Ahmed Harara is a dentist. While protesting during the Egyptian revolution in January, he was struck in the eye by a rubber bullet. Blinded in that eye, he continued to protest. Then, during the November protests in Tahrir Square, Ahmed was shot in his other eye by a rubber bullet. Now he is completely blind.
But he kept protesting.
Harara is one of more than a hundred protesters around the world photographed by TIME contract photographer Peter Hapak. From Oakland, Calif., to New York City, across Europe and through the Middle East, Hapak and I traveled nearly 25,000 miles photographing protesters and activists from eight countries.
We photographed protesters representing Occupy Wall Street, Occupy Oakland, Occupy the Hood, Los Indignados of Spain, protesters in Greece, revolutionaries in Tunisia and Egypt, activists from Syria fleeing persecution, a crusader fighting corruption in India, Tea Party activists from New York, a renowned poet turned protester from Mexico and a protester from Wisconsin who carries a shovel, topped by a flag.
We set up makeshift studios in hotel rooms, apartments and people’s homes, inside a temple in rural India and an anarchist headquarters in Athens — even in the courtyard of the home of Mannoubia Bouazizi, the mother of Tunisian street vendor Mohamed Bouazizi. Tear gas wafted into our studio in a hotel room overlooking Tahrir Square — the same room where Yuri Kozyrev made a now iconic photograph of the crowd.
Each time, we asked subjects to bring with them mementos of protest. Rami Jarrah, a Syrian activist who fled to Cairo, brought his battered iPhone. He showed me some of the most intense protest footage I’ve ever seen. A Spanish protester named Stephane Grueso brought his iPhone too, referring to it as a “weapon.” Young Egyptian protesters brought rubber pellets that had been fired at them by security forces. Another brought a spent tear-gas canister. Subjects carried signs, flags and gas masks (some industrial ones, some homemade, like the one belonging to Egyptian graffiti artist El Teneen — his was made from a Pepsi can). A trio of Greek protesters brought Maalox. (Mixed with water, it was sprayed on their eyes to counter the harsh effects of tear gas.) Molly Katchpole, the young woman from Washington, D.C., who took on Bank of America — and won — brought her chopped-up debit card. Sayda al-Manahe brought a framed photograph of her son Hilme, a young Tunisian killed by police during the revolution. El Général, the Tunisian revolutionary rapper, brought nothing but his voice — he rapped a cappella for us (we have video). Lina Ben Mhenni, a blogger from Tunisia and a Nobel Peace Prize contender, brought her laptop. She spoke Arabic, yet we understood the words Facebook and Twitter.
Each subject was photographed in front of a white or black background — eliminating their environments but elevating their commonality to that of “Protester,” a fitting setup for a group of people united by a common desire for change.
“They were all unhappy. They wanted change, and they wanted a better life,” Hapak said. “Everybody is out there to unite their power for one common cause, one common expression: to get a better life.”
Witty is the international picture editor at TIME.
Hapak is a contract photographer for TIME, who most recently photographed Tilda Swinton for the Dec. 19, 2011, issue.
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