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# 10 Questions for J.J. Abrams

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## Video: 10 Questions for J.J. Abrams

[Watch (HLS stream): 10 Questions for J.J. Abrams](https://cdn.jwplayer.com/manifests/NrAlzm24.m3u8) (6:56)

![10 Questions for J.J. Abrams](https://cdn.jwplayer.com/v2/media/NrAlzm24/poster.jpg?width=720)

_Published 2009-05-07. J.J. Abrams has done it all: writing, producing and directing for television and movies.  He answers reader questions here_


---

Jul 27, 2023 1:09 PM UTC

---

## More From This Series

[All Videos](https://time.com/video/)

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### Sara Bareilles & J.J. Abrams | TIME 100 Talks

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### Star Wars The Force Awakens - Official TV spot #13 (2015) J.J. Abrams

[Late Night Highlight: J.J. Abrams Reveals The First Word Spoken In ‘The Force Awakens’](/video/EGPtYX7Y/)

### Late Night Highlight: J.J. Abrams Reveals The First Word Spoken In ‘The Force Awakens’

---


## Transcript

>> Hi, I'm Gilbert Cruz for Time. com. And I'm here with J. J. Abrams, creator of the hit show, " Lost" and director of Star Trek, the reboot that is coming out this Friday. Thank you for being with us JJ.

>> Thanks, man.

>> Our first question is from Oscar Trevino, from Austin, Texas and Oscar asked, " How much of Gene Roddenberry philosophy are you keeping in the film and how much did you have to update or changed ?"

>> I think the beauty of what Gene Roddenberry created now, you know, coaching half century ago is the optimism and that sense of diversity, people of different cultures and religions and even, you know, species working together. And to me, that was the thing that was the most exciting. The idea of the main structure was to embrace the spirit of what he created and to try and update it and what was amazing was how little we need to update. We just need to embrace it.

>> Do you think there will be a time when you'll be able to, you know, create your own idea for the big screen, write your own script instead of working on a franchise?

>> I never expected to that the first thing I would direct would be based on a television series, it will be a sequel to a series of films based on TV show. When Tom Cruise gave me the opportunity to direct that movie, it was, you know, the most surreal, amazing, [ unk ] moment. I cannot believe he asked me to direct that film. It doesn't make sense to me like this still to me is like, " What? How did I do that movie ?" So, I got to direct a movie that you know was a genre I adore, starred someone who is, you know, biggest actor in the world and the nicest guy ever. I got to work with the greatest crew ever.

It was like the dream situation. So, I did that movie for many, many, many reasons not necessarily because it was based on a, you know, TV show or, you know, and I thought, " Wow, I've gotten that chance. You know, I'm so grateful and now I find some [ unk ] thing to do. And I was working on Star Trek as the producer and I was never a fan of Star Trek to begin with, but when I finally read the script that we've been developing, I thought, " Oh, my God. This movie got great characters, amazing action. It's incredibly emotional. It's got a great optimism-- I was referring to you ." It's got, you know, spectacle and intimacy and all the thing that I loved and I thought, " Well, this is nuts.

If I don't do this movie, I'm gonna regret it ." Having said that, I am very much looking forward to doing in the futures where I've done in TV which is write and direct something that's an original.

>> Michael Bradburn, a man from Toronto wanted to know, " Did you have a favorite series going up? Why were you not a Star Trek fan ?"

>> The show that I love more than anything was the Twilight Zone and that for me, you know, every episode was just as amazing, you know, mind- expanding trip. And part of it is that the Twilight Zone was literally would start every episode with, you know, a version of, you know, meat so and so. Like literally, Rod Serling would say, you know, " Meet this character ," and he would introduce you to this character and you'd find a way in and where it would connect with any number of characters often broken, people who have struggled in some weird way. And then something extraordinary would happen to them over the course of the story and that to me was literally the very thing that was missing in structure.

I never knew how to meet the characters. I was always there to thrust into a World- War like there was a captain there was a first officer, you know, all these characters that you were assumed to care about and follow and feel for and I just felt like it was harder for me to connect with them for some reason. But the Twilight Zone for me, what Rob Serling did was, you know, just the best of the bunch.

>> Have you been able to develop your own visual style yet, a JJ Abram's touch that is recognizable?

>> No, I have no style. Honestly, I have no-- I mean, when I got the job from Mission Impossible, I realized I was following two directors who are incredibly stylized. You know, Brian de Palma and John Woo. And other two directors that, you know, each of them have a very specific indistinct style. And I knew that I had none. And I saw that they would direct a clear style, do I like invent some-- that stupid. I could do-- you know, I couldn't think of something that will, you know, like white doves, John Woo, like how he had that. I don't know what to do. So, I thought well, you know, instead of trying to create something and impose it upon the movie, the master I need to serve is the story.

Like I needed to do what the story requires and just focus on that and start looking at it from the outside in because that to me was where I'm getting stuck. The one thing I did in Star Trek and some people might think it went insane was putting these lens slayers and I really wanted to feel like the future was so bright, it couldn't be contained. That's the closest thing I can think I could point to as a style, but otherwise it's just a story.

>> Do you enjoy any one of those roles more than other producing, writing, directing?

>> When I go to the set of the movie, I love every job. I like to look around and see what everyone is doing and think I would do that if they would let me. So, I'm happy to do any of it. Directing is sort of is the most social, the most exciting for me and the one I can kind of feel most comfortable doing, but it doesn't, you know, I guess it's my favorite role, but I would do visual effects if they would let me. I would do music if they would let me. Editing is amazing, make- up effects, I mean, it's like all that is cool for me. I mean, there are people who are insanely successful who do one thing really well and some of them I wished I did that.

'Cause I do feel that I sort of double in everything and have fostered nothing, but the doubling is part of the fun for me.

>> Martin Peterson from Schleswig, Germany asked, " Your television series are-- do not appear to be about agents or mysterious islands or mad scientists, but about dysfunctional families. Why is that ?"

>> Well, I think that especially in television, the more that you're telling a story about a family, I think the better the show ends u being. And the family can be, you know, a group of friends. The [ unk ] can be literally a family. The family can be members of the Starship, you know, it can be anything you want. But there is that kind of paradigm of the family that I think in television works very well whether it begins in a house or hospital, so, you know, with the characters in either, you know, Felicity or Alias or Lost or Friends, these are families that, you know, may not literally be related but sometimes are and it's about their dynamic and how it plays out.

So, you're looking at archetypal characters usually and how they connect to each other and what those stories are and through doing that, two things happen. One, it's relatable and secondly it lasts you a long- term storytelling because you're not just telling a story of the case of the week, you're also telling a story about relationships and character evolution and, you know, where and how characters grow. So, usually that dynamic is incredibly important.

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