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---
description: Breaking news and analysis from time.com. Politics, world news, photos, video, tech reviews, health, science, and entertainment news.
title: Dragnet
image: https://static.time.com/v3/assets/bltea6093859af6183b/blt47152e0fe598086c/69869f1513c79f0101193699/t100_tv_dragnet1.jpg?branch=production&amp;width=2400&amp;quality=75&amp;auto=webp&amp;crop=16:9
---

Aug 11, 2014

# _Dragnet_

by 

[TIME Staff](/author/time-staff/)


## TIME Staff


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![](https://static.time.com/v3/assets/bltea6093859af6183b/blt47152e0fe598086c/69869f1513c79f0101193699/t100_tv_dragnet1.jpg?branch=production&width=3840&quality=75&auto=webp&crop=3:2)

Everett

Viewed alongside a complex modern cop drama like _The Wire_ or even _The Shield_, Jack Webb’s mother of all procedurals looks like a cave painting. But there’s an artistic economy to the show’s simple storylines and clipped cadences—Det. Joe Friday may never have used a semicolon in his life. And a lot of more ambitious dramas could learn something from its clean, documentary style and single-minded commitment to story, story, story. (“Just the facts, ma’am” was not a slogan but a command.) And then there are the spare, noir visuals; not only did this show teach _Law & Order_ and _CSI_ how to tell stories, it looked damn fine doing it. Friday kept his personal life under his tilted-just-so hat, but he arrested our attention all the same.

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