October marked the launch of Pacific Standard Time: Art in L.A., 1945-1980, a region-wide collaboration celebrating the birth of the Los Angeles art scene. Lyra Kilston reports on the photography made in this prolific era, the final in a three-part LightBox series about PST.

Shailene Woodley’s star is on the rise. Which is a good thing, because if her recent press tour for her new movie <i>Divergent</i> is any indication, she’s the feminist role model we’ve been waiting for in Hollywood.
                        
                        Woodley is on the road to becoming a household name, thanks to starring roles in two upcoming film adaptations of wildly popular — but incredibly different — YA books. On Friday, the highly anticipated film adaptation of Veronica Roth’s <i>Divergent</i> hits theaters. And later this summer, Woodley will star as cancer patient Hazel in the big-screen version of fan favorite <i>The Fault in Our Stars. </i>
                        
                        The up-and-coming star has made a point of speaking out about the issues she believes in, often going against the traditional constraints against women in Hollywood. And now that Jennifer Lawrence is <a href="http://time.com/9265/jennifer-lawrence-may-take-a-year-off-from-hollywood/">considering taking a year off from Hollywood</a>, we're in desperate need of young female role models in the movie industry. Enter Shailene.
                        
                        The parallels to Lawrence are obvious. Both spent time on family-friendly TV shows (TBS' <i>The Bill Engvall Show</i> for Lawrence and ABC Family's <i>The Secret Life of the American Teenager</i> for Woodley) before making the leap to critically acclaimed indie films (an Oscar-nominated performance in <i>Winter's Bone</i> for Lawrence and <i>The Descendants </i>with George Clooney for Woodley). Now both headline female-led franchises based on dystopian young adult novels: <i>Divergent</i>, which opens this Friday, is already being called the next <i>Hunger Games</i>.
                        
                        And the similarities don't just stop with there. Both actresses chopped off their long locks for pixie cuts. They're both bubbly, down-t0-earth, beautiful and effortlessly likable. (If you need proof, <a href="http://www.youtube.com/watch?v=kNHHd2b4Flo&amp;list=UU8-Th83bH_thdKZDJCrn88g">see</a> the outdoor-loving, mason-jar-toting Woodley offer Jimmy Fallon a phallic horseradish.) Though Lionsgate President Erik Feig <a href="http://www.hollywoodreporter.com/news/shailene-woodley-is-divergent-star-685842">enlisted Lawrence</a> to convince Woodley to sign on to the <i>Divergent</i> franchise and Woodley has since reached out to Lawrence for advice — all via email — the two starlets reportedly have not met. But their eventual — and inevitable — union will probably kill the Internet with an overload of memes.
                        
                        But Woodley's recent press tour to promote <i>Divergent</i> has us thinking she's more than just a J-Law clone. She has her own opinions about feminism and isn't afraid to speak up. Here are the highlights:
                        
                        <b>On feminism in <i>Divergent</i> (<a href="http://www.thedailybeast.com/articles/2014/03/07/exclusive-shailene-woodley-on-divergent-j-law-and-why-she-turned-down-fifty-shades-of-grey.html">The Daily Beast</a>):</b> "And in this movie, there’s no envy and no jealousy—no ridiculous girl-fights. It’s such an important message to send out there in this age of feminism because, yes, men need to respect women, and women need to be the leads of films, but at the same time, how do we expect men to respect women if women don’t respect women? A big theme in my life is sisterhood, and I think that this movie is a really great representation of that — of being there and supporting one-another without the malicious attacks that so often come in movies and media. So many women feel so much anger towards other women."
                        
                        <b>On the anti-feminist messages of <i>Twilight</i> (<i><a href="http://www.teenvogue.com/entertainment/cover-stars/2014-03/shailene-woodley/?slide=1">Teen Vogue</a></i>):</b> "<i>Twilight</i>, I’m sorry, is about a very unhealthy, toxic relationship. [The protagonist Bella] falls in love with this guy and the second he leaves her, her life is over and she’s going to kill herself! What message are we sending to young people? That is not going to help this world evolve.”
                        
                        <b>On being single (<a href="http://www.marieclaire.com/celebrity-lifestyle/shailene-woodley-april-cover-feature-interview"><i>Marie Claire</i></a>): </b>"I just haven't met anyone where I was like, 'Wow I could definitely see myself spending a season of my life with you.' I don't even know if humans are genetically made to be with one person forever."
                        
                        <b>On love (<i><a href="http://www.hollywoodreporter.com/news/shailene-woodley-is-divergent-star-685842">The Hollywood Reporter</a></i>):</b> "I fall in love with human beings based on who they are, not based on what they do or what sex they are."
                        
                        TIME got an early dose of Woodley’s real talk when she was promoting her indie flick <i>The Spectacular Now </i>this summer. In an <a href="http://entertainment.time.com/2013/07/31/shailene-woodley-and-miles-teller-on-playing-lovers-enemies-celebrities/">interview with <i>Spectacular Now </i>co-star Miles Teller</a>, Woodley told TIME's Lily Rothman about her struggle against one of the literal constraints against women—the bra. (This portion of the Q&amp;A was originally cut for space and never published.)
                        <b>I noticed also on your Twitter feed that you seem to be a bit anti-bra. Is that something you’re passionate about?</b>
                        
                        I feel passionate about just shifting our paradigms and stirring things up. I’m wearing a bra now, not like a padded bra, a little sports thing, and I feel like it’s maybe important to start looking at things differently even if you don’t change the way that you do it. just look at it differently, just think about it differently, just question things that you never really questioned before. I think with that will come a lot of educated knowledge and a lot of curiosity and a lot of positive shift.
                        
                        <b>What else should we be looking at?</b>
                        
                        Lots of things. I think, number one, the food that we eat. The water that we drink. The products we put on our faces. It sort of seems like everything nowadays is dictated by advertisements, which I’m not a fan of. There’s this big push to be skinny, be tall, have a small waist. It’s almost like we’re obsessed with our prepubescent selves, we’re obsessed with like this need to have everything be flawless and everything be thin and that’s just not, especially for women – I’m a fan of hips and I’m a fan of breasts and a fan of owning your body and not feeling self-conscious because you have some fat. That’s sexy. Fat is sexy, to an extent. Being unhealthy is not optimal but I think it’s important to start owning ourselves.
                        Regardless of what you may think of Woodley's throwback hippie brand of feminism, her message about loving one's soul rather than one's body is on-point. If Woodley becomes a leading star in the Hollywood, as industry insiders are projecting, we can look forward to her sharing positive messages with her young fans.
                        
                        [caption id="attachment_27356" align="alignnone" width="560"]<a href="http://time.com/wp-content/uploads/2014/03/cbd-00335r.jpg"></a> Shailene Woodley and Theo James in Divergent Jaap Buitendijk—Summit Entertainment[/caption]
Shailene Woodley’s star is on the rise. Which is a good thing, because if her recent press tour for her new movie Divergent is any indication, she’s the feminist role model we’ve been waiting for in Hollywood. Woodley is on the road to becoming a household name, thanks to starring roles in two upcoming film adaptations of wildly popular — but incredibly different — YA books. On Friday, the highly anticipated film adaptation of Veronica Roth’s Divergent hits theaters. And later this summer, Woodley will star as cancer patient Hazel in the big-screen version of fan favorite The Fault in Our Stars. The up-and-coming star has made a point of speaking out about the issues she believes in, often going against the traditional constraints against women in Hollywood. And now that Jennifer Lawrence is considering taking a year off from Hollywood, we're in desperate need of young female role models in the movie industry. Enter Shailene. The parallels to Lawrence are obvious. Both spent time on family-friendly TV shows (TBS' The Bill Engvall Show for Lawrence and ABC Family's The Secret Life of the American Teenager for Woodley) before making the leap to critically acclaimed indie films (an Oscar-nominated performance in Winter's Bone for Lawrence and The Descendants with George Clooney for Woodley). Now both headline female-led franchises based on dystopian young adult novels: Divergent, which opens this Friday, is already being called the next Hunger Games. And the similarities don't just stop with there. Both actresses chopped off their long locks for pixie cuts. They're both bubbly, down-t0-earth, beautiful and effortlessly likable. (If you need proof, see the outdoor-loving, mason-jar-toting Woodley offer Jimmy Fallon a phallic horseradish.) Though Lionsgate President Erik Feig enlisted Lawrence to convince Woodley to sign on to the Divergent franchise and Woodley has since reached out to Lawrence for advice — all via email — the two starlets reportedly have not met. But their eventual — and inevitable — union will probably kill the Internet with an overload of memes. But Woodley's recent press tour to promote Divergent has us thinking she's more than just a J-Law clone. She has her own opinions about feminism and isn't afraid to speak up. Here are the highlights: On feminism in Divergent (The Daily Beast): "And in this movie, there’s no envy and no jealousy—no ridiculous girl-fights. It’s such an important message to send out there in this age of feminism because, yes, men need to respect women, and women need to be the leads of films, but at the same time, how do we expect men to respect women if women don’t respect women? A big theme in my life is sisterhood, and I think that this movie is a really great representation of that — of being there and supporting one-another without the malicious attacks that so often come in movies and media. So many women feel so much anger towards other women." On the anti-feminist messages of Twilight (Teen Vogue): "Twilight, I’m sorry, is about a very unhealthy, toxic relationship. [The protagonist Bella] falls in love with this guy and the second he leaves her, her life is over and she’s going to kill herself! What message are we sending to young people? That is not going to help this world evolve.” On being single (Marie Claire): "I just haven't met anyone where I was like, 'Wow I could definitely see myself spending a season of my life with you.' I don't even know if humans are genetically made to be with one person forever." On love (The Hollywood Reporter): "I fall in love with human beings based on who they are, not based on what they do or what sex they are." TIME got an early dose of Woodley’s real talk when she was promoting her indie flick The Spectacular Now this summer. In an interview with Spectacular Now co-star Miles Teller, Woodley told TIME's Lily Rothman about her struggle against one of the literal constraints against women—the bra. (This portion of the Q&A was originally cut for space and never published.) I noticed also on your Twitter feed that you seem to be a bit anti-bra. Is that something you’re passionate about? I feel passionate about just shifting our paradigms and stirring things up. I’m wearing a bra now, not like a padded bra, a little sports thing, and I feel like it’s maybe important to start looking at things differently even if you don’t change the way that you do it. just look at it differently, just think about it differently, just question things that you never really questioned before. I think with that will come a lot of educated knowledge and a lot of curiosity and a lot of positive shift. What else should we be looking at? Lots of things. I think, number one, the food that we eat. The water that we drink. The products we put on our faces. It sort of seems like everything nowadays is dictated by advertisements, which I’m not a fan of. There’s this big push to be skinny, be tall, have a small waist. It’s almost like we’re obsessed with our prepubescent selves, we’re obsessed with like this need to have everything be flawless and everything be thin and that’s just not, especially for women – I’m a fan of hips and I’m a fan of breasts and a fan of owning your body and not feeling self-conscious because you have some fat. That’s sexy. Fat is sexy, to an extent. Being unhealthy is not optimal but I think it’s important to start owning ourselves. Regardless of what you may think of Woodley's throwback hippie brand of feminism, her message about loving one's soul rather than one's body is on-point. If Woodley becomes a leading star in the Hollywood, as industry insiders are projecting, we can look forward to her sharing positive messages with her young fans. [caption id="attachment_27356" align="alignnone" width="560"] Shailene Woodley and Theo James in Divergent Jaap Buitendijk—Summit Entertainment[/caption]

“Hollywood is Newark, New Jersey, with Palm Trees,” quipped Arthur Fellig, the prolific and fearless photographer of America’s underbelly who was known as Weegee—like the ouija board—for his uncanny ability to be in the right place at the right time. After selling the film rights to Naked City, his best-selling book of gritty crime scenes and nocturnal New York street photography, he moved to Los Angeles in 1947, staying for four years. Weegee shot thousands of images during his stint on the West Coast, some of which were featured in the lesser-known book Naked Hollywood. He was drawn to the absurd extremes of the city, as well as its banalities, photographing movie premiers, awards ceremonies, costume shops, strip clubs and Skid Row, with a keen and mischievous eye. He also began experimenting with his images to create distorted and surreal results. These irreverent, often bizarre photographs, many of which have never been shown, are brought together in the comprehensive and delightful exhibit “Naked Hollywood: Weegee in Los Angeles” at the Museum of Contemporary Art in Los Angeles.

In Hollywood, Weegee came face to face with the enormous power of the image to construct fame and fantasy—and found ways to lampoon it. He quickly joined the ranks of photographers at film premieres, but his camera often wandered, drawn to the messier margins of the scene. He shot from behind a celebrity in order to reveal the mob of omnipresent photographers or focused on the crowds of frenzied fans as they stood on fire hydrants and benches craning their necks to see a movie star, screamed with excitement, or gazed lovingly at movie posters. In one series, a young woman is captured shifting from euphoria to hysterical despair when she fails to get an autograph.

Weegee also took pictures of the movie stars themselves, but used what he called an “elastic lens” by incorporating tricks like mirrors, filters, kaleidoscopes and bendable lenses. As he explained, “I had to have a lens out of this world to do justice to the strange sights and people which are Hollywood.” Marilyn Monroe’s face was distorted to look like a pig while Marlene Dietrich’s famous legs were collaged above her waist, erasing her torso entirely. One image consists only of dozens of Judy Garland’s eyes. Weegee used photomontage to brand movie stars with Cadillac logos or confine portraits to a flashbulb, perfume bottle or liquor bottle silhouette. After a decade of taking truthful, often harrowing images for newspapers in New York, Weegee eagerly delved into a more playful, satirical side of photography.

Weegee also dabbled in the movies himself, as a bit player and technical consultant, and one room of the exhibit is devoted to his promotional work for film, including shots on the set of Dr. Strangelove and a video of the dizzying kaleidoscopic sequence he made for the documentary film Windjammer.

Years after he left Los Angeles, Weegee met Andy Warhol in New York. A surprising photograph of the two of them together, as well as Weegee’s kaleidoscopic portrait of Warhol’s face, reveal an uncanny intergenerational link between two men who saw, and manipulated, the potency of celebrity images. Weegee aimed for laughs and raised eyebrows, but even when completely warped, his photographs reveal the barest truths of Hollywood.

Naked Hollywood: Weegee in Los Angeles is on view through Feb. 27, 2012 at the Museum of Contemporary Art in Los Angeles.

Lyra Kilston is a writer and editor based in Los Angeles. Her work has appeared in numerous publications, including Artforum, Art in America and Photo District News.

MORE: Read the first and second part of the PST series.

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