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title: How to Teach Your Kid to Watch Video Critically
description: They&#x27;re more inundated by streaming images than any generation before
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author: Carey Wallace
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article:published_time: 2016-02-24T13:30:20.000Z
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# How to Teach Your Kid to Watch Video Critically

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![Carey Wallace](https://static.time.com/v3/assets/bltea6093859af6183b/blt76cd1e0ff1280ee0/69876af435ba6f993ec058f1/carey.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

by 

[Carey Wallace](https://time.com/author/carey-wallace/)


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## Carey Wallace


Feb 24, 2016 1:30 PM UTC

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Girl watching her smartphone

Girl watching her smartphone Images by Christina Kilgour—Getty Images/Moment RF

![Carey Wallace](https://static.time.com/v3/assets/bltea6093859af6183b/blt76cd1e0ff1280ee0/69876af435ba6f993ec058f1/carey.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

by 

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## Carey Wallace


Feb 24, 2016 1:30 PM UTC

It wasn’t so long ago that the only way to see a “moving picture” was to get yourself to a theater and buy a ticket from the movie industry, whose accomplishments we’ll be celebrating later this month, when the Oscars run on Feb. 28.

But these days, says Maureen Ryan, producer of _Man on Wire_ and _The Gates,_ and chair of Columbia University’s Graduate Film Program, kids are exposed to streams of moving images constantly: on television, on personal devices, and even in cabs and elevators.

And, she says, it’s more critical than ever that parents start conversations with kids about what they see, “because they’re getting inundated with media at a much younger age and they need to be more critical of what they’re seeing because it’s not as curated and not as reliable.”

So how can parents start those conversations?

As a filmmaker, Ryan says that one of the first things she’d encourage parents to engage **_elementary age kids_** about, is the fact that anything we see on film is actually _made._ “Whether it’s the props or hair or makeup or angle that actual shot is,” she says, “every single one of those things wouldn’t be there unless it was a decision.”

**_Middle school kids_** can start to think critically about those decisions. “What was the purpose of that director?” Ryan suggests asking. “Why did they choose to cut to that? Why did they do it that way? And how does that impact how you’re taking it in?”


Read More: [How Social Media is Disrupting the Lives of American Girls](http://time.com/4217059/how-social-media-is-disrupting-the-lives-of-american-girls/).

And by **_high school_**_,_ Ryan says, parents can encourage kids can start to “fight and catch the manipulation,” asking questions like, “Can you trust what you’re seeing?” Ryan suggests that parents encourage kids to ask themselves that question on more than one level. First, they can look at the nuts and bolts of actual media production, and recognize how much is not real, produced with tricks like green screen, or doctored up in post production. And second, they can question the source of the images they’re seeing, “if there’s an ulterior motive in how they’re shooting it, or telling the story.”

The bottom line, at all ages, is for parents to help kids look beyond the image, for the meaning. And that, Ryan says, is the heart of good film-making: “Really trying to get at the truth.”

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