Paris Photo 2011 Spotlights Sub-Saharan Africa

3 minute read

With its grand new setting in the Grand Palais, nearly 120 exhibiting galleries, and tens of thousands of expected visitors, Paris Photo has secured its place as the n’est plus ultra of photography fairs.

That hasn’t kept its new director, Julien Frydman, from having even greater ambitions for the 15th anniversary of the annual event, which begins today and runs through Nov. 13. “It’s about getting out of the ghetto,” says Frydman, the former chief of Magnum Photos in the French capital, who notes that until recently, documentary photography has languished as a sideshow in the history of art. “We want to make sure this photo fair is among the best art fairs of the world.”

Paris Photo 2011 certainly has a lot going for it already. This year, the theme of Sub-Saharan Africa will be marked by a display of portraits from the private trove of German collector Artur Walther and a special exhibition of up-and-coming young African talent. Visitors will be treated to a vast array of images from the continent, from Malick Sidebé’s celebration of Malian pop culture in the 1969’s to Richard Mosse’s pink-hued portraits of modern Congo.

In addition to its usual swarm of galleries, this year’s fair will feature a suite of new attractions intended to up its global profile. Frydman hopes the new Paris Photo Platform, a discussion forum, will debunk the notion of documentary photography as an insular art form. Led by art historian Chantal Pontbriant, the Platform will feature “thinkers, artists, art critics—but not the usual suspects,” he promises. To bring alive this dialogue between photography and other genres, storied curator André Magnin will bring together paintings and photographs by artists such as Yinka Shonibare and Seydou Keïta.

Another new feature, “Recent acquisitions,” uncovers how museums collect their artworks, from the Tate Modern’s focus on the oeuvre of Daido Moriyama to the Musée de l’Elysée’s acquisition of the Charlie Chaplin estate.

In time, Frydman hopes that his innovations will “skyrocket the fair into the top 10” art fairs in the world. It’s important to him, however, that it doesn’t lose its heart along the way. “What I wanted to keep is the conviviality,” he says, noting the fair’s ambiance of friendship and shared passion. “That’s something to keep as a treasure.”

Paris Photo runs through Nov. 13 in the French capital. Read more about it here.

Tutsi Town, North Kivu, Eastern Congo, 2010Richard Mosse courtesy The Empty Quarter Gallery
Nuit de Noël, 1963© Malick Sidibé courtesy Galerie du jour Agnes b., Paris
Soudan français, 1890'sCourtesy Lumière des Roses, Montreuil
Series Men in The Cities 1977-2009, 1977 © Robert Longo in camera galerie
Tokyo (The Artist's Book), 2011© Toluca Editions & Daido Moriyama
Collette, 1953 C. Carone courtesy of Galerija Fotografija
Fullmoon@Neban Point, 2007Courtesy galerie Xippas
Le Gilles d´Agogo, Ghana, 2010© Denis Dailleux courtesy Camera Obscura, Paris
Ocean Hotel Restaurant, Butlins, 2010© Anna Fox courtesy James Hyman Photography
XXX, from the series, Snake Eyes/Lana, 2002 Terri Weifenbach courtesy Robert Klein Gallery
Becky & Jill, from Week-End, 2009 Alex Prager courtesy Yancey Richardson Gallery
Depressive Palmtree, 2011Jaap Scheeren courtesy Flatland

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