June 7, 2015 1:00 AM EDT

It’s hard to say how much longer Damien Hirst can be called the enfant terrible of the art world—with his 50th birthday on Sunday, he’s no longer anywhere near an “enfant,” and his work is now so familiar to many that much of its shock appeal has faded.

But some pieces will always polarize the public, some of which continue to be turned off by his diamond-encrusted skulls and formaldehyde-preserved animals (though critics have mostly agreed upon his talent and influence). And with his works frequently fetching millions at auction, there’s no denying his impact on the market.

Contact us at letters@time.com.

EDIT POST