If you don’t see The Interview, do the terrorists win?
In the wake of Tuesday’s unprecedented hacker threat pledging 9/11-style attacks on theaters screening Sony’s The Interview, a few Hollywood luminaries are encouraging fans to buy a ticket to the film as an act of defiance. Actor-producer Adam McKay, writer-producer Judd Apatow, and writer-actress Mindy Kaling are among those urging their Twitter followers to support the imperiled Seth Rogen and James Franco comedy about an assassination attempt on North Korean dictator Kim Jong-un. Currently, the film is scheduled to open nationwide on Christmas.
McKay tweeted:
Apatow weighed in:
Kaling:
And her co-star Ike Barinholtz:
The Interview is a fucking hilarious movie and you should all go see it and not live in fear of some fucked up country
On Wednesday’s episode of ABC’s The View, the co-hosts disagreed on whether to see the film, which is currently averaging only a 46-percent positive rating on Rotten Tomatoes. Nicolle Wallace said, “We have a good history of not being bullied by thugs,” to which Rosie O’Donnell replied, “I just feel like it’s not worth it to me to see a movie that’s supposedly not all that funny. … It’s not like this is some Spielberg epic.” Wallace shot back: “I just think the point is if you want to see it don’t let some goon in North Korea change your plans.” (North Korea has denied being behind the hacker attacks but called the film “an act of war” last June.)
Geraldo Rivera likewise urged caution:
Regarding threats made vs theaters that dare show The Interview we've learned hard way how vulnerable audiences are. Remember Aurora?12 dead
At this point, perhaps the bigger question is whether viewers will even have an option to see the film at all. Landmark Theaters has canceled the film’s New York premiere, and stars Rogen and Franco have canceled their promotional appearances. Sony told theater owners they may back out of their agreements to screen the film, and at least a couple of chains have taken the studio up on that offer.
The Interview, 2014 The James Franco-Seth Rogen movie hadn’t even been released when it made its greatest impact. The Interview, about two Americans on a mission to kill Kim Jong-un, has sparked conversations about the tastefulness -- or not -- of depicting the killing of a foreign head of state. But it also is widely seen as having sparked the Sony hacking scandal, as the hackers, known as the Guardians of Peace, have urged Sony not to release the film. The ripple effect of the email hack saw off-color remarks about Angelina Jolie, Aaron Sorkin, and President Obama between Sony executives go public.ColumbiaBirth of a Nation, 1915 Birth of a Nation is held in high esteem as one of the most ambitious and innovative early films. It has also, in the near-century since its release, been derided for its use of blackface to depict black men as sexually rapacious and its characterization of the KKK as heroes. Is it possible to admire a film’s technical excellence while acknowledging that its content is deeply offensive? Many film scholars, who point to Birth of a Nation as part of the foundation of modern film, believe so.Hulton Archive/Getty ImagesThe Great Dictator, 1940 Charlie Chaplin’s lampooning of Hitler came before the U.S. was necessarily ready to hear it -- the country hadn’t yet entered World War II yet. The Great Dictator was controversial both for its advancement of anti-Hitler rhetoric and, at the same time, its turning Hitler into a figure of comedy.
United Artists/Getty ImagesThe Lost Weekend, 1945 Billy Wilder’s frank depiction of alcoholism, anchored with a tragic performance from Ray Milland, was startling for its time. Though it won several Oscars and the Palme d’Or, it had been, before its release, far from a sure thing. The success of The Lost Weekend allowed for fuller depictions of social issues on film, even though it could be uncomfortable.Paramount/Getty ImagesLolita, 1962 This film was perhaps the first of director Stanley Kubrick’s to directly court controversy; the poster famously asked “How did they ever make a movie of Lolita?” and the question was very much worth asking. Lolita, the novel, is a strange and surreal look at an older man’s obsession with “nymphets,” or young girls; the film manages to carry across the same subject matter, though Lolita herself was aged up to avoid outright banning.MGM/Getty ImagesBonnie and Clyde, 1967 Arthur Penn’s depiction of the short, glamorous lives of two bank robbers kicked off the New Hollywood era and scandalized audiences with its over-the-top violence. Bonnie and Clyde made its subjects look like, well, movie stars -- and then killed them in a brutal, seemingly endless hail of gunfire.
Silver Screen Collection/Getty ImagesA Clockwork Orange, 1971 Stanley Kubrick’s adaptation of Anthony Burgess’s dystopian drama features shocking sex and violence, to the degree that the film was restricted within the U.K. for decades. Its central notion, of behavioral therapy as a force for evil, has also provoked debate since the film’s release.Michael Ochs Archives/Getty ImagesKramer vs. Kramer, 1979 This domestic drama, starring Dustin Hoffman and Meryl Streep as a couple whose marriage ends, was upfront about the challenges of raising children and the degree to which married life could be fundamentally unsatisfying.Columbia/Getty ImagesBasic Instinct, 1992 This film made Sharon Stone, for a brief time, one of the most compelling movie stars on Earth. Her role as the voracious novelist and serial killer Catherine Tramell outraged gay audiences who viewed her as a homophobic stereotype, and spooked some men who were unaccustomed to Stone’s forthright sexuality. Either way, no one could stop talking about Catherine, or about Stone.TriStar/Getty ImagesEyes Wide Shut, 1999 Stanley Kubrick’s final film was perfectly in keeping with his careerlong interest in provocation. Eyes Wide Shut depicts a seamy New York underworld in which just about everyone is looking for sex, power, or both. Though the film’s graphic sexuality (including a scene at an orgy) was shocking, it was its depiction of the act of love as a transaction that really unsettled audiences.Warner Brothers/Getty ImagesRequiem for a Dream, 2000 Darren Aronofsky’s breakthrough film, based on the work of Hubert Selby, Jr., was unabashed in its depiction of drugs’ effects. Each of the four principal characters suffers, brutally, for his or her addiction, culminating in one character’s psychotic break, another’s amputated arm, and a third’s descent into prostitution. The film’s miserabilist outlook, graphic sex, and body-horror imagery are as effective an antidrug campaign as exists.
Artisan EntertainmentFahrenheit 9/11, 2004 The 2004 presidential election was ugly to an unprecedented degree, with attacks on John Kerry’s service from the right’s Swift Boat Veterans for truth and this documentary-length Molotov cocktail tossed at George W. Bush from director Michael Moore. Moore, who’d previously been booed at the 2003 Oscars for an anti-Bush speech, mixed together insinuations about voter fraud in Florida and ties between the Bush and bin Laden families into an antiwar statement. In its sheer provocation and palpable anger, it was the perfect film for its polarized time; the fact that it was received very differently by audiences of different political persuasions seemed somehow apt.LionsgateThe Passion of the Christ, 2004 This film, depicting the torture and eventual death of Jesus, was one of the biggest hits of all time. But it hadn’t necessarily had a clear path to acclaim; pre-release, the film was pilloried for perceived anti-Semitism. As audiences flocked over the weeks preceding Easter, some criticized director Mel Gibson for an excessively violent and sadistic vision of Jesus’s death.NewmarketBorat, 2006 Sacha Baron Cohen’s depiction of a Kazakh immigrant interacting with real people stateside showed America in a terrible light; it was hilarious, painful viewing. But for months after the film’s release, questions over just how fair Borat had been to its participants persisted. And Baron Cohen’s career continued to push boundaries of taste, with subsequent movies lampooning gay men (Bruno) and Sub-Saharan African heads of state (The Dictator).20th Century Fox
