Finding Dory Is Already Breaking Box Office Records

Pixar and Disney’s animated sequel Finding Dory swam to a huge $9.2 million in Thursday previews as the film about the lovable, forgetful fish heads to a strong domestic debut north of $100 million. This weekend’s other new offering, comedy Central Intelligence, kicked things off with $1.8 million in previews.

It’s a new record for an animated film opening night, putting Dory ahead of the previous biggest animated starts from Minions ($6.2 million), Despicable Me 2 ($4 million), Toy Story 3 ($4.0 million) and Inside Out ($3.7 million).

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Landing in theaters more than a decade after after Finding Nemo, Finding Dory could hit as high as $120 million in North America, marking an all-time best for Pixar in topping the $110.3 million debut of Toy Story 3 in summer 2010, not accounting for inflation. (Toy Story 3 earned $4.1 million in Thursday night previews six years ago).

Finding Dory, directed by Andrew Stanton and Angus MacLane, sees Ellen DeGeneres returning to voice the title role of Dory, while Finding Nemo‘s Albert Brooks returns to voice Marlin. This time out, Hayden Rolence voices the character Nemo.

The story centers on Dory this time around, and her attempts to reunite with her family even as she battles an endless cycle of amnesia. Accompanied by Nemo and Marlin, Dory arrives at the Monterey Marine Life Institute, where she engages with new friends, including a white beluga whale named Destiny (Ty Burrell), a white shark (Kaitlin Olson) and a cranky octopus (Ed O’Neill).

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Central Intelligence, which stars Dwayne Johnson and Kevin Hart, is tracking to earn in the $30 million range. The film, directed by Rawson Marshall Thurber, follows a CIA agent (Johnson), a one-time teenage geek returning home for his high-school reunion, who enlists his former classmate (Hart) to help him complete a mission. Amy Ryan and Aaron Paul co-star.

New Line, Warner Bros. and Universal teamed on Central Intelligence, which cost roughly $50 million to produce.

This article originally appeared on The Hollywood Reporter.