TIME Video Games

Sony Says 10 Million PlayStation 4 Game Consoles Have Been Sold Worldwide

Sony confirmed the PlayStation 4's latest sales figures during its Gamescom 2014 press conference in Cologne, Germany.

At Gamescom 2014, Sony announced that it’s sold more than 10 million PlayStation game consoles worldwide since the system launched in November 2013. And that would be 10 million plucked off shelves by consumers, not just shipped to stores.

The last time the console majors rolled out unit sales specifics (around the end of March), Sony said it had sold through some 7 million PS4s, Nintendo that it had sold through just over 6 million Wii Us, with Microsoft bringing up the rear at around 5 million Xbox Ones shipped to stores. Microsoft said in July that with the Xbox One’s price drop from $499 to $399 and removal of Kinect in early June, Xbox One sales had more than doubled, but it was unclear then (as now) what the actual figures were.

TIME Video Games

For Better or Worse, Rise of the Tomb Raider Is for Xbox One Only

Score one -- a really, really big one -- for Microsoft.

The sequel to the unexpectedly acclaimed 2013 Tomb Raider series reboot, Rise of the Tomb Raider, is going to be exclusively on Xbox One when it launches next holiday 2015. The game was announced in June at E3, but the assumption then was that it would be multi-platform. It was a safe assumption: The original as well as its remastered version were available for Xbox and PlayStation platforms (as well as PC and Mac).

Crystal Dynamics’ head of product development Darrell Gallagher made the announcement at Gamescom 2014 today, and lest you wonder if “coming holiday 2015, exclusively to Xbox” means a timed-exclusive, with the game eventually rounding the bend for rival platforms, it sounds like that’s not the case (and that it is indeed Xbox-only forever).

Here’s Gallagher clarifying things on Crystal Dynamics’ Tomb Raider Tumblr:

Dear Tomb Raider Community,

As you may have seen, we’ve just announced that Rise of the Tomb Raider, coming Holiday 2015, is exclusively on Xbox. We consider all of you to be the lifeblood of Tomb Raider and the work we do at Crystal. I’d like to give you some insight into this decision, and why we feel this is the very best thing for the Tomb Raider sequel we’re creating at the studio.

Tomb Raider in 2013 was a success due in large part to your continued support. Our goal has always been to deliver something truly special with Rise of the Tomb Raider. Today’s announcement with Microsoft is one step to help us put Tomb Raider on top of action adventure gaming. Our friends at Microsoft have always seen huge potential in Tomb Raider and have believed in our vision since our first unveil with them on their stage at E3 2011. We know they will get behind this game more than any support we have had from them in the past – we believe this will be a step to really forging the Tomb Raider brand as one of the biggest in gaming, with the help, belief and backing of a major partner like Microsoft.

This doesn’t mean that we’re walking away from our fans who only play on PlayStation or on PC. Those are great systems, with great partners, and amazing communities. We have Lara Croft and the Temple of Osiris coming to those platforms this December, and Tomb Raider: The Definitive Edition is available on PS4.

We know that there are probably many more questions and concerns. Please do send them to us, and we’ll answer to the best of our ability. Meanwhile we’re going all out to try and make something truly special – the most ambitious Tomb Raider game ever built.


Darrell Gallagher
Crystal Dynamics Head of Studios

TIME Video Games

Skylanders Series Finally Heads to Its Logical Home: Tablets


Activision's toy-game franchise is finally coming to tablets, and not a watered-down spinoff, but the full console experience (and then some).

Toys — speaking as a child informed by the 1980s’ halcyon infusion of Masters of the Universe, G.I. Joe and Transformers — are things you want to play with using your hands, not virtual appendages. You want to feel their heft, to pick them up and set them down, to put fingers to their plastic contours and movable joints and smooth or spiny textures before positioning them along imaginary compounds and battlements.

Activision’s Skylanders series celebrates the physicality of toys by folding that experience into a virtual one and back again. But until now, you’ve always had the virtual part of the experience with a television screen, probably up off the floor and away from the toys themselves. The toys were the physical experience you had to carry to the virtual one.

Activision’s finally remedying that by inverting the formula and bringing the virtual experience to the physical one: Skylanders Trap Team, the newest installment in the series that lets players “trap” characters from the game in physical objects, will be the first to support tablets, and it’ll launch simultaneously with the console versions when they ship on October 5.

It’s not a scaled-down version, either, but the full Trap Team experience you’ll have with any of the console versions, soup to nuts. What’s more, and this is where the notion of a table version starts to get interesting, Activision’s engineered its own Bluetooth gamepad. Imagine an Xbox 360 controller with all the trimmings, including dual analog thumbsticks, d-pad, face buttons and triggers, only one that’s slightly smaller (designed for the game’s younger target demographic).

It’s available as part of something the team calls the Skylanders Trap Team Tablet Starter Pack, which includes a Bluetooth version of the Traptanium Portal (the plastic stand you set the Skylanders action figures on, as well as the traps) and the gamepad itself, which rests under the platform in a formfitting cubby hole.

The starter pack includes the controller, the built-in tablet stand (it’s part of the platform, so “included” may be overselling this point) and a display tray that lets you track the traps and villains you’ve collected. Activision told me all 175 existing Skylanders toys are compatible with the platform, and that’s in addition to Trap Team‘s over 50 new playable Skylanders heroes and 40 new villains.

The tablet docks directly to the portal, tilting backward slightly, nestling in a crook-like stand (built into the portal) designed to grab and hold it without mechanical latches. That’s so you can pull the tablet out or drop it back in with ease. Watching Activision demo the new interface, it looks like coming home, like a game that’s finally found the interface it was designed for.

How much? You’ll need a tablet, of course, but assuming you have one that’s compatible — Activision supports the 3rd gen iPad forward, the Kindle Fire HDX, the Google Nexus 7 and the Samsung Galaxy Tab and Note — you can lay hands on the starter pack for $74.99, same as console.

TIME Video Games

Call of Duty Advanced Warfare’s Multiplayer Details Drop at Last

Check out the first official Call of Duty: Advanced Warfare multiplayer trailer.

Call of Duty Advanced Warfare wants to reset your expectations, to convince you that it’s not the annual, somewhat tedious box-checking military adventure you’ve been opening your wallet to for umpteen-many years and games.

The guys at Sledgehammer — the same guys who gave us Dead Space — have doubtless seen the mass of disconsolate user reactions to recent installments on aggregation sites. They know that while people continue to buy these games in record numbers, there’s something to be said for retooling not just how a Call of Duty looks or how many set piece skyscrapers go boom, but how the game actually plays.

Some of that’s self-evident with the long-teased promise of Advanced Warfare‘s EXO suit, a Crysis-like combat augmentation armament that turn soldiers into bionic superhumans. With the EXO suit, you can run faster, regenerate health more quickly, drape yourself in a Predator-like cloak, hover in place for several moments, out enemies behind barriers, deploy a force field-like shield, and all of that folded into a perks system that offers slight improvements or variations on ability themes. The tactical shift by definition has to be considerable.

Today’s multiplayer reveal confirms those presumptions: If you can run and dodge faster, the pace of combat becomes that much more frenetic. By letting players leap into the air and hover (as well as dodge while in the air) you’re taking the game vertical (and to a certain extent turning it into Tribes). And there’s now a “Boost Slam” melee attack that adds a “death from above” tactic. Check out the official multiplayer reveal trailer above to see someone rolling through all those maneuvers as well as illustrating how to do so seamlessly.

Sledgehammer’s also tweaking skill and XP-related multiplayer progression by folding in Supply Drops. In addition to XP ranking, Supply Drops let you acquire custom weapons (each weapon has 10 options that Sledgehammer says add up to 350 customization out of the box, and that’s before attachments), cosmetic “gear”-related customizations and rare one-time use items that activate during the match at set intervals.

The “Pick 10″ create-a-class option is back, only with more options that add up to Pick 13, including customizable scorestreaks (how much you can score without dying) you can use with your favorite class, cooperative scorestreaks (you and a friend vamping on each others’ scores), and EXO suit modifications and perks.

Slegehammer says Advanced Warfare will feature 12 modes out of the box, including oldies like Capture the Flag, Hardpoint, Team Deathmatch, Domination and Search and Destroy, as well as new ones like Uplink (teams fight for control of a satellite drone) and Momentum (Advanced Warfare‘s take on tug-of-war). And between matches, they’ve added a Virtual Firing Range you can drop into to try out item metrics like sights, attachments, bullet spread or recoil without map loading, or as Sledgehammer puts it, “having to blindly go into a match with a new loadout.”

How do you lord your virtual moxie over others? In Advanced Warfare‘s new Virtual Lobby, where all of your hard-earned XP and Supply Drop rewards are displayed for anyone to peruse. Sledgehammer says you can scan everyone else’s characters in full here, from character customization options to loadouts and gear selection.

And for eSports wonks, Advanced Warfare will support Hardpoint and Capture the Flag modes, round-based domination, an expanded Oracle mode when broadcasting, ranked playlists, LAN lobbies and the option to tweak private matches using a rules-related value slider.

TIME Video Games

Watch the Call of Duty Advanced Warfare Multiplayer Livestream Right Here

The game's creators give us our first look at Call of Duty Advanced Warfare's multiplayer modes.

Want to watch Activision’s Call of Duty: Advanced Warfare big multiplayer reveal this afternoon? Consider that box checked below. The live stream airs at 1pm ET / 10am PT today. Park your browsers here to watch Sledgehammer Games co-founders Glen Schofield and Michael Condrey walk through the upcoming mid-21st-century shooter’s multiplayer modes while in Cologne, Germany (part of the Gamecom list of pre-show events — the trade fair kicks off this week, August 13-17).

Multiplayer is traditionally Call of Duty‘s grand lure — more so than the solo campaigns, anyway. What’s more, Advanced Warfare introduces the EXO suit, an exoskeletal military armament painstakingly researched and extrapolated from existing military technological projections, that essentially gives players superhuman powers. That, in theory anyway, means radical changes to the tactical gameplay.

TIME Video Games

What if Academic Tests Were Video Games?

Digital Vision / Getty Images
Digital Vision / Getty Images

No, The Legend of Zelda won't replace the ACT or SAT anytime soon, but imagine a world in which archaic standardized tests (and perhaps even the notion of a final exam) were replaced by realtime, inherently evaluative experiences that bettered the learning process itself.

It’s been so long since I sat through a standardized test, I’ve forgotten most of the rigmarole. I blame “selective stupefaction,” my made-up-psychology term for when your brain decides some feat you had to perform long ago is too mind-numbing to remember.

What memories remain are of humming florescent overheads, cathedral-sized collegiate halls (with none of a cathedral’s architectural charm), scores of students hunched over fold-down slabs of laminate, scattershot coughs or harrumphs, the smell of must and cologne and perturbation, and — who could forget — the instructor pacing the rows like a bipedal security camera.

I was okay at, but slightly terrified of, standardized tests, one of those kids who’d glance up at the ticking clock and freeze like an animal in someone’s headlamps. But I’m pretty good at video games, and over the last decade-plus, I’ve come to prefer the sort (rare, still, granted) whereby the experience informs or impacts some broader aspect of my life, in lieu of merely improving my hand-eye coordination.

So what if tests could be video games like that, or at least more video game-like?

NPR’s Education blog wonders the same, exploring why people play and how play-based instructional design relates to learning. Well-wrought video games of all stripes are already learning factories, replete with rewardable variables like player initiative and creative expression, strategic and tactical thinking, curiosity and exploration, social bonding and judgement or ethical behavior and reflection. One of the critiques of standardized tests is that they measure human intelligence too narrowly, that they ignore all of the other multifaceted ways in which humans acquire and thoughtfully apply knowledge. Games, of course, have been measuring elements of the latter for decades.

The sort of standardized academic tests I took in the 1990s were assessment based, designed (you could argue crudely) to measure your ability to memorize and regurgitate things, extrapolate from narrative passages and apply algorithmic thinking to math-based problems.

What if those tests were simultaneously the learning tool, or the learning process, a kind of implicit, ongoing test that offered the sort of realtime, adaptive feedback a game can? What if what we’re learning from game design now could eventually improve or supplant the kinds of standardized tests we’re still using as empirical benchmarks today?

Consider a multiple choice test with its mundane sentences and lettered selections stacked in row after numbered row: an avalanche of organized banality. Now imagine that test if the words were baked (literally or conceptually) into an experience that was interactive and improvisational — an experience that since words by themselves are the ultimate abstraction (see Scott McCloud’s Understanding Comics), was less removed from reality.

“Is a video game a test or a learning encounter? It’s both,” Arizona State professor James Paul Gee tells NPR, adding that in a video game, “you’re always being tested — you can’t get out of a level until you finish it.”

Play-related experiences can provide insight not just into someone’s ability to check the right box, but also into the deductive process whereby they come to that decision in the first place, argues Stanford psychometrics professor Dan Schwartz. Schwartz says the latter is far more important than testing a student’s ability to momentarily dredge up bits of information, or apply a formula by rote to solve a problem.

The idea, Schwartz tells NPR, is to design games that require students to learn, “So they’re not just measures of what the student already knows, but attempts to measure whether they are prepared to continue learning when they’re no longer told exactly what to do.”

Could you design an academic test that worked as a video game and both better educated students and provided educators with a better sense of their students’ learning challenges? When you think out past the cultural hinterlands of decades-old standardized tests (including some that have been with us for nearly a century), play-based experiences that can both measure and refine our ability to learn deserve to be taken just as seriously.

TIME viral

Take a Musical Journey Through the Evolution of Video Games With This A Cappella Video

From Pac-Man to Tetris to Halo

Behold: nearly three decades of video game music in a 16-minute a cappella extravaganza. From the hypnotic, rhythmic Tetris theme to the ominous, haunting sounds of Halo, this medley by the YouTube channel Triforcefilms is pretty comprehensive.
In case you don’t feel like carving out 16 minutes to watch the whole thing, here are all the games included in this epic musical journey, along with the times they show up:
1. Pac Man 1980 – 00:43
2. Super Mario Bros 1985 – 00:58
3. Legend of Zelda 1986 – 01:38
4. Dragon Warrior 1986 – 02:26
5. Tetris 1989 – 03:10
6. Ninja Turtles 1989 – 03:36
7. Sonic the Hedgehog 1991 – 04:14
8. Doom 1993 – 04:55
9. Super Metroid 1994 – 05:38
10. Super Mario 64 1996 – 06:07
11. Duke Nukem 3d 1996 – 06:46
12. Pokemon 1996 – 07:13
13. Resident Evil 1996 – 07:57
14. Final Fantasy 7 1997 – 08:30
15. Zelda Ocarina 1998 – 09:43
16. Metal Gear Solid 1998 – 10:25
17. Halo 2001 – 10:59
18. Katamari Damacy 2004 – 12:01
19. Oblivion 2006 – 12:34
20. Uncharted 2007 – 13:21

TIME Video Games

You Can Drive Mercedes Cars in Mario Kart Soon

Mario Kart 8 Mercedes
Nintendo Mario Kart 8

Luigi isn't any happier to be behind the wheel of a Roadster, though

Mario Kart 8 players who also happen to be fans of fine German engineering are in for a treat: Starting Aug. 27, three Mercedes whips — the GLA, the ’50s-era 300 SL Roadster and the ’30s-era Silver Arrow — will be available as part of an update for the Nintendo Wii U title. Traditionally, Mario Kart vehicles range from go-kartesque options to more outlandish choices, like gliders.

The Mercs come alongside other new Mario Kart features meant to celebrate the twenty-second anniversary of the first Kart title, Super Mario Kart for the SNES, back in 1992 — and as an extra bonus, that original game’s now available for download on the Nintendo eShop on Wii U.

TIME Video Games

Blizzard Admits World of Warcraft Lost 800,000 Subscribers Since March

Activision Blizzard

The most popular and profitable MMO in history continues its steady decline, but Blizzard president Mike Morhaime says the game's annual revenue is up, not down.

Activision Blizzard is doing very well, according to CEO Bobby Kotick, who trotted out glowing figures during the company’s second quarter earnings call Tuesday, going so far as to raise Activision Blizzard’s full-year outlook. But when Blizzard president Mike Morhaime took his turn on the call, he admitted the company’s juggernaut MMO, World of Warcraft, has continued to hemorrhage subscribers.

The franchise remains “healthy,” he said, according to Seeking Alpha’s transcript of the call, with year-on-year revenue up, but subscribers down sharply in recent months. Here’s Morhaime:

As we mentioned on the previous call, we anticipated fluctuation in subscribership due to seasonality and the fact that the current game content is at the end of its life cycle. And as expected, we did see a decline in subscribers, which mostly came out of the east.

WoW‘s current subscriber number stands at 6.8 million, according to Activision Blizzard. That’s down 800,000 from last quarter, when it stood at 7.6 million — itself a precipitously lower figure than the once-towering 12 million the game commanded at its subscription peak in October 2010. No surprise to anyone (including Activision Blizzard) given the game’s age and shifting platform as well as genre demographics, WoW‘s subscription figures have been dropping steadily since 2010’s close.

The last time WoW‘s base was this low (or high, depending on your vantage): mid-2006, a year-and-a-half after the game’s launch in November 2004. Activision Blizzard expects to arrest that drop this fall, when it releases its fifth (and possibly final) expansion for the game, Warlords of Draenor. According to Morhaime:

This pattern is right in line, percentage-wise, with the drops that we saw at Cataclysm’s cycle in Q2 2012. That drop in 2012 was followed by an uptick in subscribers just ahead of Mists of Pandaria’s launch. So we’re hoping to see players return once we draw closer to the release of Warlords of Draenor later this year.

That uptick brought nearly a million users back to the fold in mid-2012, but the declines began shortly after the last expansion’s release, and by the close of 2012, WoW had lost several hundred thousand subscribers. The game leveled off through most of 2013 in the mid-7-million range, before the sharp drop from 7.6 million to 6.8 million this year.

Again, the claim to pay most attention to is Morhaime’s about year-on-year revenue being up. That’s what matters to investors, less so subscriber numbers. If Blizzard can keep WoW revenues up and deliver profits that surpass expectations, the game’s in no danger of disappearing anytime soon. That said, the clock is ticking for the company to unveil its long-rumored, still-running-silent Next Big Thing, be that a new MMO (the so-called new IP, once codenamed “Titan,” and as of August 2013 developmentally rebooted), or something else entirely.

We’ll know more about Warlords of Draenor next week, August 14 at 12:30 a.m. ET, when Blizzard reveals the expansion’s launch date and first cinematic trailer at the Ace Theatre in Los Angeles. Activision Blizzard says 1.5 million (of the game’s roughly 3 million Western) players have already preordered the expansion.

TIME Video Games

What in the World Is Sony’s PlayStation Gamescom Trailer About?

Sony's tongue-wagging engine ramps up with a mysterious snow-filled teaser trailer ahead of the Gamescom trade fair in Cologne, Germany next week.

Blood and snowflakes and cracked ice, that’s what Sony’s showing in its 10-second Gamescom teaser trailer. Oh, and there’s wind, or the sound of wind anyway, since you can’t actually see currents of air. I’ll make some guesses, then you can make some of your own.

We know it’s a Gamescom trailer because Sony’s hashtagged it #PlayStationGC (the trailer’s another way of getting that ball rolling, though as of this morning, it’s a pretty slow train, chugging along at a handful of tweets an hour). Gamescom takes place next week, August 13 to 17, in Cologne, Germany. Gamescom dwarfs E3, by the way, with hundreds of thousands of visitors annually, compared with less than 50,000 at this year’s E3.

Among the guesses (and mostly wishing thinking): a new God of War, developer Supermassive’s announced but undated horror/adventure Until Dawn, The Last Guardian (because that’s now mandatory in every guess lineup), the next PlayStation console (because people like to be silly), a new Shenmue, Guerrilla Games’ new IP, and last but not least, a port of Frozen: Olaf’s Quest. My money’s on Olaf.

It’s surely not Capcom’s Resident Evil (questionably necessary since it’s already been remade) remake: that game transpires during the summer, so unless Capcom’s ret-conning with a global cooling twist, that’s a nope). Resident Evil‘s also a multi-platform game, and why would Sony tout a non-exclusive? (Which is why the teaser’s probably not a closer look at Assassin’s Creed Rogue, which we’re bound to see at the show anyway.)

My money’s actually on Until Dawn, because unless it’s some totally new IP — and of course it could be that — what else? Until Dawn, whose plot about a bunch of teens spending a wintry night in a log cabin is intentionally B-movie cheese, is the only snow-riddled, sanguinary exclusive that comes to mind. I’m not jazzed about a game that requires use of the PlayStation Move controller to mimic a flashlight, but I’m curious, and it’s been two years since we’ve seen or heard much about Supermassive’s PS4 debut.

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