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title: Reese Witherspoon Adds More Strong Female Characters to Her Book Club
description: With Ashley’s War and Luckiest Girl Alive, the actress&#x27;s production company continues to put forth powerful female characters
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# Reese Witherspoon Is Building the Ultimate Book Club

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by 

[Sarah Begley](https://time.com/author/sarah-begley/)


## Sarah Begley


Updated: Dec 13, 2023 11:10 AM UTCPublished: Apr 23, 2015 9:56 PM UTC

![Reese Witherspoon and Bruna Papandrea are assembling an impressive collection of books to adapt for the screen with their production company Pacific Standard.](https://static.time.com/v3/assets/bltea6093859af6183b/blt6272f150a720d9c3/6987ebed55a8596b20a89a87/ashley-reese-knoll.jpg?branch=production&width=1200&quality=75&auto=webp&crop=3:2)

Reese Witherspoon and Bruna Papandrea are assembling an impressive collection of books to adapt for the screen with their production company Pacific Standard.

Reese Witherspoon and Bruna Papandrea are assembling an impressive collection of books to adapt for the screen with their production company Pacific Standard. Simon & Schuster; Steve Granitz—WireImage/Getty Images; Harper Collins

by 

[Sarah Begley](https://time.com/author/sarah-begley/)


## Sarah Begley


Updated: Dec 13, 2023 11:10 AM UTCPublished: Apr 23, 2015 9:56 PM UTC

Q: What does a female first lieutenant serving in Afghanistan have in common with a troubled and manipulative women’s magazine editor? A: Both are the main characters of new books optioned by Reese Witherspoon’s production company, Pacific Standard. [_Ashley’s War_](http://www.amazon.com/dp/006233381X/?tag=timecom-20)_: The Untold Story of a Team of Women Soliders on the Battlefield,_ by Gayle Tzemach Lemmon, out this week, and [_Luckiest Girl Alive_](http://www.amazon.com/dp/1476789630/?tag=timecom-20) by Jessica Knoll, to be published next month, are the latest in Witherspoon’s cadre of tough cookies that make great fodder for Hollywood actresses whose cookie jars are often stocked with stereotypes.

“\[Reese and I\] created our company to develop and produce film and television with complex and interesting female characters,” Witherspoon’s production partner, Bruna Papandrea, said through a spokesperson. Some of the protagonists are everywomen, more representative of someone you could know in real life. (See: Reese’s turn as a grieving hiker in [_Wild_](http://www.amazon.com/dp/0307476073/?tag=timecom-20), which Pacific Standard produced.) Others are characters whose weaknesses or even malevolence are outsize but just as interesting. (See: The scary but slightly sympathetic Amy in [_Gone Girl_](http://www.amazon.com/dp/0307588378/?tag=timecom-20), also produced by Pacific Standard.) Either way, they avoid simplistic portrayals of feminine tropes: the virgin, the whore, the nag, the nurturer. For wherever their plots fork on the path, Cheryl and Amy both contain multitudes, just like real women.

_Wild_ and _Gone Girl_ made for a remarkable first two movies out the gate for Pacific Standard, racking up a collective three Oscar nominations and five Golden Globe nods. They both happened to stem from bestselling books. As a book lover who posts her latest reads on [Instagram](https://instagram.com/p/03W548ChV2/?taken-by=reesewitherspoon) the way other celebrities photograph new accessories, Witherspoon is a starry bridge between Hollywood and the literary world — she even [announced](http://www.usatoday.com/story/life/books/2015/04/23/reese-witherspoon-go-set-a-watchman-harper-lee/26140769/) today that she’ll narrate the audiobook for the summer’s most anticipated novel, Harper Lee’s [_Go Set a Watchman_](http://www.amazon.com/dp/0062409859/?tag=timecom-20).


Pacific Standard has already optioned [half a dozen](http://www.movieinsider.com/c3125/pacific-standard-productions/) books, ranging from _The Engagements_, a multi-plot-line reflection on marriage by J. Courtney Sullivan, to _Big Little Lies_, by Liane Moriarty, a story of motherhood and murder that Witherspoon will [reportedly](http://deadline.com/2014/11/nicole-kidman-reese-witherspoon-star-big-little-lies-limited-series-david-e-kelley-1201296852/) make as a limited series for television and co-star in with Nicole Kidman. Witherspoon may not appear in all of them — she [reportedly](http://www.hollywoodreporter.com/news/reese-witherspoon-julianne-moore-actress-749881) stepped aside when David Fincher said she wouldn’t be right to play Amy in _Gone Girl —_ but her push for women will be steadily behind the camera. (She’s also producing and starring opposite Sofia Vergara in _Hot Pursuit,_ out May 8, which is not a book adaptation.)

Pacific Standard bought the rights to _Ashley’s War_ in March, competing in a [bidding war](http://deadline.com/2015/03/ashleys-war-reese-witherspoon-fox-2000-ashley-white-bruna-papandrea-1201390496/) for the book while it was still in galleys. Lemmon, a veteran reporter for ABC News, _The Atlantic,_ _Newsweek_ and others, tells the story of the first all-Army, all-female team to serve in Afghanistan alongside the Special Operations Forces, focusing on Ashley White, who became the face of the pioneering Cultural Support Teams.


“Reese had often talked about trying to find a military story with women at the center and it is something that has always been very close to her heart,” said Papandrea. “When we read Gayle’s book we were both so inspired by these amazing women and this truly remarkable story of strength and courage.”

The troops in _Ashley’s War_ are a humble bunch whose utility to the Army proved particularly invaluable during night raids, when men were unable to get intel from Afghan women due to cultural differences. A female soldier, however, could make the women and children feel safe and respected while gathering information about potential insurgents and dangers. As Lemmon describes it in the book, “Their job was to be the softer side of the hardest side of war.”

“What is extraordinary about what they’re doing,” Lemmon said in an interview, “is they are bringing to the big screen, to the most American of media, stories that we wouldn’t otherwise necessarily hear about strong women who are leading in all kinds of situations. And it’s not that all of the characters are infallible — quite the opposite. But they’re real, they look like our mothers, our daughters, our wives in this country.”


_Luckiest Girl Alive_’s protagonist is TifAni FaNelli, an insecure, status-obsessed editor at _The Women’s Magazine._ (Knoll herself worked at _Cosmopolitan_ and _SELF)_. But she has a dark secret — a past that’s known to everyone in her world who heard about the horrific event on the news a decade earlier, but is revealed to the reader incrementally.

Viewers probably won’t leave _Luckiest Girl Alive_ wishing they had a friend just like TifAni, but they may see elements of the friends they already have in her. And if they liked _Gone Girl_, they’ll be thrilled to see another woman who’s allowed to be smart _and_ mean, vulnerable _and_ detestable. In another Hollywood, she might be a secondary character, a mean girl who serves as a foil to an ingenue’s goodness. Here, she can bask in the limelight.

Lemmon, for one, hopes the range of female characters we often find in books will trickle down to more visible platforms through work like Pacific Standard’s. “You think about what are your daughter’s going to watch on TV,” she says. “You want them to see people who look like America does.”

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