They weren’t gay. They weren’t part of the Trench Coat Mafia (although there was a real Trench Coat Mafia). They weren’t nerds or outcasts or goths, and they didn’t target jocks or black people or anybody in particular. They did not go bowling for Columbine. They skipped class that morning instead.
Dave Cullen is a journalist who has spent the past 10 years in Colorado trying to figure out exactly what happened at Columbine High School on April 20, 1999, and why, and what the consequences were. He has read the killers’ diaries, watched the surveillance tapes and interviewed many of the survivors. The result is his comprehensively nightmarish book Columbine (Twelve; 417 pages), published a few weeks shy of that grim 10th anniversary. Cullen’s task is difficult not only because the events in question are almost literally unspeakable but also because even as he tells the story of a massacre that took the lives of 15 people, including the killers, he has to untell the stories that have already been told. (See pictures of crime in Middle America.)
Should this story be told at all? There’s an element of sick, voyeuristic fascination to it–we don’t need an exercise in disaster porn. But Columbine is a necessary book. Narrating an event is a way to tame it, to give it a meaning, and the Columbine massacre is an aggressively, catastrophically meaningless event, a rip in the smooth fabric of an otherwise comprehensible world. It’s a vacuum that urgently demands to be filled.
The question is, Who gets to fill it? As soon as word of the atrocity began leaking out of the building–and it was on local TV 28 minutes after the first shot was fired–ownership of the story of Eric Harris and Dylan Klebold was being fiercely contested. Were they natural-born killers? Or were they victims themselves–of bullying, of bad parenting, of mental illness? Were they sent by the devil, as some local Evangelical preachers argued? The killers had a version of their story too, which they told in the journals and videos they left behind. They believed they were two living gods trapped in a world of zombies. (See TIME’s 1999 cover story about Columbine.)
But the first lesson of Columbine is that “they” were not they. To understand Harris and Klebold, you have to learn to tell them apart. Harris was the extrovert: “He smoked, he drank, he dated. He got invited to parties. He got high,” Cullen writes. An Army brat, shuttled from school to school, he had picked up the trick of being charming, but he also had a temper that flared when he didn’t get his way. Klebold was physically more imposing–at 6 ft. 3 in., he was 6 in. taller–but he was less sure of himself.
Klebold suffered severely from what appears to have been undiagnosed depression. Harris had an undiagnosed ailment too, but it doesn’t sound as though it caused him a lot of suffering. The consensus among psychiatrists is that he was a psychopath.
Psychopaths are neurologically different from healthy people. They’re arrogant and obsessed with power and control, and they’re cognitively almost incapable of remorse or empathy. Harris had a website where he repeatedly, repetitively rehearsed his grievances: “All I want to do is kill and injure as many of you pricks as I can!” (Among his pet peeves: people who pronounce espresso “expresso.”) The journal he kept was called “The Book of God.”
See TIME’s 2008 cover story on the Columbine Effect.
See pictures of America’s gun culture.
Klebold called his journal, more poetically, “Existences: A Virtual Book.” It alternates between odes to his lonely misery and pages full of winged hearts, symbols of his love for a girl Cullen calls “Harriet,” to whom Klebold apparently never spoke. Whereas Harris dreamed of homicide, Klebold dreamed about suicide: “Thinking of suicide gives me hope that i’ll be in my place wherever i go after this life–that ill finally not be at war w. myself, the world, the universe.” Klebold was the follower, not the planner. Under Harris’ careful direction, he learned to turn his inner pain inside out, into an insane desire to punish others. By the spring of 1999, he and Harris were both calling themselves gods. The rest of us were zombies, losers, robots, trapped in our inferior little lives by our inferior little minds. They were ready to kill. (Read “The Columbine Tapes.”)
The actual events of April 20, 1999, are exactly as appalling as you’d expect, and Cullen doesn’t spare us a second of them. To assemble a definitive timeline of the attack, Cullen has had to resolve hundreds of wildly divergent eyewitness accounts. This was, as he puts it, “the first major hostage standoff of the cell phone age,” so as the nightmare unfolded, students were calling local news stations, which then fed their panicked stories back into classrooms via TVs in real time, creating a feedback loop that distorted their experience of the event even as it was happening. Maybe the most surprising thing to come out of Cullen’s version is how quickly it all happened. What felt like an all-day ordeal lasted only 49 minutes before the shooters ended their lives. All the murders happened in the first 16. (See the top 10 non-fiction books of 2008.)
Americans took some lessons from Columbine, though not always the right ones. Colorado tightened restrictions on gun sales at gun shows … but national legislation died in Congress. An epidemic of profiling swept U.S. high schools, but it was based largely on the erroneous idea that the killers were bullied outcasts. Armed-standoff tactics changed too. SWAT teams are now more likely to rush into a building and take down shooters immediately rather than establishing a perimeter and waiting for more information. That strategy may have saved lives at Virginia Tech, where in 2007, Cho Seung-Hui killed 32. (See pictures of the Virginia Tech shooting.)
What can we learn from Columbine, which is now the most convincing, authoritative narrative we have of the massacre? If it fills in the meaning of that senseless atrocity, what is it? Harris’ story doesn’t help us any. It’s familiar and unilluminating: he was wired to kill. If there is a lesson here, it lies in Klebold’s story, which is the more disturbing because he was, at heart, like us. He was capable of love and sympathy, and he discarded them. Some killers are natural born. Klebold was made.
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