When William Friedkin was making The Exorcist, he didn’t think of it in the genre it has come to symbolize today: “I didn’t set out to make a horror film,” he says.
Instead, Friedkin saw the movie about a young girl in the grips of a vicious demon as “a film about the mystery of faith,” he tells the Hollywood Reporter. “But by now, I have accepted that it is [a horror film].”
No matter what you call it, the film has become a key cultural touchstone, and on the day before Halloween, 42 years after its release, it will get a new honor: a bronze plaque marking the staircase in Washington, D.C. where the character of Father Karras takes a fatal tumble. The honor “means more than an Oscar,” Friedkin says, because it is “something that will be up there in public forever.”
Four decades later, Friedkin is still proud; he recently re-watched the film for the first time in years and gave it two thumbs up. “I honestly thought it was very well made film.”