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description: Netflix&#x27;s &#x27;The Perfect Couple&#x27; is surprisingly fun. But it raises a question: why does its star keep playing the same role?
title: Why Does Nicole Kidman Keep Repeating Herself?
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# Nicole Kidman Has Mastered the Art of the Icy Rich Mom. So Why Does She Keep Repeating Herself?


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[Judy Berman](/author/judy-berman/)


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## Judy Berman


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TV Critic

Sep 5, 2024 4:40 PM CUT

![The Perfect Couple. Nicole Kidman as Greer Winbury in episode 101 of The Perfect Couple. Cr. Seacia Pavao/Netflix © 2024](https://static.time.com/v3/assets/bltea6093859af6183b/bltccce1d40b652e703/698a5a9b09208fa98b41d921/TPC_101_Unit_05695RC.jpg?branch=production&width=3840&quality=75&auto=webp&crop=3:2)

Nicole Kidman in The Perfect Couple

Nicole Kidman in The Perfect CoupleSeacia Pavao—Netflix

![Judy Berman](https://static.time.com/v3/assets/bltea6093859af6183b/bltc8170b2c5c3c92c7/698a3ea0457a52b982d67c3b/Judy-1.jpg?branch=production&width=3840&quality=75&auto=webp&crop=1:1)

by 

[Judy Berman](/author/judy-berman/)


![Judy Berman](https://static.time.com/v3/assets/bltea6093859af6183b/bltc8170b2c5c3c92c7/698a3ea0457a52b982d67c3b/Judy-1.jpg?branch=production&width=96&quality=75&auto=webp)

## Judy Berman


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Sep 5, 2024 4:40 PM CUT

What more could possibly be left to say about TV’s [post-_Big Little Lies_ profusion](https://time.com/6165832/anatomy-of-a-scandal-review/ "undefined") of glossy domestic thrillers? You know the type: Wealthy family. Female protagonist. Best-selling source material. A picturesque backdrop, shot with prestige-coded elegance. A name-brand creator or director. A cast of famous actors, at least one of whom is an executive producer, dressed in quiet luxury, making big, emotional scenes. A murder or a sexual assault or a missing person. Every character has a secret or five, which means that just about everyone is a suspect.

_The Perfect Couple_, now streaming on Netflix, adheres so closely to this brief—and is so unapologetically superficial—that the only surprise is how much fun it wrings out of a story saturated with soap and tropes. [Susanne Bier](https://time.com/5916391/the-undoing-killer-susanne-bier/ "undefined") (the Danish filmmaker who’s now best known for HBO’s silly _Lies_ follow-up [_The Undoing_](https://time.com/5902435/undoing-review-hbo/ "undefined")and the [meme-bait Netflix movie _Bird Box_](https://time.com/5492031/bird-box-challenge/ "undefined")) directs the adaptation of the novel by beach-read eminence Elin Hilderbrand. [Eve Hewson](https://time.com/4075750/eve-hewson-the-knick/ "undefined") (a wonderful actor whose last contribution to this subgenre was Netflix’s ridiculous _Behind Her Eyes_) stars as Amelia Sacks, a humble zoologist who is about to marry into the blue-blooded Winbury clan when a member of the wedding party is found dead at their Nantucket estate on the morning of the nuptials. The stacked cast includes [Liev Schreiber](https://time.com/collection/time100-voices/6794354/liev-schreiber-ukraine-values/ "undefined"), [Dakota Fanning](https://time.com/5118042/dakota-fanning-please-stand-by/ "undefined"), [_The White Lotus_](https://time.com/6223583/the-white-lotus-season-2-review/ "undefined")’ Meghann Fahy, and, somehow, French film icon Isabelle Adjani. Its biggest name is also its least surprising: [Nicole Kidman](https://time.com/6194113/nicole-kidman-memes-balenciaga-amc/ "undefined"). The _Lies_ and _The Undoing_ lead has become ubiquitous in a particular type of role in this particular type of project. By now, the A-lister’s very specific form of overexposure constitutes a more fascinating mystery than any whodunit in which she appears.

![Nicole Kidman in 'The Undoing' finale](https://static.time.com/v3/assets/bltea6093859af6183b/blt87033aaed44e33f8/698a14bf16d884bb83c38dc8/nicole-kidman_3-1.jpg?branch=production&width=1440&quality=75&auto=webp)

Nicole Kidman in 'The Undoing' finale Niko Tavernise/HBO

If _The Perfect Couple_ is the quintessential series of its kind, then Kidman’s part, as Amelia’s future mother-in-law, Greer Garrison Winbury, is quintessential 2020s Kidman. The gorgeous matriarch of a wealthy family (see also: _Lies_, _The Undoing_, [_Expats_](https://time.com/6586816/expats-review/ "undefined")), Greer is, like her character in the recent Netflix film [_A Family Affair_](https://time.com/6993661/a-family-affair-review/ "undefined"), a successful author. As in [_Nine Perfect Strangers_](https://time.com/6089080/nine-perfect-strangers-review-hulu/ "undefined") and, again, _Expats_, her murky past is a source of pathos as well as suspense. This sort of Kidman character projects an icy perfection that belies inner turmoil. You can tell she’s unraveling when redness creeps into her porcelain features, rimming teary eyes and inflaming delicate nostrils. 


Not all of these titles are thrillers. While _Expats_ downplays its mystery elements in favor of grounded drama, _A Family Affair_ is a romantic comedy that pairs marquee stars with a made-for-TV script. Nor are these the sole projects in which Kidman has recently participated; since the second season of _Lies_ aired in 2019, she’s also played Lucille Ball in [_Being the Ricardos_](https://time.com/6127512/being-the-ricardos-review/ "undefined"), appeared in her second _Aquaman_ movie, and re-teamed with her _Lies_ husband [Alexander Skarsgård](https://time.com/6169996/alexander-skarsgard-the-northman-interview/ "undefined") for Robert Eggers’ Viking epic [_The Northman_](https://time.com/6169663/the-northman-review/ "undefined") (this time she was his mother), among other roles. What’s curious is that such a sought-after actor would make time for so much similar small-screen work, to the extent that every few months, she seems to be back on our televisions playing yet another rich mother on the verge of a nervous breakdown. 

![Nicole Kidman, who plays the role of Margaret in the TV series 'Expats' set in Hong Kong.](https://static.time.com/v3/assets/bltea6093859af6183b/blt6601c9a83d72921e/698a44499d83e8109bb98190/Expats-TV-Series-Nicole-Kidman.jpg?branch=production&width=2400&quality=75&auto=webp)

Nicole Kidman in Expats Prime Video


This is, after all, the woman who won an Oscar for her portrayal of a restlessly intelligent [Virginia Woolf](https://time.com/5792713/virginia-woolf-100-women-of-the-year/ "undefined") in _The Hours_ and collected nominations for everything from [Baz Luhrmann](https://time.com/6111561/romeo-juliet-baz-luhrmann-anniversary/ "undefined")’s maximalist musical _Moulin Rouge!_ to [_Lion_](https://time.com/4577009/lion-movie-review-saroo-brierly-dev-patel/ "undefined"), an emotional drama of intercontinental adoption. In the international arthouse, [Kidman was becoming](https://time.com/archive/6738325/nicole-kidman-actings-adventurer/ "undefined") the Anglophone answer to Adjani or [Isabelle Huppert](https://time.com/4564356/elle-movie-hillary-clinton/ "undefined"), inhabiting women pushed to their psychological limits. She offered up her marriage to Tom Cruise for dissection in Stanley Kubrick’s _Eyes Wide Shut_. She embodied a uniquely American sort of scapegoat in [Lars von Trier](https://time.com/13806/my-lars-von-trier-problem/ "undefined")’s harrowing _Dogville_. She pushed boundaries of taste in [Jonathan Glazer](https://time.com/6899602/jonathan-glazer-oscars-speech-gaza/ "undefined")’s _Birth_, in which her widowed character meets a 10-year-old boy who claims to be her reincarnated husband. Her TV work is never less than solid; she’s fine in _The Perfect Couple_. But the more she allows herself to be typecast, the more her haunted-mom characters feel like pastiches of the singular performances she was giving a few decades ago.


In interviews, Kidman consistently cites two criteria for choosing projects. From an artistic perspective, she gravitates toward psychologically challenging characters. “I’ve pushed myself into places that I don’t find comfortable,” [she has said](https://www.nytimes.com/interactive/2020/10/05/magazine/nicole-kidman-interview.html "undefined"), by way of explaining her attraction to _The Undoing_ heroine Grace Fraser, a Manhattan therapist in deep denial about her charming husband’s (Hugh Grant) true nature. “I’m interested in philosophy and the human psyche. I’m interested in stoicism.” It’s a thoughtful response and a noble aim, but not one that necessarily lends itself to novelty. Kidman’s recent characters may be complicated and multilayered, but their personalities, problems, and lifestyles are often so similar as to be mostly interchangeable.

![Earth Day](https://static.time.com/v3/assets/bltea6093859af6183b/blt4008a3f35ae475b8/698a1bd6929fad5d02bf7951/9ps_103_vv_0525rt.jpg?branch=production&width=3840&quality=75&auto=webp)

Nicole Kidman in 'Nine Perfect Strangers' Vince Valitutti—Hulu


She also seizes opportunities to collaborate with, and foster the careers of, women. To her great credit, she’s far exceeded the [promise she made](https://www.theguardian.com/film/2017/may/24/nicole-kidman-i-will-work-with-a-female-director-every-18-months "undefined"), in 2017, to work with a female director once every 18 months. (That vow may also explain why viewers have been seeing so much of her: “I could rest,” [she said in 2021](https://www.theguardian.com/film/2021/dec/26/im-not-just-coasting-along-nicole-kidman-on-fame-family-and-what-keeps-her-awake-at-night "undefined"), admitting that she was indeed tired. “Or I could actually do what I promised I’d do.”) And she isn’t just acting. She launched a production company, Blossom Films, in 2010 and has served as an executive producer of all her recent TV series. In the case of _The Perfect Couple_, she shares that credit with Bier, Hilderbrand, and writer and showrunner Jenna Lamia ([_Good Girls_](https://time.com/5163688/good-girls-nbc-review/ "undefined")). Kidman’s superstar presence plays no small role in getting the shows and movies she champions made. In a [recent interview](https://evanrosskatz.substack.com/p/nicole-kidman-practical-magic-sequel-expats-lulu "undefined"), she explained that, while many actors refuse to work with first-time directors, “the thing I love to do is to be able to carve a path for filmmakers, writers, actors and people that haven’t been given the opportunities that I have and to be able to share that; to bet on people that haven't necessarily been able to show their worth yet; to stand there and hold somebody's hand and walk through the fire with them.” 


In an industry where many of her colleagues pay lip service to inclusion but just keep working with the same established white guys, she has been an intrepid and steadfast supporter of new talent. Sometimes, that mission yields work as daring as the movies that made her reputation. Kidman [set](https://www.indiewire.com/criticism/movies/babygirl-review-nicole-kidman-1235041886/ "undefined") [the](https://www.thedailybeast.com/obsessed/babygirl-review-nicole-kidmans-wildest-longest-sex-scenes-ever "undefined") [Venice](https://variety.com/2024/film/reviews/babygirl-review-nicole-kidman-venice-film-festival-1236124700/ "undefined") [Film](https://www.bbc.com/culture/article/20240830-babygirl-review "undefined") [Festival](https://www.ft.com/content/0e912117-299e-4b17-a376-9eb8d41aa3d2 "undefined") [ablaze](https://www.nytimes.com/2024/08/30/movies/nicole-kidman-babygirl-venice-film-festival.html "undefined") last month with the sexually explicit _Babygirl_, from Danish filmmaker Halina Reijn, which casts her as a tech executive caught between her devoted husband (Antonio Banderas) and a young intern (Harris Dickinson) eager to indulge her BDSM fantasies. Other times, her ability to package a fresh voice in a way that’s attractive to a studio or streamer may well take precedence over certain artistic considerations. _Expats_, which paired her with _The Farewell_ auteur [Lulu Wang](https://time.com/collection/person-of-the-week-podcast/6588547/lulu-wang-interview-person-of-the-week/ "undefined") for the latter’s first TV series, was her best show since the first season of _Lies_—but Kidman’s unmoored character was among its least [exciting elements](https://time.com/6692972/expats-lulu-wang-interview-amazon-prime/ "undefined"). It wouldn’t be surprising, either, if domestic thrillers based on established IP were the kind of project Hollywood, in its eternal sexism, was most likely to adequately compensate a 57-year-old leading lady and a rookie female creator to make.


![Nicole Kidman in 'Big Little Lies'](https://static.time.com/v3/assets/bltea6093859af6183b/blt04b9881d7fb03902/6988dd077cdbac26afd59efd/emmys-2017-nicole-kidman-big-little-lies.jpg?branch=production&width=3840&quality=75&auto=webp)

Nicole Kidman in 'Big Little Lies' HBO

You’d have to be a bigger snob than me to resist the brain-emptying pleasures of _The Perfect Couple_. Not every show has to be a masterpiece to be a good time, nor does being a great actor require career-long genuflection at the altar of cinema (but thank you, Daniel Day-Lewis, for your service). Sometimes what is healthy for the industry isn’t the same as what makes great art. Even so, it can be a drag to see a performer capable of what Kidman achieved in _Dogville_ and _Birth_ and even [that one AMC Theatres ad](https://www.youtube.com/watch?v=KiEeIxZJ9x0 "undefined") so often choose to repeat herself instead.

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