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# Speaking _Up_: How to Be a Cartoon Voice

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<!-- video src="https://cdn.jwplayer.com/manifests/CNLB6TCP.m3u8" -->
## Video: Speaking <i>Up</i>: How to Be a Cartoon Voice

[Watch (HLS stream): Speaking <i>Up</i>: How to Be a Cartoon Voice](https://cdn.jwplayer.com/manifests/CNLB6TCP.m3u8) (6:05)

![Speaking <i>Up</i>: How to Be a Cartoon Voice](https://cdn.jwplayer.com/v2/media/CNLB6TCP/poster.jpg?width=720)

_Published 2009-05-29. John Ratzenberger—who appears in Pixar's 'Up' and all nine of the studio's other movies—teaches Rebecca Keegan the tricks to voicing animated films_


---

Jul 27, 2023 1:10 PM UTC

---

## More From This Series

[All Videos](https://time.com/video/)

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### Airbnb Lists Replica of Pixar’s Balloon 'Up' House

[Pixar's 5 Biggest Cash Cows](/video/ULnrf3sH/)

### Pixar's 5 Biggest Cash Cows

[World Premiere\! Pixar's 'Inside Out' Trailer 2](/video/QRsX9PpE/)

### World Premiere! Pixar's 'Inside Out' Trailer 2

---


## Transcript

>> Today, John Ratzenberger teaches me how to find my cartoon voice.

>> Uh, no. Yes. Tell your boss over there that you boys are ruining our house. I'm Rebecca Keegan and I used to be the Hollywood correspondent for Time magazine. Sweet gig, right? Well, when the economy nosedived, I became a full- time freelancer and now, I'm pounding the pavement, working my movie industry contacts to try and get a job in Hollywood. Most people know him as Cliff Clavin, the know- it- all barfly from Cheers. But John Ratzenberger has another unique claim. He's the only actor to voice a role in all 10 of Pixar's movies. John has played a piggy bank, a flee, an abominable snowman, a school of fish, a tractor- trailer, a waiter, a kinda slothy guy in the future, and in Up, a construction foreman.

>> Hey, good morning Mr. Fredricksen. Need any help there?

>> Up is the story of a 78- year- old balloon salesman named Carl Fredricksen voiced by Ed Asner.

>> Oh, for the love of-

>> Carl's house is surrounded by a construction site overseen by John Ratzenberger's good- natured foreman, Tom.

>> Well, just to let you know, my boss would be happy to take this whole place off your hands and for double his last offer.

>> Fulfilling a life- long dream, Carl ties a bunch of balloons to his house and flies away to South America.

>> So long, boys.

>> I'm hoping John will teach me the tricks of the voice actor trade so maybe someday soon, I can voice a piggy bank or a slothy guy or something. I hear that Pixar kinda considers you their lucky charm.

>> Yeah, it's-

>> They cast you in every movie.

>> Some- I'm right there with you. Equivalent of a rabbit's foot.

>> It's not just luck. John has the skills. -" You doin' all right -?" " Hey, Jimmy. Put my boot in my hay ." " A'right, you're yank, are ye ?"

>> This guy can find a voice in anything. Even inanimate objects.

>> If you animated these 2 objects, they'd be 2 different voices.

>> Right.

>> So, like, " Hey, how ya doing ?" " Oh, it's good to see you. Are there any books that- can you sell me a book ?" You know, " Hey, baby ," you know, " slow down ," you know. So, you've got 2 different personalities.

>> Before I get to tackle a Pixar character, John gives me a more basic assignment; creating a voice for a stuffed animal. What do you do once you look at it and you are trying to come up with its sound?

>> Well, that expression, " the eyes are the window to the soul ?"

>> Uh huh.

>> What do her eyes tell you?

>> Well, she looks sort of sweet and content and like a happy little-

>> She looks very happy.

>> Yeah.

>> And energetic.

>> Uh huh.

>> And earnest.

>> Uh huh, yeah.

>> So, there's-

>> She's not- she's not snooty or- yeah.

>> That's- So, try putting that in your voice. Let's just say a line. You know, " Mommy, can I have some orange juice ?" Okay? You're a little puppet. I want you to stand over there-

>> Okay. " Mommy, I just left the mall and I want some orange juice. Please ?" I don't know why she had-

>> That's great.

>> to say mall. She's from Long Island.

>> Yeah. But that's- See, that's perfect.

>> Well, that's kind of fun, actually.

>> Yeah.

>> Now, I'm ready for the real deal. Voicing Ed Asner's old man character in Up opposite John as the construction foreman.

>> Remember, it's the eyes being the window into the soul.

>> Right.

>> So-

>> All right. Here we go. This will be take 1.

>> See, I can't hear anything.

>> Now-

>> Okay, here we go.

>> I have one more question.

>> Sure.

>> My throat's starting to hurt.

>> Uh huh.

>> Does that happen to you?

>> No.

>> No?

>> Why is your throat hurting? Because you're- Is that why you're-

>> I think 'cause I'm trying to sound like an old man and it's-

>> Well-

>> like right here.

>> The more you do it, the less it'll hurt.

>> Really?

>> It's like any other muscle. The more you do it, the muscle- it recognizes that, " Okay, this is part of the deal now ."

>> Old man voice done.

>> That's right.

>> Just bring it.

>> Uh huh.

>> All right.

>> Hey, g'morning Mr. Fredricksen. Need any help there?

>> Uh, no. Yes. Tell your boss over there that you boys are ruining our house.

>> Well, just to let you know, my boss would be happy to take this whole place off your hands and for double his last offer. What do you say to that?

>> Next, it's time for playback where the recording engineer syncs our performance to the real animation in the film.

>> Hey, g'morning Mr. Fredricksen. Need any help there?

>> Uh, no. Yes. Tell your boss over there that you boys are ruining our house.

>> Well, just to let you know, my boss would be happy to take this whole place off your hands and for double his last offer. What do you say to that?

>> There we were. That was us. Since I'm not a beloved character from one of the most popular sitcoms of all time, I asked John for some more attainable ways to get started in the biz.

>> This is a business like any other business; you want to find someone who's got an entrée into that business. It's usually an agent-

>> Uh huh.

>> because that's what they do and then make yourself a tape.

>> Uh huh.

>> And the tape should be- do different voices. Do an old man, do a baby, do your version of what a dog is or kitty.

>> And what about things that have more to do with sort of growing as a- as an actor or an artist or, you know, being able to have the background that you do to-

>> Uh huh.

>> to put some character in a character? Is there anything you can do to learn that?

>> Uh huh. Read.

>> Read?

>> Read as much as you can. Read good books. The classics are the classics for a reason.

>> Uh huh. Inspired by John's advice, I get to work in my home studio on my cartoon voice demo tape. I am a leprechaun. Like a leprechaun. Hey. Huh? Mama. Eew. Hey ya, hippie. Ah- Oh, yeah. Up opens May 29th.

>> Hey, how ya doin' lad? Well, come on in here. So, you're American are ya?

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