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title: The Fantasticks: How Off-Broadway&#x27;s Longest Running Show Made It Work
description: Jan. 13, 2002: &#x27;The Fantasticks&#x27; ends its off-Broadway run of 42 years and 17,162 performances
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author: Jennifer Latson
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og:description: Jan. 13, 2002: &#x27;The Fantasticks&#x27; ends its off-Broadway run of 42 years and 17,162 performances
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twitter:description: Jan. 13, 2002: &#x27;The Fantasticks&#x27; ends its off-Broadway run of 42 years and 17,162 performances
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![](https://static.time.com/v3/assets/bltea6093859af6183b/bltcbcece2a3ea2b246/6987788506f2c133d73333e1/fastasticks.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=16:9)


# The World’s Longest-Running Musical Started Small — and Stayed Small

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by 

[Jennifer Latson](https://time.com/author/jennifer-latson/)


## Jennifer Latson


Jan 13, 2015 3:30 PM UTC

![Liza Minnelli](https://static.time.com/v3/assets/bltea6093859af6183b/bltcbcece2a3ea2b246/6987788506f2c133d73333e1/fastasticks.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=3:2)

Liza Minnelli in a scene from a 1964 stock production of musical The Fantasticks

Liza Minnelli in a scene from a 1964 stock production of musical The Fantasticks Ray Fishe—The LIFE Images Collection/Getty

by 

[Jennifer Latson](https://time.com/author/jennifer-latson/)


## Jennifer Latson


Jan 13, 2015 3:30 PM UTC

Few thought it could ever compete with the Broadway musicals.

Its tiny cast comprised eight actors and an orchestra of two — a pianist and a harpist. The set was Spartan: a small wooden platform, a bench, a trunk and a cardboard moon hung from a pole.

When _The Fantasticks_ made its off-Broadway debut in 1960, at the Sullivan Street Playhouse in Greenwich Village, the reviews were bad enough that the show’s writer, Tom Jones (not _that_ Tom Jones), spent the rest of the night drinking heavily and throwing up in Central Park, he [later told the Associated Press](http://bigstory.ap.org/article/fantasticks-reaches-mind-boggling-milestone).

The story itself was “slight,” [according to the New York _Times_ review](http://query.nytimes.com/mem/archive/pdf?res=980CE2DE153DE333A25757C0A9639C946191D6CF), which summed up the plot thus: “A boy and a girl, who are neighbors, are in love as long as a wall separates them and they believe that their fathers disapprove. Actually, their fathers want them to marry. To create an irresistible romantic mood, the fathers arrange a flamboyant abduction scene in the moonlight.”

But the slight story, simply staged, became the little musical that could. When it [closed](http://www.nytimes.com/2002/01/14/nyregion/14FANT.html?ex=1012152918&ei=1&en=f1e016c0bc8bc38d) on this day, Jan. 13, in 2002, it ended a run of 42 years and 17,162 performances, making it the world’s longest-running musical. Nothing on Broadway even comes close to its tenure: the nearest is _The Phantom of the Opera_, which opened in 1988 and played its[ 10,000th performance in 2012.](http://www.thephantomoftheopera.com/the-show/facts-figures) The [London production of _The Mousetrap_](https://www.the-mousetrap.co.uk/online/default.asp), now in its 63rd year, with more than 25,000 performances, is the only play to outdo _The Fantasticks_ in longevity. The Agatha Christie whodunit is the world’s longest-running show of any kind.


Despite its dismal opening, _The Fantasticks_ managed to get under the skin of critics and theatergoers. Five years after it opened, [TIME heralded the musical](http://content.time.com/time/subscriber/printout/0,8816,898826,00.html) as one of Broadway’s sleeper successes:

---

> “”

---

Its slow-but-steady success paid off for the 52 investors who gambled on the show in 1960\. One investor, Ira Kapp, [told the _New York Times_ in 2010](http://www.nytimes.com/2010/05/03/theater/03fantastick.html?pagewanted=2&8dpc&%5Fr=0) that he’d only paid up in the first place because he felt guilty for nodding off during a run-through of the musical.

“That’s the luckiest investment I ever made in my life,” he said.

The show’s 2002 closing, as it turned out, was just an intermission: [A revival opened four years later](http://www.nytimes.com/2006/08/24/theater/reviews/24fant.html?8dpc=&adxnnl=0&adxnnlx=1156453931-gFoQwXZ3Jl5Nl86LU+19ow&pagewanted=all) at the Snapple Theater Center — still off-Broadway, but now in Midtown, with the same small cast and sparse set. Tom Jones reprised the minor role he had played nearly half a century earlier, but with one tweak: the character once billed as “Actor” was listed instead as “Old Actor.”


**_Read TIME’s original assessment of_** **The Fantasticks,** **_here in the archives_**: [Broadway: What Makes Some Run](http://content.time.com/time/subscriber/article/0,33009,898826,00.html)

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