At first glance, Katy Perry’s latest music video, the Egypt-themed fantasy “Dark Horse,” seems to bear little resemblance to actual Egyptian history — but you might want to look twice. The clip’s director says there’s good reason for the Egyptian references, and prominent Egyptologists say that reason is good enough for them.
“[Perry] said that there’s actually a place in Egypt called Memphis, and she thought it was so interesting that Juicy J is from Memphis, Tenn.,” explains director Mathew Cullen. “She basically came to me and said, ‘I want to do something Egyptian and I want to combine it with Memphis hip-hop.’ That’s music to my ears — when an artist has a couple concepts that they want to mash up to create something fresh.”
Cullen says that while there was no on-site Egyptologist involved in the Los Angeles video shoot, they researched the period online to better “respect the symbolism” while having fun. Though Perry has been criticized for appropriating the symbols and images of other cultures — and has been under attack for “Dark Horse” for the same reasons — Cullen says he believes that while it’s dangerous to rip things directly from modern cultures without adding anything to them, ancient Egypt is part of what he calls our “shared collective mythology.”
“We’re only here because we build on the stories of every human being since the beginning of mankind,” he says. “The most important thing is that when you create something, and this is actually something Katy and I worked to do — you bring a new spin to it.”
And as it so happens, Perry and Cullen (who also directed the “California Gurls” video) did a pretty good job building on those stories.
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Full disclosure: when I called up some Egyptologists to ask them about Katy Perry, I was fully expecting them to trash the video. The inaccuracies in her similarly-themed performance of the song at the Brits have already been pointed out, and fans who are sticklers for history were turned off the video. But the reality was very different.
“I find this really very wonderful, but I’m willing to bend my formal standards,” says Robert K. Ritner, Professor of Egyptology at the University of Chicago. “Whoever put this together actually knew something about the myth of Cleopatra. There are a number of features in here that I could use in class.”
Here are some of those points that get a hearty thumbs up, courtesy of Ritner and David P. Silverman, Professor of Egyptology at the University of Pennsylvania and Curator of Penn Museum’s Egyptian Section:
And even the parts that aren’t accurate at all — the Twinkies, for example — aren’t problematic. If Katy Perry fans do a little research about Ancient Egypt, they’ll follow a long line of people whose interest was sparked by Egypt-inspired pop-culture — from Boris Karloff’s mummy to Brendan Fraser’s, and from Betty Boop’s Cleopatra to Elizabeth Taylor’s.
“[Egypt has] always been a part of popular culture,” says Silverman. “It encourages people to think of these things, and some of those people actually begin to learn a lot.”
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Write to Lily Rothman at lily.rothman@time.com