When Wynton Marsalis was 24, he spent a year listening to Billie Holiday. “I listened to every record I could find of hers,” he says, “and every day I only listened to her.” One might expect a young Marsalis to spend a year with Louis Armstrong or Dizzy Gillespie, musicians who excelled on the trumpet, which he plays. But Holiday’s own instrument, her voice, contains multitudes — lessons on rhythm, phrasing and sophistication that any student of jazz would do well to study.
Marsalis spoke with LIFE to commemorate the hundredth anniversary of Holiday’s birth on April 7, 1915. In the video above, he discusses her rhythmic sensibility, why it’s a mistake to attribute the quality of her voice to the hardship of her life and how she came to be recognized as one of the greatest voices in the history of jazz.
Jazz at Lincoln Center’s Billie Holiday Festival takes place on April 9-12. Go to www.jazz.org for event and live webcast information.
More Must-Reads from TIME
- L.A. Fires Show Reality of 1.5°C of Warming
- Home Losses From L.A. Fires Hasten ‘An Uninsurable Future’
- The Women Refusing to Participate in Trump’s Economy
- Bad Bunny On Heartbreak and New Album
- How to Dress Warmly for Cold Weather
- We’re Lucky to Have Been Alive in the Age of David Lynch
- The Motivational Trick That Makes You Exercise Harder
- Column: No One Won The War in Gaza
Write to Arpita Aneja at arpita.aneja@time.com and Eliza Berman at eliza.berman@time.com