See Photos from the Brand New Whitney Museum

An exterior view of the Whitney MuseumDavid Leventi for TIME
An exterior view of the Whitney MuseumDavid Leventi for TIME
racing thoughts, floor 5, artwork from left to right: (foreground) jeff koons, new hoover convertibles, green, blue; new hoover convertibles, green, blue; doubledecker (1981-1987); (background) jean-michel basquiat, hollywood africans, 1983; keith haring, untitled, (1981); nam june paik, v-yramix, 1982; peter halley, blue cell with triple conduit, 1986; (foreground center) charles ray, boy, 1992
Artwork from left to right: (foreground) Jeff Koons, New Hoover Convertibles, green, blue; New Hoover Convertibles, green, blue; Doubledecker (1981-1987); (background) Jean-Michel Basquiat, Hollywood Africans, 1983; Keith Haring, untitled, (1981); Nam June Paik, V-yramix, 1982; Peter Halley, Blue Cell With Triple Conduit, 1986; (foreground center) Charles Ray, Boy, 1992David Leventi for TIME
Guarded View, floor 5, artwork from left to right: kara walker, a means to an end... a shadow drama in five acts, 1995; (foreground) david hammons, untitled, 1992; mike kelley, more love hours than can ever be repaid and the wages of sin, 1987
Artwork from left to right: Kara Walker, A Means to an End... A Shadow Drama in Five Acts, 1995; (foreground) David Hammons, untitled, 1992; Mike kelley, More Love Hours Than Can Ever Be Repaid and The Wages of Sin, 1987David Leventi for TIME
rational ittationalism (floor 6), artwork from left to right: donald judd, untitled, 1966
Artwork: Donald Judd, untitled, 1966David Leventi for TIME
new york, n.y., (floor 7), artwork: (foreground) mark di suvero, hankchampion, 1960; (background) lee krasner, the seasons, 1957
Artwork: (foreground) Mark di Suvero, Hankchampion, 1960; (background) Lee Krasner, The Seasons, 1957David Leventi for TIME

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