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---
description: Filmmaker Guillermo del Toro on the politics of horror movies, living in self-imposed exile and owning a man cave
title: 10 Questions for Guillermo del Toro
image: https://static.time.com/v3/assets/bltea6093859af6183b/bltde093bcdab65f2d0/6988d9b9bc6cfc69913e2a3c/time-logo.jpg?branch=production
---

* [Entertainment](/section/entertainment/)

# 10 Questions for Guillermo del Toro


by 

[Gilbert Cruz](/author/gilbert-cruz/)

Sep 5, 2011 4:00 AM CUT

by 

[Gilbert Cruz](/author/gilbert-cruz/)

Sep 5, 2011 4:00 AM CUT

 **TIME: Don’t Be Afraid of the Dark, the new film that you co-wrote and produced, is a remake of a 1973 TV movie. There are a lot of remakes and reboots and reimaginings lately. How does one do a “re-” anything well?**   
 Guillermo del Toro: It needs to come from a place of genuine love. When remakes come from a genuine place, like \[John\] Carpenter’s   _The Thing_  or \[David\] Cronenberg’s   _The Fly_  , they can be really good. 

 **There’s a lot of whispering in this film, which is the most inexpensive scare effect ever.**   
 There is no more terrifying horror than the one that is intimate. Whispers are that. 

 **You grew up in Mexico, where a scary drug war is going on. Why not make a movie about that?**   
 I’m not a filmmaker who can speak directly about politics without addressing it through fable or parable. It’s just not in my makeup, and the horror film is a very political genre. But I cannot go back to Mexico as a director because of the kidnapping of my father. A film is a highly visible venture, and I can’t risk it. 

 **You’re talking about your father’s being kidnapped by bandits and held for ransom for 72 days in 1998\. That must have been absurdly frightening.**   
 It was. It is. Every day, every week, something happens that reminds me that I am in involuntary exile \[from my country\]. But to talk about life in a direct way is the work of other types of storytellers. As a man, the kidnapping defined my life. As a storyteller, I try to define myself. 

 **You say horror is inherently political. How so?**   
 Much like fairy tales, there are two facets of horror. One is pro-institution, which is the most reprehensible type of fairy tale: Don’t wander into the woods, and always obey your parents. The other type of fairy tale is completely anarchic and antiestablishment. 

 **You have an interesting living situation, with a house, separate from your family, for just your books, your posters, your art and your work.**   
 As a kid, I dreamed of having a house with secret passages and a room where it rained 24 hours a day. The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7\. 

 **What did your wife have to say about that?**   
 She was happy. When you’re 7, your mother throws away your comic books. When you’re 40, you should be able to prevent that. 

 **How do you deal with people who think of the fantastic as infantile?**   
 I try to avoid long conversations with them. You cannot convince a Buddhist to become a Protestant any more than you can convince a person who embraces realism as the highest form of art that fantasy is an equally important manifestation. It’s impossible. 

 **You speak as if your art is your religion.**   
 It is. To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I’m telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously. 

 **Why do you always wear black?**   
 I have been told it’s very slimming. \[Laughs.\] But let me tell you, no matter how I look in black, you don’t want to imagine me in white.

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