Why 2014 Was the Year Sex Got Real in Video Games

4 minute read

What can last year’s mainstream video games tell us about the state of sex in gaming? Attempts to grapple with sex maturely in gaming remain elusive—though there were some standouts in 2014.

Cable and even old-fashioned broadcast TV now feature explicit sex routinely, whereas games, on balance, offer cruder visions of humans in erotic scenarios. In part, the industry’s hands are tied by technological limitations that can make graphic sex feel clumsy or inhuman.

Worse, games are still judged by double standards. A BDSM-explicit “erotic romance” like E.L. James’ novel 50 Shades of Grey or the rape scene in an episode of HBO’s Game of Thrones provoke at best passing social media chatter. By comparison, the option—that it’s a choice and an inessential side activity are crucial distinctions—to follow implied sex with violence in a series like Grand Theft Auto leads to widespread outrage, not to mention sending legislators scrambling to introduce censorial bills. Consider the row that erupted in 2005 when someone unearthed a crude sex-related mini-game in Rockstar’s Grand Theft Auto: San Andreas, the presumption being that mere exposure to these things in a game (as opposed to a film or movie) somehow guarantees bad behavior.

On the other hand, agency in games gives players broader authorial control over their experience. One’s behavior in a roleplaying game, for instance, can modestly or substantially alter the evolution of a romantic journey that might culminate in scenes of physical intimacy. A player can spend dozens of hours with a relationship-driven game, examining (if the game supports it) the ramifications of choices for both the gameplay and story, perhaps exploring romance-related avenues that broaden appreciation of the game’s characters or plot dilemmas. The payoff might be the act itself, a typically non-interactive sequence in which lovers are depicted doing what lovers do. Or it could simply be the sense of having explored an optional storyline that didn’t relegate sex to a tawdry stereotype or crass objectification.

Here’s a closer look at sex in games last year:

Dragon Age: Inquisition

BioWare’s been at the fore of grappling with mature sexual themes in its roleplaying games for years, challenging cultural assumptions about sex both in and outside gaming. Dragon Age: Inquisition continues that tradition, allowing players to pursue friendships that can morph into romantic relationships with its cast of secondaries, be they male or female, human or not. The sexual choreography itself still feels awkward (again, technological limitations: when the act ensues, it’s a little like watching marionettes couple), but writer David Gaider raised the bar by including what he describes as the “the first fully gay character” he’s written. (You could have same-sex relationships in BioWare’s Mass Effect, but the characters were apparently bisexual.)

See The 15 Best Video Game Graphics of 2014

Call of Duty: Advanced Warfare
Call of Duty: Advanced Warfare. Activision's futuristic first-person shooter in which players take on a rogue private military company uses a brand new engine built specifically for PCs and new-gen consoles to handle its cutting-edge lighting, animation and physics. Sledgehammer Games/Activision
Far Cry 4
Far Cry 4. This pulled back shot of fictional Himalayan region Kyrat is in-game, believe it or not, rendered with an overhauled version of the engine Ubisoft used to design Far Cry 3. Ubisoft
The Last of Us Remastered
The Last of Us: Remastered. Naughty Dog's meditation on the worst (and best) of humanity is built on technology that reaches back through the studio's pulp-adventure Uncharted series. The graphics are so impressive, TIME recently assigned a conflict photographer to photograph inside the game.Ashley Gilbertson for TIME
Alien: Isolation
Alien: Isolation Built from scratch, the Alien: Isolation engine's outstanding deep space visuals all but replicate the set design of Alien film concept artists H.R. Giger and Ron Cobb's work. The Creative Assembly
Assassin's Creed Unity
Assassin's Creed Unity. Ubisoft says it "basically remade the whole rendering engine" in its AnvilNext design tool to handle the studio's meticulous recreation of Paris during the French Revolution. Ubisoft
Child of Light
Child of Light Inspired by filmmakers like Hayao Miyazaki and artist Yoshitaka Amano, Child of Light's hand-drawn artwork puts the lie to presumptions that graphical richness depends on shader support or polygon counts. Ubisoft
Destiny
Destiny Built from scratch by ex-Halo studio Bungie, Destiny's game engine was designed to scale across the next decade, says the studio. Bungie
Mario Kart 8
Mario Kart 8 Nintendo's kart-racer for Wii U reminds us that raw horsepower is just a facet of crafting a beautiful game world. Nintendo
Infamous Second Son
Infamous Second Son Sucker Punch's freeform Seattle-based superhero adventure models all sorts of minutia, from the intricate wrinkling of an aged character's face to the way eyelids stick, slightly, before separating when characters blink. Sucker Punch Productions
Monument Valley
Monument Valley Escher-like at first glance, Ustwo's mind-bending puzzler was also inspired by posters, bonsai plants, arabic calligraphy and filmmaker Tarsem Singh's The Fall. Ustwo
Grand Theft Auto V
Grand Theft Auto V Rockstar's remastered crime spree opus was crafted from an in-house engine first employed in a game that simulated table tennis. Rockstar
Titanfall
TitanfallRespawn Entertainment
Forza Horizon 2
Forza Horizon 2 Turn 10's Euro-racer actually models light refracted through drops of moisture, the render tech plausibly simulating something as intangible but essential as the earth’s atmosphere. Microsoft Studios/Turn 10 Studios
80 Days
80 Days Inkle's anti-colonialist vamp on Jules Verne's famous novel uses crisp art deco imagery inspired by travel posters to unfurl 80 Days' tale of intrepid globetrotters Monsieur Fogg and his valet Passepartout. Inkle
Tomb Raider: Definitive Edition
Tomb Raider Crystal Dynamics' radical reboot of its popular series about an athletic archaeologist uses a modified version of the engine that powered Tomb Raider: Legend in 2006. Square Enix

Wolfenstein: The New Order

You’d expect a sequel to a series of all but plotless games mostly about shooting Nazis to treat sex cheaply, but Wolfenstein: The New Order‘s two sexual liaisons (render and animation limitations notwithstanding) wouldn’t be out of place in a film or television show. The New Order‘s story won’t win any Emmys, but the sex scenes feel more like intimacy variables plugged into broader character-development exercises than mere titillation. And, who would’ve thought a Wolfenstein game could be as much about character-building as enemy-butchering?

Grand Theft Auto V

Sometimes humans behave very badly, and sometimes holding up mirrors involves guileful irreverence. (As Emily Dickinson wrote, “Tell all the truth, but tell it slant.”) That, it seems, to me anyway, is Rockstar’s point throughout Grand Theft Auto V. You can argue the studio’s overplayed that hand, that the point is made crudely, and that making the same point game after game moves too freely between expressive and exploitive. There’s room for debate here.

But sex in Grand Theft Auto V—often raucous, violent and ridiculous—is hardly a celebration of bad behavior. This is a game that views both women and men through a lens absurdly. I tend to hold with Take-Two Interactive CEO Strauss Zelnick when, responding to a question about sexual violence in the game, he said: “Look, this is a criminal setting. It’s a gritty underworld. It is art. And I—I embrace that art, and it’s beautiful art, but it is gritty.”

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Write to Matt Peckham at matt.peckham@time.com