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# 10 Questions for Smokey Robinson

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<!-- video src="https://cdn.jwplayer.com/manifests/CHoz1imh.m3u8" -->
## Video: 10 Questions for Smokey Robinson

[Watch (HLS stream): 10 Questions for Smokey Robinson](https://cdn.jwplayer.com/manifests/CHoz1imh.m3u8) (6:25)

![10 Questions for Smokey Robinson](https://cdn.jwplayer.com/v2/media/CHoz1imh/poster.jpg?width=720)

_Published 2009-01-23. As Motown celebrates its 50th anniversary, Robinson looks back at his time at Hitsville, U.S.A.  He answers reader questions here_


---

Jul 27, 2023 1:05 PM UTC

---

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---


## Transcript

>> Hi. I'm Alison Stateman, and this is Ten Question for Time. I'm here with Smokey Robinson on the fiftieth anniversary of Motown Records. Thank you so much for being here.

>> Thank you, Alison. It's a pleasure.

>> I never get tired of hearing them, but you ever get tired of singing your songs?

>> I tell people all the time I never ever do a show for people. I do a show with people. We go, we have a party, we have a great time. It's fun. I'm working, but I'm having fun. So I have sung some of those songs thousands of times, and every single song to every night, they are all brand new to me every time. I'd never gotten to the point where I say, " Oh, I gotta hurry up and sing this 'cause I'm bored with this song ." Don't have like that for me. So no, I have never gotten tired of singing any of them.

>> Merrill Martin in Crawfordsville, Indiana, wants to thank you for helping him and a lot of vets who got through Vietnam. Your songs meant a lot to them. He wants to know, " Did you have the soldiers in mind when you wrote some of your songs in the sixties ?"

>> You know what? Oliver Stone, who is my friend-- I met Oliver when he first came back from Vietnam, and how we met was that he had done the movie Platoon and he had used a couple of my songs in the movie-- Tracks of My Tears and one other song. And he told me how important the music of Motown had been to the troops. When someone-- when somebody's going through that type of trauma, where daily people are dying around you, your friends, people that you got to know, and one of the main ways that you are going to comfort yourself from an atmosphere like that is to listen to some of my music? Man, that's beautiful.

That's so overwhelming. That is a great honor, to think that those guys were comforted by my music.

>> Did you and your colleagues at Motown have any idea that your work was so special and would so revered fifty years later?

>> On the day that Berry Gordy started Motown, there were five people there. He had a plan. He sat us down and he said, " We are not going to make black music. We're going to make music for people. We're gonna make music for the world. We're gonna make music with some great beats and great stories ." None of us ever dared to dream that Motown would become what it has become around the world. So many, many, many barriers were broken down with the music because like I explained to you earlier we were going through the civil rights movement and we go places and especially in the South where the audiences would be segregated.

There would be like white people on this side and black people on this side, white people upstairs and black people downstairs and vice versa. You know, after we've been making music for a year or so, we go back to those same places and not only were they there, they were mingling and dancing with each other and having a good time with each other because they had a common love. They had a common joy which was the music of Motown. So no, none of us ever dared to dream that it would become what it has become.

>> Out of the various artists who you've worked with in Motown, who was your favorite singer?

>> This is not a downplay of any other people that I've worked with because they were all wonderful, great singers. But I would have to say Marvin Gaye. Marvin Gaye is one of those people who really is everlasting. When he came into the studio, I was sitting at the piano and I was showing him why I play a track or something like that and showing him my song. And he would proceed to sing my song like he already knew it before he got there and like he had written it 'cause he was that familiar with it. I always just tell him, " Man, you came in and you Marvinized my song ." Because he did, you know.

Great singer. And so he would have to be on the top of my list.

>> What do you think of the use of samples of your music in hiphop? Is it stealing or tribute?

>> As a songwriter, that is the greatest form of flattery almost that you can get. Sample all of mine, please. There are millions and millions and millions and millions of songs, and out of all those millions and millions and millions and millions of songs, you picked one of mine? God bless you. Thank you.

>> This question is from Cheryl [ unk ] in Michigan. Many of your greatest songs are sad ones. Do you have any good advice for young people with a broken heart?

>> Time is my advice. Time is the greatest healer that there is, you know. And most of the time, with time, tragedy becomes comedy. Something that you thought was unbearable, this thing was so tragic to you when it happened that " It isn't possible to go on" " I can never recover from this ". Ten years from now, you'll laugh about it and say, " Oh man, I thought I'd never recover from that but, you know, here I am ."

>> Is there something that comes to mind in your life that you thought you wouldn't get over--

>> There had been times when-- especially in the early days and we would be out on the road doing shows and we'd go places in the South especially where they didn't wanna serve us. And we would sit there for an hour before anybody would even come and say, " What do you want ?" That was like some tragic stuff at the time, but now, I can laugh about it. I can say, " Oh golly, that was stupid of them ." But I'm glad, you know, that I lived to experience that, and I'm glad that it's-- I'm at a point in my life when I look back on it and smile.

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