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In the center of Port-au-Prince one week after the quake.Jan Grarup—NOOR
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At the first Sunday prayers after the disaster.Jan Grarup—NOOR
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Port-au-Prince one week after the quake.Jan Grarup—NOOR
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Haitians fight amongst themselves as they turn to looting to survive.Jan Grarup—NOOR
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15-year-old Fabienne was killed by police, shot twice in the head while looting a warehouse in Port-au-Prince. Her sister Samantha cries out in desperation after finding her.Jan Grarup—NOOR
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Fires burn in the street as looters steal to survive.Jan Grarup—NOOR
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A hospital in Port-au-Prince, understaffed and lacking necessary medical supplies.Jan Grarup—NOOR
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Women look among the bodies on the street, searching for relatives in a makeshift morgue.Jan Grarup—NOOR
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Looting in Port-au-Prince.Jan Grarup—NOOR
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US Marines are greeted by Haitians in Port-au-Prince one week after the quake.Jan Grarup—NOOR
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Outside of the main harbor in Port-au-Prince, thousands of Haitians try to flee the country by boat.Jan Grarup—NOOR
The winner of the 2011 Leica Oskar Barnack Prize is Danish photographer Jan Grarup, whose haunting images of the aftermath of the devastating January 2010 earthquake in Haiti provided a dramatic perspective on the human toll of the tragedy. Entitled “Haiti Aftermath,” the work shows the extraordinary devastation that the quake caused and the fate of those who survived.
In his almost two decades of work as a photojournalist, Grarup has covered many of recent history’s defining human rights and conflict issues. His work from Rwanda and Darfur documented the genocides in those two regions, helping to provide incontrovertible evidence of unthinkable human brutality; his dual projects, “The Boys from Ramallah” and “The Boys from Hebron” showed the Palestinian-Israeli conflict from both sides through the lives of children coming of age.
The earthquake in Haiti was the third he has covered. “A lot of people I work with,” he says, “want more than the fast-forward news photos. They also want in-depth photojournalism. This is where I think photojournalism can help.”
Based in Copenhagen, Grarup initially went to Haiti on his own. Once he was there, he was contacted by Le Monde and Russian Reporter, both of which published the images.
In the last year, Grarup has been working on a project on childhood mortality. In cooperation with UNICEF, he has photographed thus far in Ethiopia, Sierra Leone and the Central African Republic, a country where more than 200 children per thousand die before the age of five. Samples of the project can be seen at the website of the Grarup’s agency, NOOR.
“I want to put some focus on what is going on in other places in the world,” Grarup says. “When you try to photograph things from perspective, you get a little more in-depth of what is happening.”
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