take a couple of pictures of me, I prefocused [ MUSIC ] The camera 15 ft and she got two great shots of me running after Jackie. I shot Jackie from behind and then Jackie turns around and says are you please with yourself? I said yes, thank you and goodbye and left. I call it my Mona Lisa because the smile was on her eyes and lips. The beginning of the smile. And she had no makeup. No hairdo. Natural beauty. The hair blowing in the wind. Nice soft light. What was the most true about her was that she had innate style. Whatever she wore, whether it was this season's or last season's or some 50 year old piece that she pulled out of her closet looked great. And the persistence of the image of wind blown Jacque proves that, because it doesn't matter. Her. It's almost an undatable photograph. It was the iconic photograph of the American celebrity aristocracy. And it created a genre. Granted how intrusive the paparazzi have become in the years since when Jackie He was taken. I think that we can look at Ron [ UNKNOWN ] as relatively benign. And the question is, where do you draw the line? How can you sleep at night when you do this for a living? Is a valid question. And either you can sleep at night or you can't. [ MUSIC ] I never felt guilty photographing Jackie. It's true that I pushed the First Amendment to the limits, perhaps. But that's what it takes. But I don't think it's immoral or bad, I think it was great. [ MUSIC ] And I'm glad that I preserved these images when no one else did. I did it. 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