Smyth Tribeca
New York, NY

Smyth Tribeca is a chic home base in the heart of Tribeca designed to complement its downtown location. It offers a sophisticated and comfortable dwelling for guests, where modern architecture, art, and culinary experiences merge to form an exceptional urban atmosphere. The well-furnished guest rooms are a study in elegant simplicity, with luxe touches like marble bathrooms, rainfall showers, and floor-to-ceiling windows that provide guests with captivating downtown vistas. Onsite dining offering Smyth Tavern, an ode to New York supper clubs, showcases a revolving selection of art pieces from nearby galleries. Galerie Bar is the perfect place to finish off your day with an elevated cocktail and light bites enjoyed by the lounge’s cozy fireplace.

Boris Chaliapin
The Sep. 7, 1953, cover of TIME

“Audrey Hepburn fits none of the clichés and none of the clichés fit her. Even hard-boiled Hollywood personages who have seen new dames come & go are hard put to find words to describe Audrey. Tough Guy Humphrey Bogart calls her ‘elfin’ and ‘birdlike.’ Director John Huston frankly moons: ‘Those thin gams, those thin arms and that wonderful face…’ Director Billy Wilder, who is slated to direct Audrey’s second picture (Sabrina Fair), contents himself with a prophecy: ‘This girl, singlehanded, may make bosoms a thing of the past.’”

MILTON GLASER
The Sep. 7, 1970, cover of TIME

“The strain became too great, and after seven years together, the two separated. ‘Marriage to Barbra was a fantastic experience,’ says Gould. ‘It had a lot of chocolate souffle and things like that, but it was also like a bath of lava.’ Says Barbra: ‘It must have been very difficult for him. Marriages between people who are self-involved is hard. It’s safer for actors not to be married to one another.’ Gould’s surge of success followed closely upon his separation from Barbra, and analysis has also seemed to add to his self-confidence. ‘It wasn’t until the day before yesterday that I stopped being a tortured individual,’ he says.”

FRANCESCO SCAVULLO
The Sep. 7, 1981, cover of TIME

“‘For a while there it was either me or the Ayatullah on the covers of national magazines,’ she says with no pleasure. ‘It was excessive hype.’ Of course, the line between excessive hype and just the right amount of hype is difficult to draw in show business. But the excitement Streep stirs whenever she appears on a screen or a stage has nothing to do with puffery. It is a real, if sometimes clumsily expressed, response to an artist of rare skill and presence.”