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title: Television History and the Family Hour Censorship: What Happened
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# The Reason TV Was Allowed to Get Dirty Any Time of Day

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![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

by 

[Lily Rothman](https://time.com/author/lily-rothman/)


![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=96&quality=75&auto=webp)

## Lily Rothman


Rothman is managing editor at TIME.

Jun 11, 2015 8:30 PM UTC

![All In The Family](https://static.time.com/v3/assets/bltea6093859af6183b/blt68852a441ea56b76/6988540fe20a8765afa8bca9/all-in-the-family.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=3:2)

Jean Stapleton as Edith Bunker, Carroll O'Connor as Archie Bunker, show creator: Norman Lear, Rob Reiner as Michael Stivic, Sally Struthers as Gloria Bunker Stivic and Mike Evans as Lionel Jefferson. On the set of 'All in the Family,' Sept. 25, 1971.

Jean Stapleton as Edith Bunker, Carroll O'Connor as Archie Bunker, show creator: Norman Lear, Rob Reiner as Michael Stivic, Sally Struthers as Gloria Bunker Stivic and Mike Evans as Lionel Jefferson. On the set of 'All in the Family,' Sept. 25, 1971. CBS Photo Archive / Getty Images

![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

by 

[Lily Rothman](https://time.com/author/lily-rothman/)


![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=96&quality=75&auto=webp)

## Lily Rothman


Rothman is managing editor at TIME.

Jun 11, 2015 8:30 PM UTC

In 1976, when a U.S. District Court [ruled](http://www.leagle.com/decision/19761487423FSupp1064%5F11303.xml/WRITERS%20GUILD%20OF%20AMERICA,%20WEST,%20INC.%20v.%20F.%20C.%20C.) that the “adoption of the family viewing policy by each of the networks constituted a violation of the First Amendment,” it was a victory for freedom of speech—and for television ratings.

In the lawsuit, the Writers Guild—and famous-name plaintiffs like Norman Lear and Allan Burns—successfully established that the FCC had pressured the networks into a programming policy that neither the public nor the artists chose. The so-called family hour or family viewing policy (also known as the “prime time censorship rule”) mandated that the hours before 9:00 p.m. should be used only for shows that were appropriate for all ages.

As this preview clip from CNN’s [_The Seventies_](http://www.cnn.com/shows/the-seventies) (premiering Thursday night at 9:00) shows, that wasn’t working for anyone:

But free speech wasn’t the only reason why the writers were glad to ditch the family hour. As TIME had [reported](http://time.com/vault/issue/1975-11-10/page/92/) in 1975, attempts to rearrange schedules to fit with the family viewing policy had also contributed to a noted decline in ratings:

---

> “”

---


**_Read the full story, here in the TIME Vault:_** [When Things Are Rotten](http://time.com/vault/issue/1975-11-10/page/92/)

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