Two Photographers’ Mission to Retrace a Lost Liberia

4 minute read

Jeff and Andrew Topham were five and three, respectively, when their father’s job moved them from the Yukon, Canada to just outside of Monrovia, the capital city of Liberia, in 1976, four years before a military coup and two subsequent civil wars would devastate the West African nation. The boys lived in what they remember as paradise: endless beaches, thick jungles and countless adventures with their pet chimp named Evelyn. Their father, John, documented this time with thousands of photographs, inspiring a love for photography and filmmaking in both brothers.

In May 2010, the Tophams—now photographers themselves—returned to Monrovia to see what had become of their childhood home. “Our original idea was to revisit and re-shoot the influential and iconic photos of our childhood,” says Jeff Topham. What began as a personal exploration of their youth turned into a documentary film project titled Liberia 77 after the Tophams realized that many of the citizens they encountered did not own any photographs. “I was really interested in the connection between photography and memory,” Topham says. “How much my dad’s photographs influence my memory and what was actually real.”

Although they had seen images of the trouble Liberia had experienced in the last 20 years, the Tophams’ understanding changed after hearing stories of the fighting from citizens who had known their family. “You can read about those stories, but when you are actually sitting with someone and they are telling you first hand, it seems to hit a lot harder,” Topham says. “I think the emotional impact was definitely bigger than the physical.”

John Topham's Exchem ID. Many Liberians got rid of of their work ID cards to stay alive during the civil war.Exchem ID

The most staggering realization, which became the central focus of Liberia 77, was the absence of pictures. “The fact that nobody we encountered had any photographs, to me, was remarkable,” Topham says. During the civil wars, the possession of photographs—even on job identification cards—meant a person had money, a fact that could cause one to lose his or her life. Many people would get rid of them just to survive. “People hadn’t seen photos of Liberia from before the wars,” Topham says. “We had this stack of photographs from my dad that we were using as reference, and they almost became this stack of historical documents.”

During one part of Liberia 77, Liberian photojournalist Sando Moore asks, “If you don’t know where you came from, how can you know where you are going?” That poignant questions speaks to the heart of the Tophams’ film: to give Liberian citizens a connection to their past in order to grow and reconstruct their future. “The fact that the country was destroyed over time, but was also built over time—I think to give people just a sense of history and of time passing is important,” Topham says.

Liberian President Ellen Johnson Sirleaf, who was inaugurated for a second term today, also spoke briefly for the documentary. “I wish those who have photographs of our national existence find a way to keep them because at some point we will need to establish, re-activate our museum,” she says. “The only thing that could capture for the young people Liberia’s road from independence to where we are today would be if we could gather good photographs that rarely depict that. I hope those of you who are skilled in this and those of you who have all these years been able to keep these photographs, make sure you able us to copy them so we have our children know their own country.”

Since leaving Liberia at the end of last spring, and on the plea from President Sirleaf, the brothers have done just that. They’ve been collecting photographs from around the world to help create a photographic archive for the people of Liberia at the National Museum in Monrovia. The Tophams have collected nearly 700 photographs to date, and they are looking for funding to return to Monrovia this fall to stage an exhibit and hand the pictures of peace over to the museum.

Liberia 77 has been shown on Canadian television and film festivals around the world. Read more about the project here. If interested in donating pre-war photographs of Liberia, click here. To learn more about the Tophams’ Indie Go-Go Fund Raising Platform, click here.

(L-R) Andrew, Evelyn and Jeff in the front yard enjoying snacks. Exchem Compound, 1977.John Topham
Evelyn in green chair. Marshall Beach, 1977. John Topham
Exchem mechanics on payday hamming it up on John Topham's Peugeot 504. Exchem Plant, 1979.John Topham
Canadian kids with barracuda. Exchem Compound, 1978.John Topham
Andrew and his mother in a local village called Peabody Farm. 1977.John Topham
The Tophams' housekeeper James Morris on the front yard. The brothers' journey to find out what happened to him is how Liberia 77 began. On the Exchem Compound, 1977.John Topham
Andrew with Evelyn in the driveway. Exchem Compound, 1978.John Topham
Flower girl at George Gould’s wedding (Exchem Driver). Monrovia, 1979.John Topham
Exchem driver George Gould’s wedding. Monrovia, 1979.John Topham
Unknown Liberian girl. Little Bassa Beach, 1978.John Topham
Pigeon Hunting. A lagoon near Buchanan, 1977. John Topham
Exchem workers as they mark 900 consecutive days without time lost to an accident. Exchem plant, 1978.Jeff, Evelyn and Andrew in the carport. 1977.
Gas station on the road to Totota. 1978.John Topham
Exchem workers at Bong Mine, 1977.John Topham
Andrew and Evelyn. 1977.John Topham
Jeff, Evelyn and Andrew in the carport. 1977.John Topham
Two guards. Marshall Beach, 1979.John Topham
Unknown Liberian children. 1977. John Topham
Antique salesman Mahmoud and his family in their village. Peabody Farm, 1978.John Topham
Betsy Brotman and chimps at Vilab at the Liberian Institute for Biomedical Research, where Evelyn came from. Charlesville, 1978.John Topham
Unidentified Liberian kids. Marshall Beach, 1977.John Topham
Hydromex. Denko Shipping Lines, off-loading 100 tons of Hydromex destined for the Exchem plant. Port of Monrovia, 1977.John Topham
Jeff and Andrew. Marshall Beach, 1977.John Topham
Jeff with friends at Little Bassa Beach. 1977.John Topham

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