TIME Afghanistan

14 Killed in Afghanistan as Taliban Attacks Kabul Hotel

Afghan policeman stands guard at the site of an attack in Kabul, Afghanistan
Mohammad Ismail—Reuters An Afghan policeman stands guard at the site of an attack in Kabul, Afghanistan May 13, 2015.

At least two Indian nationals and an American were among the victims

Fourteen people, including 9 foreigners, were killed in an attack in Afghanistan’s capital city Kabul on Wednesday night after at least one gunman opened fire on a guesthouse, a government official said.

Fifty-four other hostages were rescued in the attack that only ended in the early hours of Thursday morning, the Associated Press reported. The assault began at 8:30 p.m. Wednesday, when a gunman or gunmen opened fire at the restaurant of the Park Palace Hotel, according to Kabul’s chief of police General Abdul Rahman Rahimi.

U.S. embassy spokesperson Monica Cummings told the AP in an email that a still unidentified U.S. citizen had been killed.

At least two of the other victims were Indian, and three other Indians were rescued and were being sheltered at the Indian embassy, a diplomat told Reuters.

The Taliban claimed responsibility on Thursday, with the militant group’s spokesperson Zabihullah Mujahid claiming in an email to media that they had targeted the hotel because of the presence of Americans and other foreigners there.

A majority of the guests were at the hotel, located in the same neighborhood as a U.N. compound and the Indian embassy, for a party honoring a Canadian citizen, American attendee Amin Habib told the AP.

A Canadian spokesperson said all its embassy staff were “safe and accounted for.”

Mujahid said in the email that there was only one attacker wearing a suicide vest and armed with a Kalashnikov rifle and a pistol, contrary to the three attackers cited by the Afghan security authorities.

The attack bears similarities to two others carried out by the Taliban in Kabul in 2014, at a hotel and a Lebanese restaurant respectively, and is one of the most blatant assaults since the extremist group announced its spring offensive this year.

TIME Behind the Photos

Ad Agency and Photographer Work to Highlight the Home Front

David Guttenfelder photographed the front lines of an unexpected war zone

Each day, 22 U.S. veterans commit suicide on American soil.

That average, released by the U.S. Department of Veterans Affairs in 2013, is at the center of a surprising new campaign, dubbed Mission 22, from advertising agency CP+B and the nonprofit veteran organization Elder Heart. The project is designed “to open the eyes of the American public,” says Daniel Pradilla, an associate creative director at the agency.

With the help of photographer David Guttenfelder, who covered the wars in Iraq and Afghanistan for the Associated Press, Mission 22 takes a novel approach to advocacy work by bringing the message directly to its public. “CP+B is a big ad agency that starts national conversations about products,” says Guttenfelder, “and they wanted to do something about this issue. They wanted to see if they could take the same approach to an ad campaign to the [issue of suicide among veterans].”

The campaign is devised around the stories of five veterans — William Busbee, Shawn Bleeker, Ryan Clapper, Brandon Ladner and Clay Ward — who committed suicide after their tours of duty. “More military men and women die at home each day than in our conflicts abroad,” Pradilla tells TIME. “That means that the deadliest battlefields aren’t remote deserts or faraway countries but our own living rooms, bedrooms, backyards and garages. These battlefields are unexpected. That makes you stop and think.”

The best way to convey that message, CP+B found, was to photograph these spaces and put the resulting images on billboards across the nation. “This work brings war to a place that is familiar,” says Pradilla. “Coming home is supposed to be completely safe. But then, you see David’s photographs and read these veterans’ stories, and you realize it’s not.”

Guttenfelder, who resigned from AP last year to go freelance, had wanted to cover the second half of his war story: the return home. When he got back to the U.S., after spending 15 years traveling the world from one hot spot to the next, he brought a group of photographers together, launched the Everyday USA account on Instagram and helped coordinate for the group to do a Veterans Day project with TIME last November.

But Guttenfelder wanted to do more. So, when he was approached by CP+B, he saw an opportunity. “They were looking for a photographer who had the same story [as these veterans] and who could meet the families and understand,” he explains.

The result, on a personal level, stunned Guttenfelder. “When I was meeting the families and going through this, I was surprised how much of a connection I felt with these people who took their lives because of the struggles that they faced when they came home: trying to find purpose, trying to deal with the horrible things that they had seen. [That connection] was more powerful than I had expected.”

“I would never try to compare my experience to someone who fought in a war,” he adds, “but I did spend my entire adult life covering war and violence and tragedy. I had a very clear purpose, a very strong sense of what my identity was. And to come home to the U.S. and to have to reinvent myself, it opened up a door to understand how confusing and difficult and painful it is for [these soldiers] to come back and not know what they’re supposed to do now. I understood it in a different way.”

Guttenfelder’s photographs are a departure for the former wire photographer: they are simple and quiet black-and-white portraits of the spaces where these veterans committed suicide. They tell a story of familiarity — one that anyone could grasp — and that was CP+B’s precise goal.

The advertising agency published Guttenfelder’s photographs in four national newspapers and magazines, and across 300 billboards in the U.S., including five in the towns where these veterans committed suicide. “To put a billboard on the street near the houses where this happened is not just about educating people, it’s about educating the people who go to the grocery store with these families,” says Guttenfelder.

CP+B has also produced a mini-documentary and an interactive website — with calls for action for veterans and their families — with a traveling exhibition planned for later this year.

For Guttenfelder, Mission 22 is also the beginning of his next personal project, one that will deal with suicide and posttraumatic stress disorder — another focus that, for the former conflict photographer, hits close to home.

Find out more about Mission 22.

Olivier Laurent is the editor of TIME LightBox. Follow him on Twitter and Instagram @olivierclaurent

TIME On Our Radar

Meet the Afghan Photographers Telling Their Country’s Stories

A new documentary showcases four Afghan photographers working in the war-torn country

With the strengthening of Taliban’s hold on Afghanistan in the 1990s, came the end of a long photographic tradition. At the turn of the 20th century, the ruling royal family practiced photography as a hobby, and a serious one at that. Habibullah Khan, the Emir from 1901 to 1919, set up a studio in the palace while organizing competitions and exhibitions. Decades later, box cameras had made their way into the streets, popularizing the postcard-format family portrait. Yet, today, an entire generation is left without pictures of their youth, let alone a visual history of their nation.

“A country without photographs, is a country without identity,” says Najibullah Musafer, a photojournalist who took great risks to document his homeland despite the prohibition. After seeing b-roll from Afghanistan that challenged their perceptions of the war-torn region, Alexandria Bombach and Mo Scarpelli, two American filmmakers, felt it necessary to connect with storytellers from the area committed to sharing more nuanced accounts of their country. Their curiosity prompted the documentary Frame by Frame.

The cast is composed of photographers that distinguish themselves not only by the compelling nature of their work, but also by their enthralling personalities. Beside wholehearted and wise Musafer, considered the grandfather of modern photojournalism in the country, there’s the trailblazing, industrious and thoughtful Farzana Wahidy, her calm and astute husband Massoud Hossaini, winner of a Pulitzer Prize in 2012, and Wakil Kohsar, the soulful up-and-comer.

“At first, I wasn’t sure I wanted to be part of a movie,” says Wahidy. “At the time, I was trying to keep a low profile, mainly for security reasons and so that I could continue to do my work with as few hurdles as possible. But when I saw that they were going ahead with it, and with three men, I felt it was my duty to be in it.” The documentary makes clear how difficult it can be for her to gain access, especially given that photographing women, which she’s specialized in, remains highly taboo.

As the camera follows the quartet in their daily lives, and as they share stories from their past — the very stories that inform their gaze and shape their voice — a larger layered narrative emerges; that of a disrupted nation.

“Originally, we thought it would be a short film,” says Bombach. “But, as we were conducting the interviews, the complexity of what was happening, of what each photographer was going through, the heaviness of their past and how that affects how they shoot now, it became clear that it needed to be a feature length that would use human narratives to give a much better sense of what’s been going on in the past thirty years.”

Take Kohsar. As he shares memories from his childhood – fleeing Panjshir and seeking refuge in Iran – the plight of Afghan refugees under the Taliban regime comes to light. The footage of him working offers glimpses of issues such as the prevalence of drug addiction and of political disillusion. And, his struggle with an official who suggest that he takes a staged photograph of voters getting their election card – rather than allowing him in – is telling of a country where misinformation is widespread.

“I hope that an audience gets to see what it means to be a storyteller, to be seeking truth when people are putting barriers in front of you, to uphold your responsibility to your craft no matter what’s thrown your way and to seek beauty and justice through photography,” says Scarpelli, who was greatly inspired by how much humanity is bursting from each and every one of the protagonists’ images.

Frame by frame, these four photojournalists, as well as their colleagues, are building an indispensable visual history of these tumultuous times. “Afghanistan is in a very particular and uncertain place right now. Everyone is holding their breath,” says Scarpelli, echoing Hosseini’s worries, expressed in the documentary, that the world might forget Afghanistan again. Frame by frame, the movie reminds us why we should not.

Frame by Frame‘s international premieres is this week at Toronto’s Hot Docs film festival.

Laurence Butet-Roch is a freelance writer, photo editor and photographer based in Toronto, Canada. She is a member of the Boreal Collective.

TIME India

Afghan President Wants His Nation’s Cricketers to Play ‘Home’ Games in India

Ashraf Ghani Afghanistan President
Andrew Burton—2015 Getty Images Ashraf Ghani, President of Afghanistan, speaks at the Council On Foreign Relations on March 26, 2015 in New York City.

Afghanistan, a fledgling cricket nation, hopes for support from the sport's powerhouse

Ashraf Ghani’s visit to India next week, his first since becoming President of Afghanistan last year, has been highly anticipated for the many potential bilateral strides forward. While initiatives like a transnational road corridor will definitely be on the agenda, Ghani is hoping the visit will yield something even closer to his heart — a home ground for the national cricket team.

The Afghanistan Cricket Board has apparently been assured by the President that he will try his hardest to convince New Delhi to allocate an arena for the Afghan side to host matches, a representative for the board told Indian newspaper The Hindu.

“It will really help our players if India were to reserve a home ground for us,” said team manager Basheer Stanekzai. “Our players are good; they need exposure and facilities like camps.”

The growing enthusiasm for cricket in Afghanistan mirrors that of South Asian countries like India, Pakistan and Bangladesh, buoyed by the team’s rapid rise within the past decade. Afghanistan won its first World Cup match against Scotland earlier this year (along with the hearts of the cricket world) after qualifying for the 2015 edition of the sport’s marquee one-day event.

But the threat of violence in the war-torn nation deters international teams from visiting, and the Afghanistan side currently plays its home games at Sharjah in the UAE. The Indian government is already funding the construction of a stadium in the traditional Taliban stronghold of Kandahar, but Ghani will also be hoping for an open invite from India for his countrymen — at least as far as cricketers are concerned.

TIME Afghanistan

ISIS Claims Suicide Bombing in Afghanistan That Killed 35

Afghanistan
AP Afghan security forces members inspect the site of a suicide attack near a new Kabul Bank in Jalalabad, east of Kabul, Afghanistan, April, 18, 2015.

This is the first major ISIS attack in Afghanistan

At least 35 people died in a suicide bomb attack in eastern Afghanistan on Saturday morning, with the Islamic State of Iraq and Greater Syria (ISIS) claiming responsibility for what, if confirmed, would be the terrorist group’s first major attack in the country.

More than 100 people were wounded in the bombing outside a bank branch in Jalalabad in Afghanistan’s eastern Nangarhar province.

“Who claimed responsibility for horrific attack in Nangarhar today? The Taliban did not claim responsibility for the attack, Daesh [as ISIS is also known] claimed responsibility for the attack,” Afghanistan’s President Ashraf Ghani said during a visit to northeastern province of Badakhshan. He did not identify the source for the claim.

Separately, a militant group linked to ISIS reportedly released a picture of the alleged suicide bomber who struck the bank branch in Jalalabad as people queued up outside to collected their paychecks. The New York Times identified the branch as same one that was attacked in 2011. Responsibility for that bombing, which killed 38 people, was claimed by the Taliban.

A Taliban spokesman denied responsibly for the suicide attack on Saturday, telling Reuters: “It was an evil act. We strongly condemn it.”

If confirmed as an ISIS attack, Saturday’s suicide bombing would mark a significant expansion of the terrorist group’s activities from its base in the Middle East. The attack comes against the backdrop of a significantly reduced presence of foreign troops in the conflict-ridden nation as international forces exit Afghanistan. In March, President Obama announced a slowdown in the pace of withdrawal of U.S. troops in the country, saying America would maintain a nearly 10,000-strong force in Afghanistan through 2015.

The announcement was made during a visit to the U.S. by President Ghani, who, in a speech before a joint session of the U.S. Congress, warned of the “terrible threat” posed by ISIS to the “states of western and central Asia.”

“Terrorist movements whose goal is to destabilize every state in the region are looking for new bases of operation,” he said. “We’re the front line. But terrorists neither recognize boundaries [nor] require passports to spread their message of hate and discord. From the west, the Daesh is already sending advanced guards to southwestern Afghanistan.”

The suicide bombing was one of three explosions that shook Jalalabad on Saturday morning, including what was reported to be a controlled detonation after authorities discovered motorcycle rigged with explosives.

TIME Pakistan

Pakistan Could End Up Charging CIA Officials With Murder Over Drone Strikes

A landmark case may open the door for a possible multibillion-dollar class-action lawsuit launched by relatives of the alleged 960 civilian victims of U.S. drone strikes in Pakistan

A senior judge in Pakistan has ordered police to formally investigate former CIA agents for allegedly authorizing a 2009 drone strike.

If the case moves forward, it may subject the U.S. embassy in Islamabad to sensitive police investigations and even result in U.S. citizens for the first time being charged with murder for covert drone strikes in the South Asian nation.

Last Tuesday, the Islamabad High Court ordered police to open a criminal case against former CIA Islamabad Station Chief Jonathan Bank and ex-CIA legal counsel John A. Rizzo for murder, conspiracy, terrorism and waging war against Pakistan.

The complainant is Kareem Khan, whose son Zahin Ullah Khan and brother Asif Iqbal were killed in an alleged December 2009 CIA drone strike in the mountainous Waziristan region bordering Afghanistan.

The case was lauded as the “first of its kind for directly implicating and naming a CIA official” by University of Hull international legal expert Niaz Shah.

However, the Pakistani police appear unlikely to comply with the judge’s order, having already refused on two previous occasions. “[We] are appealing the case in the Supreme Court of Pakistan,” Islamabad police superintendent Mirvais Niaz told TIME on Wednesday, citing jurisdictional disputes.

Mirvais maintains that the local Waziristan authorities should investigate the incident as that’s where the deaths occurred; Khan, a journalist, argues that an Islamabad bench should try the case as that’s where he contends the decision to launch the strikes was made.

However, the case appears to rest on whether Pakistan’s political apparatus is willing to pursue a sensitive legal action that police say may imperil U.S.-Pakistan relations.

According to court documents seen by TIME, not only does Khan’s case implicate ex-CIA officials, it also calls for an investigation into the U.S. embassy in Islamabad, where Khan believes the drone strike was ordered.

“The Pakistani government has questions to answer about why they have fought the filing of this criminal complaint if they are indeed opposed to the drone strikes,” said Jennifer Gibson, an attorney with international legal aid charity Reprieve. “They’ve been fighting it in court at every level.”

Even if the investigation receives the green light, bringing ex-CIA officials to trial will be an onerous battle in Pakistan. Should Bank and Rizzo fail to appear, one recourse is the international police body Interpol, which can extradite former CIA officials to stand trial, says Mirza Shahzad Akbar, the Pakistani attorney leading case. However, cases against CIA officials seldom succeed, even when Interpol is invoked, for reasons of diplomatic sensitivity. (In 2005, Italy unsuccessfully forwarded a request to extradite CIA agents to Interpol, an action repeated by Germany in 2007 with a similar result.)

“It’s very difficult to get the CIA to come to court in Pakistan,” Akbar told TIME in March.

The CIA removed Bank from Pakistan after he received death threats following his public identification in Khan’s initial $500 million civil lawsuit in 2010. He became chief of Iran operations but was removed for creating a “hostile work environment” and now works in intelligence for the Pentagon, the Associated Press reports. Rizzo, who Khan alleges authorized the strike that killed his family members, worked in Pakistan as a CIA lawyer and has since retired. Both are currently living in the U.S. and appear unlikely to return to Pakistan to stand trial.

CIA spokesman Christopher White declined TIME’s request for a comment on the case involving Bank and Rizzo.

As the case moves ahead, some see it paving the way for a possible multibillion-dollar class-action suit against U.S. officials. The U.S. has carried out more than 400 covert drone strikes in Pakistan, with the most recent on Sunday, according to data from the Bureau of Investigative Journalism. Since 2004, drone strikes in Pakistan have allegedly killed up to 3,945 people, including some 960 civilians. The U.S. counterterrorism strategy in Pakistan focuses on drones to uproot the Taliban, al-Qaeda and other militants in Pakistan’s fractious tribal areas.

In 2013, the Peshawar High Court, whose rulings apply nationwide, declared U.S. drone strikes illegal in Pakistan and demanded compensation for civilian victims. Likewise, in April 2012, Pakistan’s Parliament issued a resolution that “no overt or covert operations inside Pakistan shall be permitted.” Neither the 2013 Peshawar court ruling nor the 2012 parliamentary resolution seems to have halted the U.S. drone campaign inside Pakistan.

Should the former CIA officials prove difficult to prosecute, civilians harmed by drones may pursue other legal channels. “The [drone victims] may also be able to sue the state of Pakistan for failing to protect them from harm caused by someone else. The state is responsible for protecting people and their lives,” said the academic Shah, who also serves as an advocate of the High Court in Pakistan.

Nonetheless, the political will to pursue drone-related litigation remains shaky in Pakistan, where many believe “tacit consent” allows U.S. drone operations to continue. In 2012, U.S. officials familiar with the drone program told the Wall Street Journal that Pakistan clears airspace and sends acknowledgment receipts after the CIA faxes upcoming drone-strike alerts to Pakistan’s intelligence agency, the ISI.

In an interview with TIME, Pakistan’s Foreign Ministry spokesperson Tasnim Aslam rejected the principle of tacit consent as a “rumor” and said Pakistan was continuing to pressure the U.S., both in private and public meetings, to end the drone program, given the success of its own counterterrorism operation in Waziristan, Operation Zarb-e-Azb.

“Drone operations without our permission are violating our sovereignty, and they result in collateral damage — killing off large numbers of innocent civilians — which creates more resentment,” she said.

Nevertheless, in the leaked 2013 Abbottabad Commission report, the former head of the ISI appeared to publicly acknowledge Pakistan signing off on U.S. drone strikes: “It was easier to say no to them in the beginning, but ‘now it was more difficult’ to do so,” said the ISI’s former director general Ahmed Shuja Pasha. The classified document reported that “The DG [director general] said there were no written agreements. There was a political understanding.”

The veracity of the report was confirmed by the Foreign Ministry, but suppressed inside Pakistan, prompting an inquiry into how information was leaked.

U.S. President Barack Obama has said that the U.S. operates drones with the cooperation of foreign governments, in part to protect strategic alliances. In a 2013 speech at the National Defense University, which remains the Administration’s most comprehensive and recent public statement on drone policy, Obama said “America cannot take [drone] strikes wherever we choose; our actions are bound by consultations with partners and respect for state sovereignty.”

Still, Pakistan’s Prime Minister Nawaz Sharif rebutted Obama’s speech a few months later, saying, “The government of Pakistan has made its position clear that drone strikes constituted a violation of Pakistan’s sovereignty, violative of international humanitarian laws, besides being counterproductive to our efforts for bringing peace and stability in Pakistan and the region.”

Ultimately, the Islamabad High Court’s action may reveal more details of how the drone program operates in Pakistan and which state agencies, if any, interface with U.S. officials in the decisionmaking process. Pakistan’s courts, increasingly powerful and independent, have emerged as an important arena to wrestle for these answers.

For Khan, who is still desperate to learn who ordered the death of his brother and son, culpability is less important than accountability.

“The Pakistani government owes it to Kareem Khan, and the many other civilian victims of U.S. drone strikes, to honor the judgment. Justice and an end to drone strikes are long overdue,” said Gibson, the Reprieve lawyer.

In a statement after the judge’s order last week, Khan said, “I sincerely hope that authorities now will do their job and proceed against the culprits.”

TIME Behind the Photos

The Story Behind the Haunting Photo of a Starving Afghan Boy

Gul Ahmad, an infant boy suffering from acute malnutrition, is covered by his mother's scarf while being treated in the therapeutic feeding centre ward at the Medecins Sans Frontieres (MSF) administered Boost Hospital in Lashkar Gah, the capial of Helamnd Province in southern Afghanistan. Malnutrition, according to MSF staff, is a chronic problem in Afghanistan. In most cases it is not malnutrition that sees children admitted to hospital but an illness that has been brought on by the child's inability to fight off infection because its body is so degraded of vital nutrients. In infants in Afghanistan, malnutrition is often the result of mothers feeding their baby's formula or even tea instead of breast milk. The reason for this is generally a lack of access to information and education for new mothers.
Andrew Quilty—Oculi Gul Ahmad, an infant boy suffering from acute malnutrition, is covered by his mother's scarf while being treated in the therapeutic feeding center ward at the Doctors Without Borders (MSF) administered Boost Hospital in Lashkar Gah, Helmand province, Afghanistan on April 6, 2015.

“This photograph is certainly hard to look at,” says photographer Andrew Quilty

Andrew Quilty’s photograph is hard to read at first. Under this sea of orange, we can barely distinguish a form: an infant Afghan boy, named Gul Ahmad, who suffers from acute malnutrition.

His mother has covered him with her orange scarf, protecting him from the heat and the dust of the place.

Gul’s story is just one among many. Each month, Doctors Without Borders (MSF) treats 250 malnourished children at its Boost Hospital in the Helmand province; and recent UNICEF research predicts that hundreds of thousands children will suffer from severe malnutrition this year in Afghanistan.

When Quilty, an Australian photographer based in Kabul, visited the hospital, he saw dozens of women attending to their sick children and grandchildren. “In Afghanistan, for a man, photographing women is highly frowned upon and so the moment you enter a ward the mothers and grandmothers will instinctively wrap themselves in their scarves and often face in another direction,” Quilty tells TIME. “As a photographer, you really have to focus on the child individually, and also be patient and wait until the mothers understand that you don’t want them to prop their children up, turn them over or wake them from sleep so you’re able to take the picture they think you want to take.”

When Quilty first noticed Gul, his mother’s first reaction was to take the orange scarf away. “In that sort of case I try to indicate that they don’t have to do anything differently,” he says. “You already feel very disruptive being in the ward as it is, so I suppose you try to do what you can to minimize that disruption.”

Quilty’s eerie image speaks of the dire conditions in a country that has gone through successive conflicts since the late 1980s. “This photograph is certainly one of, if not the only image of my own that I’ve really found hard to look at,” he says. “I suppose it has something to do with the fragility or the innocence of this boy. Perhaps it has something to do with the fact that he appears to be all alone as well as obviously physically vulnerable. I think the orange scarf also has—in an abstract way—the effect of making Gul appear as if he was still in utero—in the most innocent stage of life.”

The photograph also makes Quilty angry, he says, especially after hearing his own Prime Minister speak about the end of the war in Afghanistan meaning hope for a brighter future. “It’s like, we came and left a giant mess but we’re out now so we can wash our hands of it,” Quilty says. “In Helmand, the fighting is only getting worse.”

Andrew Quilty is an Australian photographer based in Kabul, Afghanistan.

Olivier Laurent is the editor of TIME LightBox. Follow him on Twitter and Instagram @olivierclaurent.

TIME Photojournalism Links

The 10 Best Photo Essays of the Month

A compilation of the 10 most interesting photo essays published online in March, as curated by Mikko Takkunen

This month’s Photojournalism Links collection highlights 10 excellent photo essays from across the world, including Matt Black‘s work from Guerrero state in Mexico. Black has documented impoverished indigenous communities in southern Mexico for years. This latest work captures communities affected by rampant crime and poverty, including the disappearance of the 43 students from a school in Iguala. The black-and-white photographs are extraordinary and the accompanying short-film, which includes a moving letter from a mother to his lost son, is definitely worth watching. The reporting was supported by a grant from the Pulitzer Center.

Matt Black: Guerrero and the Disappeared (The New Yorker Photo Booth) Watch “The Monster in the Mountains,” a short film based on Black’s work in Guerrero.

Adam Ferguson: The Deadly Global War for Sand (Wired) These stunning photographs document sand mining in India.

Lynsey Addario: India’s Insurgency (National Geographic) Addario’s pictures capture mineral-rich eastern Indian states, plagued by poverty and a continuing Maoist insurgency.

Josh Haner: The Ride of Their Lives (The New York Times) A fantastic year-long project that follows three generations of one rodeo-mad family | More on the Lens blog

Yuri Kozyrev: Cuba (TIME LightBox) TIME contract photographer’s beautiful work from the Cuban capital.

Mathias Depardon: Gold Rivers (TIME LightBox) Construction of the hydroelectric Ilisu Dam in Turkey threatens a cultural treasure.

Lynsey Addario: Afghan Policewomen Struggle Against Culture (The New York Times) A compelling series on Afghani women determined to make a difference.

Newsha Tavakolian: Stress and Hope in Tehran (The New York Times) These excellent portraits paired with insightful quotes give us a peek inside the minds of Iranians.

Eugene Richards: Lincoln (National Geographic) Richards’ photographs trail the assassinated president’s last journey home in 1865 and raise questions about his life and legacy.

Matteo Bastianelli: Young Syrian Refugee’s Journey Through Europe (MSNBC) The Italian photographer has documented a Syrian refugee’s life in Bulgaria and journey to Germany. | More on his agency’s website

TIME Afghanistan

Thousands Are Protesting in Afghanistan Over the Savage Lynching of a Young Woman

Her death is as a symbol of the injustice and violence faced by many, especially women, in the country

Large numbers of people took to the streets in the Afghan capital Kabul for a second day on Tuesday, protesting against the brutal death of a woman who was falsely accused of burning the Quran and killed by an enraged mob.

Men and women painted their faces red and carried banners bearing pictures of 27-year-old Farkhunda’s bloody face while chanting, “Justice for Farkhunda” and “Death to the killers,” reports the Associated Press.

Farkhunda, a religious scholar, was beaten and run over by a car before her lifeless body was burned and thrown into the Kabul River by a mob last Thursday.

She had been arguing with a local mullah about his practice of selling amulets to women at a shrine. During the argument, she was accused of burning the Muslim holy book and a crowd overheard and attacked her.

An official has confirmed that Farkhunda did not desecrate the Quran.

Demonstrators on Tuesday called for action against officials and religious leaders who initially said her death was justified.

A spokesperson for Kabul police, Hasmat Stanikzai, was fired over comments he made on social media supporting her killers.

According to AP, 28 people have so far been arrested and 13 police officers have been suspended over the incident.

Some demonstrators see Farkhunda’s death as a symbol of the injustice and violence faced by many people, especially women, in the country.

“She is an example of probably what has happened silently to many,” Amrullah Saleh, a political leader and former director of the state intelligence service, told AP. “She drew a line with her blood between those who want justice, rule of law, and those who are extreme in their views and who breed in lawlessness”

[AP]

TIME Foreign Policy

Obama Slows Troop Drawdown in Afghanistan

President Obama said the U.S. will keep about 10,000 troops in Afghanistan this year, as that country’s leaders had asked he slow the process of removing troops by 2017.

“This flexibility reflects a reinvigoration in our partnership with Afghanistan,” Obama said at a joint press conference with Afghan President Ashraf Ghani Tuesday.

Obama had previously said he wanted to draw down the remaining 9,800 troops to about half that number by the end of the year, with the goal of having between 1,000 and 1,500 in the country when he leaves office in 2017.

Ghani and Afghan Chief Executive Officer Abdullah Abdullah have spent the past two days in Washington meeting with high-level officials and expressing gratitude for the American government’s assistance as he seeks to assert control in the country. The Afghan leaders’ trip to the U.S. have marked a bit of a new way forward between the two countries. Secretary of Defense Ash Carter on Monday referred to the relationship as “revitalized.”

Ghani said the flexibility will allow the country to accelerate reforms to ensure its security forces are better trained and focused on their fundamental mission and to ensure that they “honor human rights.”

“Tragedy brought us together, interests now unite us,” Ghani said at the press conference.

Obama noted that slowing the drawdown means more Americans will remain in Afghanistan who would have come home, but he stressed that the overall goal of returning most troops by 2017 hasn’t changed.

“Providing this additional timeframe,” he said, “… is well worth it.”

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