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# Behind the Cover Photo: Evading Police, Capturing a Spirit

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<!-- video src="https://cdn.jwplayer.com/manifests/Q0chkgdo.m3u8" -->
## Video: Behind the Cover Photo: Evading Police, Capturing a Spirit

[Watch (HLS stream): Behind the Cover Photo: Evading Police, Capturing a Spirit](https://cdn.jwplayer.com/manifests/Q0chkgdo.m3u8) (6:01)

![Behind the Cover Photo: Evading Police, Capturing a Spirit](https://cdn.jwplayer.com/v2/media/Q0chkgdo/poster.jpg?width=720)

_Published 2010-12-29. Renowned photographer Platon talks about evading the Burmese secret police to make a portrait of Aung San Suu Kyi_


---

Jul 27, 2023 3:08 PM UTC

---

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### Aung San Suu Kyi Nobel Peace Prize Speech

---


## Transcript

You know, I'm used to the media. I know what works. I know what sells. I have been doing covers for 20 years. And I am not a photojournalist you know. I am a portrait photographer you know. I know how to create a visual logo that will resonate with people. I have never experienced this. I have never been through this kind of a crazy trip. It was like a beautiful dream and living nightmare, all mixed up at the same time. As soon as we arrived at the hotel, and I got a call from the front desk, and they said, Mr. Platon, Miss H. is here to see you. Miss H .? It has gotta be Hannah, the writer. I am used to greeting people Hi.

How are you doing? You know, this is the world I operate. As she walked in, tension walked in with her. She said we have to go to the NLD Offices, Aung San Suu Kyi's offices to negotiate a portrait. We got our driver to drop us off a hotel down the road from the NLD offices. We stopped at a shop to buy a hat to cover our faces, and Miss H. said you must never allow anybody to see or photograph your face because once they have done that, they could trace you. We march into the offices. We were ushered upstairs and we sat opposite sort of a middle- aged man, and he was the gatekeeper. And he looked at the schedule and it was jampacked, and he kept saying, " You have no appointment.

You have no appointment ." So I grabbed this guy's hands, both of them across his desk and looked into his eyes and I said, " Look, you have got to help me because I can't do this on my own. And we have come a long way for this, and I know she is busy, and I know we have no appointment. But you can't make an appointment for this kind of thing. You've just got to help me man ." So he looks through his pages again and he said, maybe tomorrow you will be lucky, maybe. So we left, hats on, sunglasses on, marching down the street, trying to rendezvous with Miss H. 's driver, and then she gets a call on her mobile and she goes what?

Are you sure? Oh my God, oh my God! Okay, I will talk to you later. She hangs up. She says don't look up. Keep your heads down, but we are being followed. They are on to us. So the chase begins. There was a young taxi driver just waiting there. We jumped in the car and said, " Drive man. Drive. Drive like hell ." As this was young driver was driving like this, he put his hand in the glove compartment, and he pulled out a picture that was laminated of Aung San Suu Kyi, and he said mother, mother, he said. I will help you. All the police jumped into their cars and started following us. This car chase went on for like two or three hours, and we were driving like 90 miles an hour down highways, driving through markets, knocking over stalls.

We were doing U- turns. The car was swinging from side to side, cutting across five lanes of traffic. Eventually, we lost them. The next morning, we woke, and all headed straight for the NLD offices. She walks in. She is beautiful. She is elegant. She says " I am so sorry I kept you waiting. I am so sorry it is so hot in here ." It was about 95 degrees in this room. There is a point where I said to her, " alright, I need your help now. And you are going to have to open up to me in a way that you have never opened up to anyone before ." And I said, " Just let it all go and show me your spirit because that is what I have really come to photograph ," and something happened.

It was just beautiful. I felt it. My assistant felt it. Hannah felt it. And so did mother. We wrapped the shoot. We packed our gear, and it was a weird moment of great satisfaction and accomplishment that we've got the shot, but it was an incredible moment of anxiety that even though we have come this far, we could still be detained and who knows what could happen. We had a decoy film packed in every single bag so that if we were arrested or detained, or as Miss H. says, compromised, that they would take that first hopefully. We headed straight for the airport. I was going through security with film stashed in my socks, man.

It was like I was sweating. I was terrified that I would be arrested even at the point of security. The doors closed on the plane, the plane took off, and we made it. I thought as we got on the flight, this is an image for freedom. This is an image for humanity. This is someone who is changing the world, and has made a huge sacrifice to do it. And she has something. She has a spirit. She has a quality that can inspire people to be better, to make a difference. It is something that is more than a personal power. I am photographing something that is changing history for the better.

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