The producers of this off-Broadway cause celebre, about a gay Jesus in Texas, were ready for religious protests. What they didn’t expect was a crucifixion by the critics (“Utterly devoid of moral seriousness or artistic integrity”–New York Daily News). A sad injustice. Years from now, when the brouhaha is past, Corpus Christi may get its due as one of McNally’s best, most moving and personal works. His updating of the Christ story is witty but not patronizing, as sober and cleansing as a dip in baptismal water. Joe Mantello’s production–a bare stage, apostles clad in identical white shirts and khakis–is a marvel of spare inventiveness. And the hushed audience reaction at the climax testifies to an artistic success that will outlast the howling mob.
–By Richard Zoglin
More Must-Reads from TIME
- Inside Elon Musk’s War on Washington
- Meet the 2025 Women of the Year
- The Harsh Truth About Disability Inclusion
- Why Do More Young Adults Have Cancer?
- Colman Domingo Leads With Radical Love
- How to Get Better at Doing Things Alone
- Cecily Strong on Goober the Clown
- Column: The Rise of America’s Broligarchy
Contact us at letters@time.com